The Teachings Of Intertwined Texts In Mary Shelley's Frankenstein

Mary Shelley’s Frankenstein tells the tale of a man whose entire life turns to misery after creating what he calls a monster, a demon and a fiend. However, the real monster in this story is pride and the feeling of superiority. This is evident in the novel with Robert Walton’s view of himself and his expedition, Victor Frankenstein’s attitude towards himself in comparison with the creature, and mankind’s perception of the creature and their ignorance towards him.

Common rules create common fools. A society where everyone acted the same, abiding identically by some universal principles seems immediately enticing. It would be a world of no crime, where every individual acted in exactly the way that maximized pleasure for every other individual. In short, it would be a perfect utilitarian state. Yet, such a society would be rigid and boring, lacking all the qualities of unbounded life. Beauty comes from tragedy. Meaning is derived from misfortune. Some argue that happiness itself cannot truly exist without its counterpart, misery. Without uniquely acting individuals, life is meaningless. Mary Shelley would certainly have agreed with this statement. Indeed, in her novel Frankenstein, Shelley recognizes

Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the

In the novel, Frankenstein, written by Mary Shelly, there are three different narrators throughout the whole book. This is important because we get 3 different looks into the same story.  The three perspectives allow us to form our own opinions about the story. Having three perspectives helps the reader understand everything a whole lot more because they get everyone’s story and side. Shelly also uses three different narrators for the reader to be able to step in each character’s shoes. Throughout the book, the reader is able to take sides with a certain character because the author used a unique writing style.

Mary Bysshe Shelley, the writer of Frankenstein, used lots of different Allusions to common text from the time to help readers understand relationships between Victor and his creature as well as Victor’s motivation for creating the creature. Shelley uses allusions to Paradise Lost to help the reader understand the relationship between Victor Frankenstein and his creature. Paradise Lost discusses the relationship between God and Adam as well as Satan and God and how he treats them as their creator. The relationship between the creature and Frankenstein can be described as a mix between the 2 relationships discussed in Paradise Lost. The creature sees himself as Adam because he was created in his creator’s own image and made to be a creation of man.

There are differences and similarities in the creation story of Adam and Victor’s creature. Victor Frankenstein and God created beings and put them in the world. Adam and the creature Victor Frankenstein created resembles each other because, they were alone, unique, and beings created. The creation of Frankenstein’s monster parallels the creation of Adam in many ways. First of all, both Adam and the monster were created because of love. God loved the world and He thought that he needs to create a human being who was to take care of the beautiful earth. The bible says that, God loved humanity and that is why he created man (Adam) in His image and put him in the Garden of Eden which had everything he needed (Gen. 2:7-9). Adam was placed in the Garden of Eden and warned not to eat from “Tree of the Knowledge of Good and Evil". On the other hand, Victor was a human

In the book, Frankenstein by Mary Shelley, the author illustrates similarities between both Victor and the Monster he creates. She draws parallels between the two regarding their feelings on family, nature, on exacting revenge, and how they both become isolated from society. Both are able to demonstrate extreme intelligence. As the novel progresses, Victor and the Monster become more similar to each other. Their relationship turns to one in which each is consumed with getting revenge on the other at all costs.

Mary Shelley’s Frankenstein has undoubtedly withstood the test of time. Frankenstein’s direct association with fundamental Gothic literature is extremely renowned. However, the novel’s originality is derived from the foundational thematic values found within the relationship (or lack there of) between Victor Frankenstein and the monster he had created, in combination with a fascinatingly captivating plot. Understandably, Frankenstein can often be associated with a multitude of concepts; however, in this particular instance, the circumstances in the book seemed remarkably coherent with Shelley’s Romantic beliefs in preserving the natural world, and one’s natural existence. These values present themselves as metaphorical symbols that

The result of his passion, the monster, is ever present in Frankenstein’s thoughts and it controls his actions. The monster eventually destroys everything that is important to Frankenstein, because everyone he loved is dead. Frankenstein lives the rest of his miserable life in hope of avenging the deaths of his loved ones. Shelley expresses that relationships between people are the key to happiness, because Frankenstein is unable to find any joy after his loved ones are murdered. Throughout the story, Frankenstein is a slave to his desire for knowledge and the ability to create life.

Allusions in Mary Shelley’s Frankenstein: The Forbidden Actions It’s important to know what is and isn’t forbidden in order to know and understand your limits. Meaning what you can and can’t do or who you are. One of the biggest parts of Mary Shelley’s Frankenstein is this forbidden element. Whether it be in a character’s actions or thoughts, it is in occurrence throughout the novel as a whole.

Victor Frankenstein is in many ways more monstrous than the monster he created. Victor and his creation demonstrate a thesis-antithesis correspondence wherein they reflect opposite character traits. Victor has no sense of empathy or compassion, whereas the monster, although hideous and rejected by society as an outcast, has

The book of Genesis was created by God to express his image of companionship, but also bring awareness to the idea of sin. Shelley forms Frankenstein around Genesis, however, she separates the two by stating, “Frankenstein’s monster is created as a test of Frankenstein’s power” (Shelley 34), implying that the monster is simply created to challenge the power of his creator just as God’s power was challenged by Adam and Eve. Following the creation of the monster, Victor wants absolutely nothing to do with it. The monster is composed of decomposing human bodies and therefore it is not anyone’s ideal image and has no one to look up to in the aspect of, “let us make man in our image, according to our likeness” (Genesis 1:26). Due to the monster being created with the limps and interior of dead bodies, it promotes an extraordinary element of not having an original origin. Victor takes advantage of the fact that the monster is not a

In the Gothic novel Frankenstein, Mary Shelley integrates the rhetorical devices figurative language, imagery, and tone to impart the concept that the desire to acquire knowledge and emulate God will ultimately result in chaos and havoc that exceeds the boundaries of human restraint.

Paradise Lost shares many parallels with Frankenstein. Two different characters from Milton’s poem can be compared to Victor Frankenstein’s monster. The first of the characters is Lucifer; the fallen angel can closely relate to the creature from Shelley’s story. Both were forsaken by their creators,

Every time a movie is made that portrays any part of the book "Frankenstein" by Mary Shelley, it is more than likely about the monster and his character rather than the creator and his. But, in the book, the scientist, Dr. Frankenstein, was more prominent, especially in view of his personal angst and wars, than the monster. It is true that the monster is a central character, but the man Frankenstein is a much more interesting study. What happens to a person, Shelley seems to ask, when that individual plays God? Throughout the book there is religious symbolism, as one would expect from a book in which the main character creates a living person, where Frankenstein at once has compared himself to God and to Satan in the same breath. This paper examines the religious symbolism in "Frankenstein" as it relates to the doctor, his act of creating, and Frankenstein's personal thoughts regarding who he is.