The Tempest Allusion Analysis

Service in love often has a positive connotation which suggests a profound love, whereas possession generally receives a negative connotation suggesting a superficial love. However, Geoffrey Chaucer and William Shakespeare explore in depth the roles of both possession and service in love and reveal to their readers which one is ultimately the superior way to gain love. The stories of “The Knight’s Tale” and The Tempest are different thematically, yet the thread which unites them both expresses similar ideas regarding love, possession and service. Both William Shakespeare and Geoffrey Chaucer show the reader love cannot be claimed; it is earned through service of the heart. By examining the similarities in “The Knight’s Tale” and The Tempest

Explain how Ariel and Caliban serve as character foils for each other. Be sure to consider their physical appearance and their roles as servants to Prospero.

The Tempest is about an ousted Duke of Milan ,Prospero, who has been living in exile on a remote island for the past twelve years with his daughter Miranda. He is a powerful magician, who happens to be the master of Ariel and Caliban, and a guy who really likes his books. When Prospero's enemies wash up on shore, he uses his black magic to seek revenge and restore himself to power. The Tempest belongs to the genre of Elizabethan romance plays. It combines elements of tragedy with those of romantic comedy, and like one of Shakespeare's plays previously, it asks deeper questions that are not completely resolved at the end. The tone that seeps into the play is one of wonder, amazement, and admiration. Mystery is still present , but the magic performed is not black and scary. The version that seems to grasp my attention more, would have to be the Utah Valley University interpretation because it takes Shakespeare’s main purpose and tone but shows it in its own unique way. Furthermore, with its silly drunkards, the play has a certain lightness to it and even the so called killers of the King tell hilarious jokes and are lighthearted. But there is also the tone of revenge and reconciliation in the play. We feel a revenge burning in Prospero while, at the same time, a wish for forgiveness and reconciliation with those who have wronged him.

The Great Chain of Being has been around since the Classical period and places people of society in a certain order. A person’s position is controlled by how spiritual they are, where God is at the top, then angels, which furthermore leads to a king, men, winged animals, and all the way down to the Devil. For anyone desiring to move up the social ladder, that action will cause commotion to the uniformed chain and would lead the other divisions to also move up. In Shakespeare’s drama, The Tempest, the use of ambition reiterates the importance of how a gluttonous desire can conduct disorder or align the Great Chain of Being. Overdosage of this impulse causes The Tempest’s “cake” to have a repugnant aftertaste. Yet removing the unnecessary cups of ambition and replacing it with only good intentions and motivations, overall leads the “cake” to taste satisfying in the end.

Aime Cesaire’s A Tempest is a ‘new world’ response to Shakespeare’s The Tempest. In Cesaire’s adaptation, the characters and plot are generally the same. However, there are a few small deviations from Shakespeare’s The Tempest that make a significant impact on the play as a whole, and lead the play to illustrate important social issues occurring in the time of the adaptation.

In the novel, Brave New World, written by Aldous Huxley, the author uses many literary

Shakespeare has been a large influence on modern day life for decades. His use of language, heritage, psychology, and history has influenced directors, artists, writers, students, and so many more individuals in their everyday lives.. In Brave New World, the author, Aldous Huxley makes many references and allusions to multiple excerpts of Shakespeare’s plays over the entire course of the novel. While he references a lot of Shakespeare’s plays, many quotes come from Romeo and Juliet, The Tempest, and Hamlet. In Brave New World comparisons can be made through quotes and similar character analysis’. Shakespeare had a large influence on Huxley’s novel through his different themes of love and romance, and his use of using main characters to represent past characters in Shakespeare’s plays.

To start off the allusions that Huxley uses throughout his novel, the allusion of literary pieces is one of the most prominent form of allusion. Huxley uses John to show the vast contrast of knowledge that was given to John while on the reservation and taken away from the people that lived within the city. The greatest literary figure that is alluded to within this novel the astounding William Shakespeare who John quotes multiple different pieces of literature throughout the entirety of the novel. John quotes plays such as Othello, Macbeth, Hamlet, Romeo and Juliet, A Midsummer Night’s Dream, and the most impactful play for the entire story was The Tempest which is William Shakespeare’s final piece of literature. The Tempest sets the entirety of this novel as the title is based off one single quote when Miranda exclaims, “O, wonder! How any goodly creatures are there here! How beauteous mankind is! O brave new world, That has such people in’t!” (5.1.187-190). This quote in itself shows the contrast that John has with coming to know of this society and how new this society is to John himself while he tries to figure out all that he needs to in order to understand this estrange world. The multiple allusions to Shakespeare’s also show just how educated John truly is and how his knowledge completely separates and isolates himself from this new society. As John sees this new world for the first time the quote from Miranda really shows just how John anticipates this whole new world and how he believes the world will be, painting John just as naive as Miranda is about how dark the world truly can be.

In this motif tracing, I argue that the epithet “monster” is used as an agent of othering, a way to remove Caliban from the other characters and depict him as something other than human. In Shakespeare’s The Tempest, Caliban’s name is only said eight times, while he is addressed as “monster” the rest of the 34 times he is spoken to. This motif is used to belittle and dehumanize a unique character that plays an essential role in the plot. Shakespeare’s use of this epithet combined with Caliban’s servile role, restraint of his speech to simple diction, and portrayal as an insurgent, causes the uncultured native to be born. This plays into the 16th century view of the native: one who is there to serve the more sophisticated, knowledgeable masters.

Known for producing the world’s most well-known explorer and colonizer, Christopher Columbus, Italy was no stranger to the concept of slavery which was unjustly propagated unto the natives of the island by Prospero in William Shakespeare’s The Tempest (1603) and Aime Cesaire’s A Tempest (1969). Just as the European culture was forced unto the inhabitants of “discovered” lands, Prospero made it his duty to enforce such a standard unto the island natives. To any European in the 18th century, being black served as a diabolic symbol of a person who could not be refined but only improved by the imposition of European language and culture. With the triangular slave trade already in effect, one must not be surprised at the objective of Prospero as he became blinded by power and authority.

   A production of The Tempest should emphasize the idealized methods in which Prospero uses magic to solve the problem of revenge which is so prevalent throughout his tragedies, perhaps the production might be a direct allegory for the magic of the theatre itself.   In this conception of the play, the scattering and bringing together of the characters in the script is significant in that theatre also could be said to bring people together and allow them to share in an experience of emotion, magic, and finally, of resolution. In this way the production could be used as a vehicle for conveying the idealistic virtues of forgiveness, compassion, and of course knowledge. In his book, A

  The Tempest is generally considered to be Shakespeare's last sole-authored play. The play draws a number of oppositions, some of which it dramatises, and some of which it only implies. Prospero, a figure exhibiting many resemblances to the Elizabethan idea of the 'Mage', (of whom the best known is probably Dr. John Dee), is opposed to both his corrupt brother, usurper of his role as Duke of Milan, and to Sycorax, an evil witch and mother of the 'deformed slave' Caliban. Sycorax does not enter the action of the play, having died before it opens, but enough is made of her evil disposition and behaviour to show Prospero as a model of human virtue in comparison. This despite Prospero's own use of magic to

The similarities and differences between Aime' Cesaire's ATempest and William Shakespeare's The Tempest gives the reader an idea that it is a political response. From the way that both of the titles of these works of literature differ, an idea of concept is offered. They share a similar story line yet, after some one has read A Tempest : a different perspective is gained. A Tempest is actually considered a post colonial period piece of writing and one can acquire and prove this by the forms in which Aime' Cesaire portrays the characters and switches around their personalities and their traits,the time periods and the acquisition of language, and the ways power is used reveals that it is indeed a political response from a post

Dale Carnegie once said “when life gives you lemons, make lemonade.” The ability to transform something appalling to alluring is a true indication of appreciation for life, but can at times result in consequences. In Shakespeare’s play The Tempest, Prospero commands one of his spirits, Ariel, to summon a tempest as an act of revenge for being deposed as the rightful Duke of Milan by Antonio and Alonso. Although the tempest causes isolation between characters, Ferdinand, Miranda and Ariel are blessed by the tempest; receiving opportunities achieve a better life.

Gonzalo states: "We are people of our own minds and no one else's," by this Gonzalo is telling everyone that no one can control what someone sees or does. This is true unless one is using magic to alter the minds and reality of anyone under the influence of magic. In the Tempest, by William Shakespeare, Prospero uses magic to alter the reality and delude the minds of characters. Love or guilt is a form of magic that naturally occurs in one's life. Prospero creates another magic that is placed in the audience's mind when he asks them to become the master magicians.