The Supernatural In Henry James's The Turn Of The Screw

Henry James's Turn of the Screw was written in a time when open sexuality was looked down upon. On the surface, the story is simply about a governess taking care of two children who are haunted by two ghosts. However, the subtext of the story is about the governess focusing on the children's innocence, and the governess trying to find her own sexual identity. Priscilla L. Walton wrote a gender criticism themed essay about the Turn of the Screw, which retells certain parts of the story and touches on the significance they provide for the sexually explicit theme. Walton's essay is accurate because James purposely put an undertone of sexuality and identity confusion in the Turn of the Screw.

     Henry James was one of the famous writers during the nineteenth and early twentieth centuries. He was known as an innovative and independent novelist. One of James' novels, The Turn of the Screw (1898), has caused a lot of controversy among many critics, and each of them has had a particular interpretation. James' creative writing built a close connection between his novel and his readers. The reactions of the readers toward The Turn of the Screw can be researched psychologically by analyzing how James developed his story using questionable incidents, an unreliable narrator, unexpected changes, an interesting prologue, and effective images and words.

Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.

One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a

11. What effect does this advice have on the author when Mommy is not at the bus stop one day?

The governess is worried about her responsibility from the beginning. At twenty she is barely an adult herself. The youngest of several children of a poor country parson, she has never seen the kind of life over which she must now rule alone, has never had a large bed, an expansive view, perhaps not even a room of her own. She has never seen herself full length in a mirror before. She wonders whether she can rise to the responsibility of directing the care of two children in such an establishment. (55)

"The Turn of the Screw" written by Henry James in 1898, is a “supposed” Gothic novel that tells the story of a governess who begins working on the Bly Estate and takes care of Miles and Flora. After a time of her arrival, the governess begins to see visions of the governesses that had come before her. This intensely enigmatic, and unfathomable tale, that is full of deficient assertions has stimulated a tempestuous dispute among those in the field of literature. Traditionally, ghost stories endeavour the idea of conjuring the sudden excitement of not knowing, or in some instances knowing, what is going to come next. Henry James executes this stunt perfectly by maintaining two mutual perceptions, through the use of the natural and supernatural.

Henry James’ The Turn of the Screw is a story that not fully established in terms of detail. There are many gaps left in the text, leaving it impossible for the reader to be sure of how James intended his ideas to be interpreted. The main way this is done in the novel is through the use of an unreliable narrator, who is called into question due to her personal qualities and then also created through ambiguity through lack of detail and negated propositions. These factors combine what we don’t know or what we can’t be sure of and invite us to question the most vital part- are the ghosts real, or is the governess simply mad? These gaps enable us to interpret these questions in our own ways- of which there are many.

Every time the governess is conflicted, her mind turns and is unstable. Even before Miles arrives at Bly, the governess questions his demeanor and is paranoid about his reason for dismissal from school. She assumes that he has done something evil and "that he 's an injury to others." (page 10). Mrs. Grose tries to persuade her that he wouldn 't be that way. However, she is yet unsure of Miles ' character and further discusses him with Mrs. Grose. The governess is still concerned about Miles ' wrongful ways, but when questioned if she 's afraid of him, she "gave way for the time to the apprehension of ridicule." (page 12). It is her paranoia that opens the door for negative thoughts and images to enter her mind.

The novel, The Turn of the Screw, by Henry James, is a novel about a ghost story that involves two children and a Governess who believes she is the heroine and tries to save the children she looks after. The novel, Wuthering Heights, by Emily Bronte, is about the life of a character named Heathcliff and his journey that follows since he was brought to the Earnshaw home, by Mr. Earnshaw, his adoptive father; what follows is his struggles as he matures into a man and how he falls in love and becomes obsessed with Catherine. Gothic elements are found throughout both books. The definition of gothic elements is the “style of writing that can be characterized by elements of fear, horror, death, gloom, as well as a romantic nature” (Greaver). The

The governess’ knowledge of Quint and Miss Jessel’s affair, despite their social class, gives the governess the idea of her and her employer’s possible relationship. The difference in the governess’ and her employer’s social standings compared to that of Quint’s and Jessel’s are quite similar, with Quint being the valet at Bly and Miss Jessel being the previous governess. The governess is “drawn to her employer...who has a higher rank than she, [so] she makes much of the illicit affair between… Miss Jessel and Peter Quint, a man of much lower class” (“The Turn of the Screw” 252). Mrs. Grose describes Miss Jessel as simply a “lady” and that Quint is “dreadfully below” her (James 185). Wilson continues to tie Jessel and Quint’s relationship with

Henry James's The Turn of the Screw paints a landscape that is ripe for psychoanalytic analysis. He has chosen language and syntax that symbolize his main character's psychological fragmentation and her futile attempt to mend herself. Many of Lacan's theories emerge as the Governess reveals her motivations through her recollective narrative.

The Turn of the screw by Henry James is regarded as one of the most fascinating psychological thrillers of all time. Published in the late nineteenth century, this novella sets up a narrative story of a young lady who appears to have seen the ghost of the former dead employers of the place where she was working. In this novella Henry James combined drama, suspense, and mystery to make it one of the most preferred stories among the readers of all generations. The Turn of the Screw raises many questions, however: Is the governess going crazy? Is she really seeing the phantoms of those dead former state workers? Is she innocent? Is she the villain or the heroine of

The Governess is somewhat shocked when she hears that “her” angelic Miles was bad in the past, according to Mrs. Grose. Mrs. Grose explains that in the past Miles was “bad” and had lied often to cover up his relationship with Peter Quint (192). When she first noticed that “Quint and the boy had been perpetually together” she went straight to Miss Jessel (193). However, instead of Miss Jessel being professional and putting a stop to their relationship she tells Mrs. Grose to “mind her business” (193). Mrs. Grose also mentioned earlier that "It was Quint's own fancy. To play with him, I mean—to spoil him." She paused a moment; then she added: Quint was much too free…too free with everyone!” which exemplifies Quint and Miles’ relationship but also suggests that something inappropriate must be occurring (182). These are some of the quotes that make it so difficult to understand their peculiar relationship. The reader is left wondering what exactly the relationship between Peter Quint and Miles was; and what would Miss Jessel’s reason be for being rude to Mrs. Grose for Miles. If Miles and Peter Quint were simply friends, then Miss Jessel should have had no reason to hide it from Mrs. Grose. The Governess responds with “You reminded him that Quint was only a base menial?” which is odd because instead of her being stunned that there is a chance that Miles might be involved with an older man, she cares more about their

In The Turn of The Screw by Henry James the governess keeps seeing these mystical beings that may be real, or in her head. The article Believing Is Seeing by Barry L. Beyerstein shows a message that people can see a mystical being and their are explanations behind their citations that prove the appearance they see are not real. Whether you believe in ghosts, or believe that ghosts are fake, I will prove that ghosts are not real in The Turn of the Screw and how informational texts contribute to these types of explanations.