The Tempest By William Shakespeare

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

A society consists of diverse cultures, looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images and treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character Othello is a unique character in English literature, because unlike the other members of society, Othello is an outsider in Venice. He is a black man living in a white world, married to a white woman, and a leader of white men in battle. Othello is persuaded that his wife, Desdemona, is cheating on him, leading him to murder her. Some argue that because Othello was the typical black stereotype he killed Desdemona, but evidence suggests that Othello viewed his own racial identity as undesirable for Desdemona and killed her out of honor and self-hatred. Henceforth, the long-term psychological effects of racism affects an individual’s self-identity and his or her relationship with others.

Love is complicated due to the fact that there is a difference of opinion and perception and it is complicated because people see stuff in different ways and interpret things differently as well. In the 3 texts dissatisfaction or complication is shown. Firstly in Othello love is presented as ephemeral and transient while atonement love is presented as unrequited and finally in cat on a hot tin roof love is presented as painful and troublesome due to unreciprocated feelings.

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

In Césaire’s A Tempest one of the main characters, Prospero, decides to remain on the island with Caliban and live out the rest of his life there. He remains there because he thinks the island needs him to be its ruler. As time continues, we see the deterioration of his mind and body. He becomes feeble and weak. He appears to see opossums overrunning the island and he attacks them to "protect civilization". Prospero seems to be hallucinating, and because of this can be seen as a crazy old man who has reached the end of his life. However, in this paper, I will argue that the opossums and other things he experiences aren’t just hallucinations he creates from being in a weakened state, but actually the realization of what he 's done in the

William Shakespeare, born in the mid sixteenth century, is a well-known poet and playwright from England. The topics of his plays range from history and comedy, all the way to tragedy, and focus on universal themes and relationships between characters to express these themes to the general public. Betrayal, incest, jealousy, and love are all common themes in his works. Although one of Shakespeare’s more popular tragic dramas, Othello, at first glance seems to mainly center around the characters Othello and Desdemona and their relationship, the play in reality focuses more so on the evil villain, Iago, and his insecurity which instills in him a hatred of Othello. Iago provides some dark humor to the audience, as he is self-possessed and intelligent, making it obvious when he is lying to another character and making himself seem honest and truthful. The play is one of jealousy, manipulation, and the cunning work of Iago, all combined to bring ruin to Othello. Although Shakespeare’s Othello is considered by some to be a commentary on race, Shakespeare is truly addressing the dangers of blind trust as well as the overwhelming power jealousy can have over even the most respectable mind; he addresses these themes by evolving the characters’ personalities and using dramatic irony to intensify and contrast the characters’ relationships with each other from the beginning to the end of this tragic drama.

Throughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of someone's unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the words of Iago. Even Emilia, Iago’s wife, tells Othello that Desdemona and Cassio are not having an affair and their interaction is business only, however; he does not trust her. Without Othello’s jealousy he would not have made these horrible decisions.

In Tempest, Caliban and Prospero are of contradictory natures. Their characteristics are notably different as well as other characters have different opinions and attitudes to them. However, both of them have the same master and savior Prospero.

A noticeable theme throughout Othello is that looks are not always what they appear to be. We see this right from the start and all the way to the end. The characters take what they hear and interpret and mold it so that what they see automatically fits into the mental mold they have already created, therefore confirming their suspicions. Iago makes use of a deadly weapon, his words, to mislead characters into misinterpreting what they see. The characters in Othello are unable to recognize the hidden meaning of words often missing the deeper meaning and accepting them at face value. This is evident in several passages, such as Cassio’s fight with Montano and when Iago and Cassio speak about Bianca. Othello believes everything to be true or false, black or white, and real or fake. According to Iago, “The Moor is of free and open nature that thinks men honest that but seem to be so; and will as tenderly be led by th’ nose.” (Othello 2.1.391-393) Just the very nature of Othello’s character makes him vulnerable to Iago’s poison. The combination of interpreting words at their surface meaning and believing what they hear leads to copious amounts of jealous.

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Othello is a play about love, hate, jealousy, betrayal, and much more. In Othello, Othello gives a handkerchief to Desdemona, his wife, that he received from his mother as a gift. This sacred cloth was more than a gift for Desdemona; it was their forever. The handkerchief was white with red strawberries. The white portraying purity, and the red strawberries symbolizing beauty (Hasnain, Ahsh p.1). Unfortunately, Othello was so attached to this handkerchief and its “spell”, that it brought him to kill himself and his lover. This piece of cloth is extremely important to the play, and its significance varies between Othello, Desdemona, and Iago.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

The Tempest, a play written by William Shakespeare, involves various aspects of power demonstrated through a flip of the hierarchy of power. Antonio, Prospero’s brother, who took Prospero’s dukeship out of a thirst for power is on a ship which Prospero has caused to wreck with a storm, on the island where he and his daughter live. This is part of Prospero’s plan to have Miranda become the next heir of Naples by marrying Alonso’s son, Ferdinand, King of Naples. In Act Two, Antonio and Sebastian, Alonso’s brother, believe everyone else not with them has died in the shipwreck and conspire to kill Gonzalo, a lord, as well as Alonso to make Sebastian the next heir of Naples. Throughout Act Three, Caliban, a slave of Prospero, sets up a plan to

The Tempest by William Shakespeare was a play that drew influences from European colonization at the time to create a story of exile, domination, and redemption. While the play’s plot is about Prospero’s desire to exact revenge upon his brother and the King of Naples, there is much to be discussed in regards to Prospero and his relationship with Caliban as his master. Caliban is, for the most part, a very one-dimensional and static character that only serves to ensure Prospero and his daughter Miranda survive on their island. Aime Cesaire, a Martinican playwright and poet, authors his own reinterpretation of The Tempest and shifts the audience’s attention from Prospero’s vengeance to Caliban and his relationship to Prospero. In his reinterpretation,