The Tell-Tale Heart And The Masque Of Red Death

In "The Masque Of The Red Death", Edgar Allan Poe uses words and phrases to create an effect. He uses bold and dark words to help his readers be able to picture a very good image of the story and the mood that he wants to set. When he claiming that, "no pestilence had ever been so fatal ", that let the readers know that is was probably a very strong and gruesome disease that killed many of the town people. When Poe starts the story he starts by describing "The Red Death" and its symptoms. He described it as, "sharp pains, sudden dizziness, profuse bleeding at the pores with dissolution", "seizure process and termination of the disease were the incident of half and hour", he lists the symptoms as if it were a recipe, he is very straightforward and uses words that give an image to every symptom, he completely lets the reads know that "the red death" was a very nasty painful disease and you could imagine how much it made the characters suffer all in half

While reading both stories, I saw that the authors wrote a lot of irony, the opposite of what will happen in a story. When Mr. White makes a wish from the monkey’ paw, he wishes for 200 pounds. The consequences of the Whites’ family getting 200 pounds was Herbert dying. This is an example example of situational irony, the situation turns out to be the opposite of what you thought it would be, because while the readers thought the money was going to drop out of the sky, the whole other outcome was different. In the beginning of Tell-Tale Heart, the narrator said, ‘I loved the old man. He had never wronged me.” This is an example of verbal irony, you say one thing but really mean the opposite, because he said he loved him, but meant the opposite because he killed the old man.

The author, Edgar Allan Poe, using illusion or misdirection keeps the reader is suspense throughout this story called "The Masque of the Red Death". Symbolism such as the colored rooms, the impressive clock, the feeling of celebration being at a party all makes this story feel like a fairytale. Poe used this fairytale style and converts it into a nightmare in disguise.

Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.

The narrator plans the murder so well and with such logic but his reasons for murder are irrational. The narrator says he loves the old man but then vows to kill him. Speaking of the murder, the narrator says, "Object there was none. Passion there was none. I love the old man he had never wronged me. He had never given me insult. For his gold I had no desire". If the narrator is not insane he would not kill a man he loves or want to kill someone with an ugly eye. The narrator's reason for the murder of the old man is unjustified and deranged. This shows the narrative irony used because someone who commits a murder with so little logic in the reasoning cannot be trusted. The narrator decides to kill the old man because the old man's eye brings terror upon the narrator whenever he sees it. The narrator's fear of the eye is irrational. Regarding the eye the narrator says, "Whenever it fell upon me, my blood ran cold; and so by degrees-very gradually-I made up my mind to take the life of the old man, and thus rid myself of the eye for ever". Also, the narrator hears things which are not actually occurring. As the narrator is looking in the old man's room at midnight he thinks the old man's heart is beating so loud that he can hear it from the doorway and it keeps growing louder and louder in his ears. He says, "But the beating grew

Edgar Allen Poe uses dramatic irony in the “Tell Tale Heart” in the line “I moved it slowly一very, very slowly, so that I might not disturb the old man’s sleep”(Poe 1). This line is saying the narrator is moving into the old man’s room and looking at him but, the old man doesn’t know that the narrator is looking at him. This creates suspense by the reader knowing that the narrator is sneaking into the bedroom and looking at the old man but, the old man does not know. Dramatic Irony creates suspense by the readering knowing more about the situation than one of the characters does. So, in this case we known the narrator is planning to kill the old man but he does not know. This is how the “Tell Tale Heart” uses dramatic irony.

Conflicts affect the mood of the main characters in a story, by expressing the insecurities, Death,” a couple of conflicts are exposed throughout the piece. In the story “The Masque of the Red,” a couple of conflicts are expressed throughout this piece. The conflicts man versus fate and man versus himself are the conflicts that are displayed several times within this story. From major conflicts to minor conflicts, this story clarifies the problems that Prince Prospero faces within himself. In addition to Prince Prospero’s problems with himself, this story also explains the conflict of how death is uncontrollable.

Writers can use many tricks to make a story seem more interesting to the reader. From the words they pick to the setting to the time of the day... the possibilities are endless. In the story "The Tell-Tale Heart" by Edgar Allen Poe, the use of light and darkness, the description of the mans eye and the time frame make the story more scary than anything else. Poe also uses suspense at the end to make the readers heart beat faster.

Dramatic irony is when the audience knows something the characters don’t. An example of dramatic irony in The Tell-Tale Heart is the fact that the caregiver wanted to kill the man because of his “evil eye. “This is dramatic irony because

The standard perception concerning human limitations has it that the potential of humankind knows no bounds. Yet, the cycle of life disproves this recurrent opinion of human potential. Based upon the realistic scope of their own abilities, the phrase, “the sky’s the limit”, are well within the bounds of the timeless concepts of life and death. These ideas are common points amongst works of literature from the American Romantic Period. Moreover, one of the most prominent Romantics is Edgar Allan Poe, who utilizes seemingly natural attributes of human interactions, and expands them out of proportion in order to reveal the gloominess of those said attributes. Poe’s literary works encompass many aspects that are reflective of the Romantic Period; his works include the acknowledgement of nature or setting, emphasis on individuals and groups of people, and elements of the supernatural; such use of Romantic attributes also leads to a plausible interpretation of an indirect rejection of the establishment of religion. The utilization of these qualities appears frequently in Poe’s short story, “The Masque of the Red Death”, which is a fictional account of a burgeoned plague and its multitude of effects on the wealthy survivors. Furthermore, a key point in the short story is the particular choice of setting: a gothic quarantine, which intertwines many Romantic elements. In particular, the quarantine of “The Masque of the Red Death”, is a symbol of human limitations and the

The definition of irony is a contrast between two things. One example is verbal irony. It is a contrast between what someone says and what one means, while dramatic irony is a contrast between what the characters know to be true and what the readers know to be true. Many writers use irony in their short stories to prove a dramatic point, or just to develop a story for upcoming use. These short stories by Shirley Jackson’s “The Lottery” (140), Susan Glaspell’s “A Jury of Her Peers” (183), and Stephen Crane’s “The Blue Hotel” (229), spin a tale of symbolic irony. Each tell a tale paradoxical twists with sublime contradiction where one is led to believe one side of an event, yet it is dragged down a twisted trail of mental sarcasms coupled with death. It is a known fact that many tales of irony require many major events to twist the order they are written in to create a viewpoint that stride away from the main topic or where the author wants the reader to end up.

We can say that “The Tell-Tale Heart” works on two levels of dramatic irony at the same time. The most obvious level of irony that most readers recognize and that forms the crux of so much literary analysis is that the narrator's obsessive devotion to proving his sanity undermines that devotion to the point which becomes impossible to designate him as anything other than psychotic. The irony in reading this story is based upon the traditional reading that irony is a result

In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing.

Have you ever read a story where fantasy is the reality and things do not quite make sense? This is true for “The Masque of the Red Death” by Edgar Allen Poe. In it is a version of the black plague, which is called the “Red Death”. Prince Prospero secludes a thousand friends and himself from the death around them, but finds that he cannot avoid the inevitable. The author uses many literary devices to create an interesting and meaningful story. One of the devices used is imagery, which evokes the events of the story clearly in the reader’s mind. Another is allegory, which is used by Poe to create another story within his, as it is filled with double meanings. Lastly, Poe utilizes symbolism to give the story meaning. Edgar Allan Poe uses

     In Edgar Allan Poe’s short-story, “The Tell-Tale Heart,” the storyteller tries to convince the reader that he is not mad. At the very beginning of the story, he asks, "...why will you say I am mad?" When the storyteller tells his story, it's obvious why. He attempts to tell his story in a calm manner, but occasionally jumps into a frenzied rant. Poe's story demonstrates an inner conflict; the state of madness and emotional break-down that the subconscious can inflict upon one's self.