The Taming Of The Shrew

In essence, all Petruchio did was teach Kate not to be so brash and rebellious. He showed her how awful her actions looked, and on her own, she made the decision to change her demeanor. She could have remained bitter and feisty, but it would have been in vain, and I believe that she realized that her actions had been no worse than the vanity and shallowness she witnessed in the people of Padua.

Petruchio wears the psychological mask of a guy who only has eyes for money. He makes his mask clear to the reader when he tells Hortensio to “wife wealthily” adding “you don’t know the power of gold.” after being told about Katherina’s bad behavior, not to mention her temper. It appears that Petruchio marries Kate for her money, but immediately starts to “kill her with kindness”. He begins going so by depriving her of food and sleep because he claims that neither the food from the kitchen nor the bed is good enough for her. Petruchio puts on a show of bad temper towards his servants for every fault, showing Kate what it is like to live with a bad-tempered person. For the first time in her life, Kate finds herself trying to get someone else to control their anger. Petruchio also shows Kate that she will get the things she wants when she learns to agree with what her husband says. By treating Kate in this manner, Petruchio seems cruel, but there is a reason for it. If he were truly interested only in money, he could have left Kate at home and gone out on his own. In the end, his efforts to improve his wife have worked. He improves Kate’s life, so that she does not continue to live an unhappy life. Because of Petruchio, Katherina the shrew is happily married in the end, and comes to be a good example to

“What, in the midst of the street? / … / No, sir God forbid, be ashamed to kiss.” (v, ii, line 148, 149, page 205). Again, she is threatened with having to return home instead of joining in the festivities, and Kate gives Petruchio a kiss. This obedient kiss may indicate Petruchio’s power over her, but it was clear to Kate that if she did not give him the kiss he asked for, she would not have been allowed to proceed to the wedding feast. Kate is smart and cunning and she manipulated his yearn for her tameness in order to do everything that she wants to while making him happy and pleased.

Ironically, they prove to be perfect for one another. Though Katharina seems heartless and unemotional, her one true fear is losing Petruchio. " It is surely worth remarking that Kate has only one true moment of agony, when Petruchio's deliberately tardy arrival for their wedding makes her feel jilted" (Bloom 30-31). Their mutual roughness seems to be their way of flirtation. Though Katharina feels that Petruchio is "a mad rudesby full of spleen," she realizes that she is truly in love and is lucky to have any husband at all, and will not, as the villagers say, "lead apes to hell" (Draper 95). The ironic counterpoint of their relationship is that while Katharina is easily tamed, Bianca, who needs no taming, is difficult for Lucentio to tolerate.

“Be ruled of me, forget to think of her.” (Act 1, Scene 1. Pg. 25.)

Petruchio may have been mean to her in order to tame her but by the end; he shows how he truly loves her. “Come, my sweet Kate/Better once than never, for never too late” (Shakespeare Vi 149-150). Kat’s sonnet about her feelings towards Patrick show that she has accepted that she can be in love. This is her version of being “tamed” because she can rely on someone other than herself. Patrick uses the money he made dating her to buy her a guitar and beg for her forgiveness. He has fallen for her though that was no his original intention. “I thought you could use it. You know, when you start your band. Besides, I had some extra cash, you know. Some asshole paid me to take out a really great girl but I screwed up. I fell for her” (10 Things I Hate About You). Besides the story, the filmmakers have used several exact lines from the play in the movie. Cameron echoes Lucentio’s line, “I burn, I pine, I perish”(Shakespeare Ii 155) when he sees Bianca for the first time. Kat, like Kate, tells her sister “You don't always have to be who they want you to be” (10 Things I Hate About You). The filmmakers kept Shakespeare’s story of love and deceit intact in the modernization.

In contrast to this, Kate is very angry and frustrated by the Petruchio, and immediately becomes "shrewish," resorting to insults, 'A joint stool,' and violence. This gives the effect of Kate being much less in control of what is going on, and perhaps reflects the direction their relationship is going to take, that Petruchio will be the one in charge, and Kate will not have any control. This could however also demonstrate Kate's intelligence and wit, that she is able to keep up and match Petruchio's wordplay. However Kate feels the need to resort to violence, again demonstrating Petruchio's intelligent wordplay and calm attitude, as he does not react violently towards Kate, but simply

This story also depicts that a woman is not suppose to be strong and opinionated. Kate is viewed by most suitors as undesirable because she speaks her mind and doesn't let the male population walk all over her (Dolan 32). She is very precautious of the intentions of the men that claim they would like to marry her. Throughout the story it's made clear that Petruccio's objective is to "tame" Kate so that she will be suitable to be a wife. It's not that it's in her nature to be mean but she has a different that on the role of a wife. She indeed believes that she should be good to her husband and do all that things that are expected of her but feels that it should be deserved. Her husband needs to be worthy of all of her affection and attention. Not only that, he needs to love her in such a way that makes her want to be a good woman to him (33).

Her fast-paced dialogues with other characters are usually no more than four lines. In fact, she speaks a total of 82 times in the play and only 13 of those times does she have more than four lines. This is especially noted during Petruchio and Katherine’s first heated discussion. He calls her Kate instead of Katherine and she immediately gets the sense that’s she’s being taunted. This prompts her to rely heavily on quick metaphors that defend her character whenever disrespected. Her repartee with him shows off their equal intelligences but also her sensitivity to being mocked. During the conversation, Petruchio calls her a “slow-winged turtle”, a turtledove, which is a symbol of love (II.1.210). Thinking that he had just compared her to a real turtle, she fires back and then chooses to compare herself to a wasp whose stinger is “in its tongue” (II.1.217). Through this metaphor she lets him know that her language is dangerous and not to be underestimated. It’s evident through her speech that Kate is quick in her comebacks to avoid being hurt. From experience, she expects all men to treat her badly and her quick, violent way of speaking suggests a defensive mechanism against the hurtful

Throughout the play, Petruchio’s behavior illustrates his chauvinistic mindset to force Katharina into obedience. After the wedding ceremony, Petruchio wants to head home with Kate while she disagrees and he says “I will be master of what is mine own:/She is my goods, my chattels; she is my house,/My household stuff, my field, my barn,/My horse, my ox, my ass, my any thing;” (Shakespeare 52). Instead of treating her like a human being, he speaks of her as if she is an object that he owns and controls. Also, when the newly married couple prepare to leave for Baptista’s house, Petruchio claims that the time is different from what it actually is and when Kate argues, he states, “Look, what I speak, or do, or think to do,/You are still crossing it. Sirs, let ’t alone:/I will not go to-day; and ere I do,/It shall be what o’clock I say it is” (Shakespeare 69). Petruchio is basically saying that the only opinion

The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "

Katherine continues to tell them that any women who does not obey and follow their husbands then they are 'foul contending rebels'. Katherine’s speech is full of love and respect for Petruchio. Right from the moment she met Petruchio, it is unmistakable that she was intrigued by him, it could even have been love at first sight. They are very similar characters and they express their emotions by arguing and insulting each other but deep down they are in love. There are two explanations for Katherine’s final speech. One explanation is that Kate could be filled with so much love and affection for Petruchio that she will withstand his harsh treatments and cruel tests just to be with him. Another explanation is that Kate has admitted defeat by Petruchio and that she respects him and understands that he is now master. Kate always wanted to be married and at last she has, she is no longer the controller but has a strong husband to look after her and keep her in a her place. Finally the shrew has been tamed and at last she is married, and so it is a happy ending for

As the play continues, we learn even more about Kate. For example, when Kate and Petruchio go back to Baptista’s, Kate begins to see how Petruchio operates. She learns that if she does what Petruchio says, even if she knows it is not true, she will get something she wants out of it, like going back to her father’s house. Petruchio test Kate when they meet the real Vincentio on the road and he asks Kate if she has ever seen a finer young women. Knowing what he is up to, Kate shows her amazing wit and decides to play his game. She has figured out that Petruchio has a method to his madness and if she plays her cards right, their relationship can be a partnership with a series of actions and rewards.

The men in this play do not treat women fairly and they always find a way to make sure they know it. As Tranio says, “That teacheth tricks eleven and twenty long. To tame a shrew and charm her chattering tongue.” (IV.ii.60-61). Tranio tells Bianca that Petruchio is running a school on how to tame a shrew. How to teach them how to stop being themselves and how to stop them for their chattering mouths. Being known as a shrew is not the best feeling, “Is she so hot a shrew as she’s reported?” (IV.i.6) Katherine is known to be someone who is rude. Not as a woman. As a shrew. A hot headed shrew.

Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.