The Superhero Effect: Idealism and Stereotypes in Comic Books

Superheroes can be defined in many ways by many experts. Clare Pitkethly’s academic background consists of comparative literature, culture and communication as she also speaks and writes comic books and superhero, defines a superhero to be different. In Pitkethly’s article “Straddling a Boundary: The Superhero and the Incorporation of Difference,” talks about

A hero is universally seen as a selfless individual who puts the needs of others before themselves. Heroes usually hold the same values; honor, nobility, integrity, and strength. Now what happens when a person does not hold those heroic values? What if their motivations did not have good intentions? These are the questions that will be answered using the deconstruction critical lenses. “Today, it is much harder to detach the concept of heroism from morality; we only call heroes those whom we admire and wish to emulate.” (Lebarge web) The Greek myth of Theseus and the Minotaur has evolved into the modern trilogy of Batman which, when deconstructed, reveals how the selfish motivations of

The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.

Growing up as a Native American boy on a reservation, Sherman Alexie was not expected to succeed outside of his reservation home. The expectations for Native American children were not very high, but Alexie burst out of the stereotype and expectations put by white men. Young Native Americans were not expected to overcome their stereotypes and were forced to succumb to low levels of reading and writing “he was expected to fail in a non-Indian world” (Alexie 3), but Alexie was born with a passion for reading and writing, so much so that he taught himself to read at age three by simply looking at images in Marvel comics and piecing the words and pictures together. No young Native American had made it out of his reservation to become a successful writer like he did. This fabricates a clear ethos for Alexie, he is a perfect underdog in an imperfect world.

The portrayal of superheroes in films has changed in terms of their character, appearance, style and strength. Superheroes has been a popular theme in hollywood films since its inception. They are what peoples imagination can only think of. A perfect human being who saves the world .The first time superhero appeared on T.V was “The Adventures of Captain Marvel” in 1941. Superheroes was on the rise within popular comic books in 1930′s to the 1940’s as well in which they were considered the ‘Golden Age of Comic Books’ . Comic books became widespread and popular which translated into making films about them.

Superhero movies have been on the rise lately. These movies are often looked at as entertainment for people who play Dungeons and Dragons and are simply mindless pleasure; however, this is not the case. The reason behind the popularity of superhero movies is more than just the want of the common comic book reader. The superhero movie industry has made a sharp incline in popularity; in fact there are more superhero movies now than ever before. A website called Fights, Tights and Movie Nights listed all of the superhero movies made since the 1980’s by year and these were their findings. In the 1980’s an average of three to four super movies came out a year. In the 1990’s these movies were made on average five to six times per year. In the 2000’s the movies doubled to 12-13 produced on average each year. Today, 2010’s, the average number of superhero movies has again doubled in size with it now resting at twenty-two to twenty-three superhero movies made on average each year. The drastic increase of the number of superhero movies leaves the average movie attendee wondering why they are seeing this spike of superhero movies. The increase of superhero movies can be contributed to a few key factors: the advances of technology in the movie industry, the movie genre’s adaption to be socially relevant, and the characters now possessing more humanistic qualities (Fights…).

Merriam-Webster Dictionary defines a superhero as, “a fictional character who has amazing powers (such as the ability to fly)” or “a very heroic person”; yet, many of the characters in Watchmen have no supernatural power and are immoral by most precedent societal standards. Alan Moore, in the graphic novel Watchmen (1986-1987), asserts Rorschach as an example of deontology. Moore supports his thoughts through dialogue and illustration. The author’s purpose is to juxtapose philosophical beliefs by comparing their varied flaws through differing narrators’ points of view. The author takes a condescending tone in an effort to enrage his target audience of adult males. This paper seeks to illustrate, qualify, and challenge Moore’s claim that Rorschach is a deontologist.

Scott Vollum, Cary D. Adkinson. The Portrayal of Crime and Justice in the Comic Book Superhero Mythos. College of Criminal Justice Sam Houston State University, 2003 Journal of Criminal Justice and Popular Culture, 10(2) (2003) 96-108

Stereotype is the most common issue that people get effect from superheroes. Due to the fact that superheroes are men, boys are the most effective group in the real world. Boys think that they should be “superheroes,” and they should be as strong and powerful as superheroes. In the article “Today's Superheroes Send Wrong Image to Boys, Say Researchers,” Psychologist Sharon Lamb, PhD, distinguished professor of mental health at University of Massachusetts-Boston told the American Psychological Association (APA) news interviewer about the influence of superheroes in boy basic on her survey, “She and her co-authors found that marketers take advantage of boys’ need to forge their identity in adolescence and sell them a narrow version of masculinity.”

In addition, we will explore the context in which the members of the group communicate with their intended audience using mass communication. The last part will try to examine the recent changes in the comic-book world in regard to giving the traditional male superhero role to a female lead and what changes might it bring forth by breaking some of the female gender stereotypes and norms.

Bercuci, L. (2016). Pop Feminism: Televised Superheroines from the 1990s to the 2010s. Gender Studies, [online] 15(1), pp.252-269. Available at: https://www.degruyter.com/downloadpdf/j/genst.2016.15.issue-1/genst-2017-0017/genst-2017-0017.pdf [Accessed 14 Jul. 2017].

Thesis Statement: Comic Books are not just enjoyable to read for most but have changed everyday life more than people realize.

Throughout the world women are depicted to be oversexualized among forms of media such as video games and comic books. The idea of oversexualization towards female characters is that they have been often drawn and animated in hypersexual ways. Even going as far as viewing them as a sex object, their revealing body images are eye candy through the eyes of men. Hence women found in comic books and video games are frequently emphasized by their excessive physical appearances, objectification, portrayal, and character role.

Through my analyzation of these values, I have assessed the relevance of superheroes in cinema through the impact of American popular culture, the contrast of gender roles, and their impact on children. As a result, society should be gracious toward the immense popularity of superhero films, as they bolster American popular culture and positively impact children from a young age. Although the gender roles might be a bit skewed, many film companies are taking steps to include women in more empowering roles such as Wonder Woman in the DC cinematic universe. Therefore, superheroes in cinema tend to only create and preserve positive characteristics within society, which is glorious in the future of mankind. In closing, I end with the question, “Which superhero best depicts

The changes thorough media have led to the decline of the traditional hero archetype. To relate to society throughout the twentieth and twenty-first centuries, television shows and film have had to conform to new standards. In the beginning, any film was