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The Symbolism of Car in American Culture

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American culture, its society, and its landscapes are all shaped by the automobile. The automobile is more than just a vehicle or a means to get from one point to the next. A car is a symbol, upon which Americans project their dreams, desires, goals, values, beliefs, and identities. In Dagoberto Gilb's short story, "Love in L.A.," the protagonist's name is Jake. Jake envisions his ideal car, with crushed velvet interior, an FM radio, electric controls, and a heater because "he could imagine lots of possibilities when he let himself," (p. 432). Jake's vision is more than a vehicle; it is the American Dream epitomized.
Films, television, song lyrics, the visual arts, and literature have all at some point capitalized on the car as a central image of what it means to be an American. Cars represent freedom, most of all. Cultivated during the 1950s, imagery of fun-loving Americans cruising down Route 66 or their local main street on a Friday night sent the signal that with a car, one could be anyone, and do anything. Jake in "Love in L.A." traveled to the City of Angels, the city of promise and Hollywood fantasy also the end point of Route 66.
American culture has projected itself onto the automobile, imparting a sense of Manifest Destiny. In a car, the driver owns the road. Driving is an entitlement, a privilege, a right. The driver creates his or her own social space within the car, which becomes a symbolic boundary between the self and Other. Only friends, family, and

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