The superhero genre is classified by a fight of good vs. evil. The heroes and the villains are complex characters driven by motives that are not always black and white. Besides dealing with fictional characters, superhero comic books often incorporate real life difficulties, such as racism, sexism, and drug use. The storylines are driven by the superheroes fight against the forces of evil, but the underlying story often deals with conflicting moral dilemmas and self-doubt. The superheroes have secret identities and strut around in colorful costumes, but behind these personas, lay a story of triumph and defeat. The true appeal of comics is not the colorful character who follows it but the dark, gritty storylines that cause the reader to view the world and humanity in a new light. In “Batman #134”, written in 1960 by Bill Finger, a few of these requirements are addressed. This comic follows Batman and Robin’s adventure in an undisclosed South American republic. The major conflict lies with a man named Diaz, who releases a monster known as “The Rainbow Creature.” This creature terrorizes the village until Batman uses his world-class detective skills to defeat the beast. The storyline is quickly wrapped up in a span of nine pages, and the childish tone of the comic causes the intrigue of the story to be lost on the reader. On the other hand, Batman: Ego, written by Darwyn Cooke in 2000, deals with the harsh atmosphere of Gotham. The comic tells the story of a wounded Batman and
When it comes to reading comics, it takes patience and understanding. Since this was my first time reading a true comic book, I have a new appreciation for comic books. With the reading of Scott McCloud’s, Understanding Comics, there are many elements that go into making a comic book a true comic. Applying the teaching of color that McCloud taught in his book to the comic, Batman: Year One, the color scheme that is used in certain panels help bring the story off the page and is another form of emotions being expressed.
When read with a critical eye, the world of superhero comics often offers a lens with which we can examine society, our values, the meaning of justice, and the role of the individual in regards to the greater community. If all of this information is garnered from critical reading, then the way in which the medium of comics constructs these meanings will reflect an embrace or a rejection of the common symbols and ideology of it’s source culture. In the case of Alan Moore and Dave Gibbon’s 1987 graphic novel, Watchmen, the second approach is used, as Moore’s writing draws upon the common cultural understanding of superheroes and exaggerates or tweaks them, exposing their underlying ideals. In this way, Watchmen functions not only as a
Superheroes can be defined in many ways by many experts. Clare Pitkethly’s academic background consists of comparative literature, culture and communication as she also speaks and writes comic books and superhero, defines a superhero to be different. In Pitkethly’s article “Straddling a Boundary: The Superhero and the Incorporation of Difference,” talks about
The Joker was once seen as a comical criminal who committed ridiculously silly crimes, such as spreading laughing gas throughout Gotham City. However, after the reinvention of Batman, The Joker was transformed into a grave and terrorizing character. Continuing the course of the new personality given to The Joker, writer Alan Moore and artist Brian Bolland created a graphic novel called The Killing Joke, “a much more complex, darker, and ultimately, frightening story” (Wooldridge) which tells one of the origins of The Joker since The Joker himself is unsure of his true inception. However, this particular graphic novel “isn’t about how the Joker came to be, it’s an examination of
This source gives a good intake on how a person’s point of view and the targeted audience can play a big role in how the character is viewed upon. I plan on using this source’s context on publication and target audience to make points in my essay on how it affects Batman’s image.
Batman is an anti representative character with some good and bad traits, I will be discussing these points and specifically Batman’s eagerness to “fight crime” no matter what gets in the way, Batman and Bruce Wayne’s impulsive ways, Bruce Wayne and his money, the history of the Batman comic strip and then lastly Batman’s good side. Along with these points I will be explaining how Bruce became Batman.
During the significant changes in American history, comic books contributed information that described what was happening during a specific event. Starting with Superman, battling against the corrupted ceo’s and government politicians to Batman being a juvenile delinquent who eventually became one with the law. Yet with these comic book characters relating to everything around a human beings life, changed the American youth culture in a great way.
Attention-getter: Have you ever wondered why or how a superhero became a superhero, more specifically how and why Bruce Wayne became Batman?
In a movie where good and evil are divided by a very thin line, the Dark Knight rises up to fight against injustice and corruption in Gotham City. An action sequel to the original Batman Begins, this installment is a lot darker filled with more explosion, twists, and suspense. For the first time, a comic has been integrated into the issues of the real world. With the help of District Attorney Harvey Dent and Lieutenant Gordon, Batman sets out to dismantle the remaining mob members and clean the streets of Gotham for good. Their success is only short-lived when they encounter the Joker, a mysterious mastermind who is out to prove that nobility cannot hold in a world of anarchy.
The artistic representation of the Batman myth is an important cultural artifact of our time because it represents modern society's thirst for heroic ideals in popular entertainment. Since his creation, readers and viewers have admired Batman's unique ability to battle villainy, transcend the law and administer justice. As cultivators of the noir genre in film as well as in literature, Americans have always identified with this enigmatic hero, who exists on the margins of society and yet represents one of the largest corporations in the world. The evolution of Batman in particular and the superhero genre in general (from comic book to television to film and back again) has seen in the latest adaptation from Christopher Nolan's Batman revamp a veritable tilting point for the character once known as the World's Greatest Detective. This paper will analyze why Batman is an important cultural artifact of our day, how he came into being, what he means for society, and how he will be treated in the future.
In this dissertation I will discuss how DC Comics have developed and improved the design of their comic books since their establishment in 1937. I will compare comics from past and present and talk about the different styles of comic books that have been released from the company. I will also talk about how the artwork from the comic books have influenced character and costume design in recent DC Comic films. I will do this by studying the history of the company and researching the designers behind the comic books. I will thoroughly research in detail the characters and the designs of their costume and equipment and compare them to the different films that have been released over the years. The main character I will look into is Batman. I will study the origins of the character, the man behind the character, the reason behind Batman’s creation, how he has changed over the years, the development of other characters in the series, the famous villains that Batman has had to face, the different costumes he has had over the years and I will also be researching and studying how Batman has become a national icon in American society, and the effects the character has had on people living in the country. Batman
Another work by Crutcher emphasizes that ‘Many Lives of the Batman’ and ‘Batman Unmasked’ are bought in three areas: popular culture studies, popular culture as it relates to marketing and consumerism, and the nature of the comic publishing industry. Most writers have examined the impact of Dark Knight Returns on cultural consciousness, politics, and so on. This antihero construction sparks centuries old dialogues on ethics, the kind of business that comprises the bulk of Batman. “The complexities and graphics in the novel and comic of Batman have been defined as his duality with his villains” (Crutcher 66). Due to popularity and the existence of Batman, people began using the Batman symbol as paraphernalia on personal belongings such as clothing, equipment, and supplies.
1938 saw the first appearance of Batman. More of a mystery comic than a superhero comic book, Batman was inherently different from the pure and clean Superman. He was a gritty and depressing character that has been able to remain in print even to this day. Rather than using superpowers, Batman uses detective abilities that allowed him to solve cases and find perpetrators. (“The History of Comic Books.” TheComicBooks.com.) But not even Batman, Superman, or even Captain Marvel could brace themselves for the arrival of the Marvel comics.
Now in these days everyone one likes to read comic books since they became part of our society. What makes them interesting is how entertaining they could get giving us different points of views on different stories of superheroes. Many of us believe that “Classic superheroes stories are wildly fun, suspenseful and exciting” (Tom and Matt Morris) forgetting the idea of what really makes a hero. Different perceptions of superheroes are considered based on their wrong actions and way of thinking. Frank’s Miller Batman: The Dark Knight Returns is one of the comic books that make us “rethink the conception of the superhero and press each of us to reconsider some of the fundamental moral principles
When comics were first coming out, they were not all that popular but in todays’ world, they have become very popular and well known. Several of these comics have been turned into films, which is one of the many reasons why the popularity has been rising over the years. One of the most well known comics is Batman: The Dark Knight Returns. This comic was composed and released in 1986 by Frank Miller. With the usage of Frank Miller’s powerful, intense lines and the artwork done by Klaus Janson’s and Lynn Varley’s it has elevated this comic up to the very top of mainstream comics. In Batman: The Dark Knight Returns, the skillful illustrations on the pages successfully create the thought that there are underlying meanings, which makes the atmosphere a very intense one throughout the comic. The work of art that is presented on the pages in this comic are embedded in such a way that the pages become the continuum for the meaning. One of the main themes that are imbedded on the pages through the artwork in this book is the ideological struggle between Bruce Wayne and Batman.