The Tell Tale Heart And The Birth Mark Only A Couple Of Months Apart

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In the story “The Birth-Mark” Nathaniel Hawthorne illustrates a man with an obsession for perfection of the human body. With a desire to reach the ultimate level of perfection, Aylmer’s obsession ultimately creates a path of destruction that tragically ends in the death of his devoted wife, Georgiana.

Edgar Allan Poe’s “The Tell-Tale Heart”, a short story about internal conflict and obsession, showcases the tortured soul due to a guilty conscience. The story opens with an unnamed narrator describing a man deranged and plagued with a guilty conscience for a murderous act. This man, the narrator, suffers from paranoia, and the reason for his crime is solely in his disturbed mind. He becomes fixated on the victim’s (the old man’s) eye, and his conscience forces him to demonize the eye. Finally, the reader is taken on a journey through the planning and execution of a murder at the hands of the narrator. Ultimately, the narrator’s obsession causes an unjust death which culminates into internal conflict due to his guilty conscience. The

In “The Tell-Tale Heart,” Edgar Allen Poe depicts a gruesome tale. His use of dark imagery and harsh words make this story an unmistakable product of the Dark Romantic period. Poe’s use of the first person narrator adds an important dimension to the story. The narrator’s thoughts are eating him alive and Poe clearly portrays this to readers by repeating words and having the narrator constantly question himself:

In “The Birth-Mark” by Nathaniel Hawthorne and Edgar Allan Poe’s “The Tell-Tale Heart,” the symbols of the birthmark and the old man’s eye influence the plots of the stories. Through different ways, the characters in both stories feel compelled by these objects to do something. The main character, Aylmer, in “The Birth-Mark,” was obsessed with his wife’s birthmark which he saw as a flaw in her beauty, as well as a symbol of human imperfection, and tried to remove it. In “The Tell-Tale Heart,” the narrator sees the old man’s eye as “evil” and holding mysterious powers which symbolizes the narrator’s deepest fear and his obsession where he chooses to destroy it. The characters’ interpretation of these things created conflict, and both stories are formed by the symbolic meanings that the characters attribute to those things.

Nathaniel Hawthorne was the author of multiple short stories and poems, all of them in the Dark Romantic genre. Hawthorne gained his inspiration at home with his mother, sisters, and his wife, Sophia Peabody who was a poet as well. In his writing, one of his strongest traits was his use of allegory. Hawthorne often uses allegory in his short stories to add a different perspective onto his many works. In his short story, “The Birthmark,” Hawthorne utilizes foreshadowing and symbolism to portray the allegorical lesson that striving for perfection results in troubling outcomes.

Romantic period authors, like Nathaniel Hawthorne, a prevalent example of a Romantic author from the 19th century, believed that people were getting too reliant on on science. Romantics were literary rebels who wrote about strong emotions, the supernatural, and the power of nature. The writing style of the previous century was known as the Age of Reason, the authors thought emotion was unnecessary; they loved science and wrote a lot of non-fiction. The romantics wanted to remind people that there was nothing more powerful than human emotion and nothing more beautiful than nature. According to Jules Zanger, Hawthorne’s short story, “suggests his resistance to the expansive materialism of America 's new technology as well as to the excessive spirituality of its philosophers.” The short story, “The Birthmark” by Nathaniel Hawthorne articulates the obsession with human perfection through symbols, characters’, and narrator.

The Dark Romantic texts “The Black Cat” by Edgar Allan Poe and “The Birthmark” by Nathaniel Hawthorne are similar and different in many ways. The similarities of the two pieces are very plentiful. To begin, obsession is a supernatural force that has taken over the main characters in each piece. The narrator in “The Black Cat” is on death row and is trying to rid the guilt he has accumulated through his wrongful acts. He has become obsessed over these actions and he says, “these events have terrified-have tortured- have destroyed me” (Poe 3). They have taken up so much of his thoughts that he no longers thinks of anything else. This similar obsession of it taking over the mind is also present in “The Birthmark”. Aylmer is obsessing over his wife’s birthmark. Thinking to himself, “At all the seasons which should have been their happiest, he invariably...reverted to this one disastrous topic” (Hawthorne 4). Nature is beautifully changing which should bring joy to Aylmer, but all that he can think about it the mark upon her face. Similarly to the narrator in the previous text, the object of Aylmer’s obsession fills his mind and becomes the only thing that he thinks about. Also featured in both pieces is the inability to distinguish fantasy and reality. The narrator in the first text cannot tell the difference between his two selves. He described the feeling as, “a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my

Edgar Allan Poe skilfully crafts two separate layers of meaning into his works; an exoteric level that is meant for casual consumption by the masses, and a second esoteric sub-level that involves heavy use of symbolism to tell a second deeper story and reserved only for the particularly astute literary elite. While Poe explores many reoccurring themes throughout his writing, one of the more common is guilt. By comparing the tale of “The Tell-Tale Heart” with “Eleanora”, the repetitive image of eyes becomes apparent. Through intertextuality and the symbolic representation of eyes, Edgar Allan Poe evokes feelings of guilt in the narrator. A guilty narrator is important for eliciting

Edgar Allan Poe is a prominent writer who wrote many peculiar and uncanny short stories and poems. One of the stories Poe wrote, “The Tell Tale Heart,” published in 1843, is about a narrator who is paranoid about an old man’s eye, so he decides to eradicate it. Another story by Poe, “The Cask of Amontillado,” published in 1846, is about a narrator who seeks revenge on his friend because, in the past, he was insulted by him. Both stories contain narrators, which are mentally unstable, but the narrator’s traits, their motives for the murder, and how their guilt is exhibited differ.

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

Many people create the notion that perfection results in ultimate satisfaction. However, sometimes, the desire of perfection may burden them and doom them to unhappiness. Nathaniel Hawthorne’s short story “The Birth-Mark” is a third-person narrative about Aylmer and his obsession to make his wife Georgiana perfect by removing her birthmark. Aylmer is a scientist who puts his love of science ahead of his love for his wife. His genuine, sincere, yet delusional effort to alter his wife's beauty with science illustrates the story’s theme that perfection is demoralizing which reveals within Hawthorne’s use of symbolism, characterization and the narrative point of view.

One of those signature tales is “The Birth-Mark”; it is a story about the union between a man of science, Aylmer, and a woman of beauty, Georgina (Hawthorne 12). Hawthorne adorned this piece with deep, thought provoking symbols; such as the one on Georgina’s cheek. The mark is more than just a physical attribute on her skin; to Aylmer, it was a “symbol of his wife's liability to sin, sorrow, decay, and death”, in essence the mark is her humanity (14). All humanity strives to get rid of their defects; as well as Aylmer, as his experiment is to rid Georgina of her flaws. The birthmark became more and more present to Aylmer after his marriage; he began observing his wife’s appearance and developed a morbid obsession with the “singular mark” on her cheek (13). The mark is described as being “deeply interwoven” in her skin; it is a part of her being, and not just of her appearance (13). The birthmark resembles a hand; the shape’s importance is recognized

In “The Birthmark”, the relationships and behaviors of the characters play a significant role in the story by revealing more than the story itself does . Through the character’ different actions, characteristics, and behaviors, Nathaniel Hawthorne gives a deeper insight into his life, such as revealing his worldview to his readers, and also gives insight into a more relevant story. Hawthorne’s transcendentalist worldview is conveyed through Aylmer’s and Georgiana’s obsessions, Aylmer’s manipulation of nature, and the birthmark.