The Temple Of Divus Augustus

Augustus, formerly known as Octavian, was the adopted son of dictator Julius Caesar and Emperor or Rome. Octavian set out to destroy his father’s murderers and assembled his own army in his quest for power and retribution. At the start, he shared rule with Mark Antony, however, their collaboration proved ineffective leading Augustus to pursue more and more control, culminating in the defeat of Antony in the battle of Actium and assuming rule as Emperor of Rome. Augustus did not inherit rule, his pursuit for power comprised of manipulative actions veiled under his generosity, concern for his people and charismatic tone and tenor. Res Gestae Divi Augusti expresses a sense of self adoration and honor in his quest for power and control, yet the subtext portrays a vastly different undertone, that of use of cajoling and propagandizing messages to benefit his position and accumulation of control of the republic. This Res Gestae is Augustus’ mechanism of self-promotion and adoration for his exceptional leadership qualities, concern and respect gleaned from his citizens and senate, and his military savvy to overpower and gain peace for the Romans, thus proclaiming his reign as one of prestige and importance.

The Deeds of the Divine Augustus By Augustus can answer all sorts of questions regarding how Augustus portrays himself. Augustus views himself almost as the greatest among men. After the Julius Creaser was declared a deity he demanded that he be called creaser and saw himself as “Divi filius” or “the son of the divine”. Almost like he was trying to use godliness of the former emperor to ensure to be viewed more highly or even be considered a deity himself. Upon Augustus’s death, Augustus left behind three scrolls. One of which scrolls instructed to have all of his accomplishments on a list, to be inscribed upon tablets made out of bronze and to be placed in front of the entry to his mausoleum. This inclines that he wants to be remembered for

In both readings we receive a picture of Rome that the writers paint for us. Augustus provides for us a very biased view on Rome. In “ The Deeds of the Divine Augustus”, Augustus makes a point that Rome is superior to all other places. He takes pride in Rome, so much so that he does not point out the faults in Rome, rather he praises it for all its glory. In contrast, Juvenal’s “Satires”, takes a more realistic approach and explains to us the downfalls of Rome. He explains the good and the bad of Rome and writes with sense of truth. He explains to us that Rome is not perfect by any means. Through his writings, Juvenal is hoping to help the citizens realize their faults and return to their traditional Roman values, through this we can come to an understanding of the true Rome.

The “human form” has changed through art over long periods of time and how each civilization uses their own style to create these pieces is how art gets its depth. I'm going to be talking about one of each sculpture from every major period and explain how each one has its own flavor and own unique style. I will be talking about the Prehistoric period, Egyptian style, Greek style and Roman styles. I also have a list of vocabulary words i will be pointing out in bold to explain how these are used in sculptures.

Cassius Dio insists the empire and Augustus owe an extraordinary amount to Gaius Maecenas, Marcus Agrippa, and to a lesser extent, Livia. While the empire had problems with stability from time to time, the three of them had their roles in cultivating prosperity. The role of lifelong friend and confidante is attributed to Agrippa, as his loyalty ceased to cultivate throughout the years. The trifecta aided Augustus in ruling and improving the empire, while sporadically corralling the Octavian mindset inside of Augustus. Augustus single-handedly appointed Agrippa to settle disputes that arose on the frontier, and in Rome. He was the ultimate plug-n-play general of the empire, and proved his worth early on until his death in 12 B.C through military ventures and building projects. Gaius Maecenas had a profound impact on Augustus’ decision to retain the power that he acquired after defeating Marc Antony and Cleopatra, which shaped the government into what eventually existed in Dio’s time. He also handled important business in Rome while the emperor was absent, acting as a sit-in caesar, if you will. Livia attempted to promote the women of Rome, while also helping Augustus soothe relationships with the latter’s enemies. However, mischievous presumptions loom from Dio around Livia regarding certain disastrous events. Nonetheless, without Livia, Maecenas, and especially Agrippa, Octavian might not have ever had the chance to rule Rome.

The power of Rome for many centuries was held by the senate, which is a group of men of the wealthiest families in Rome. They made all the political and military decisions for Rome. Under the Senate the romans conquered many lands such as the entire Italian peninsula, southern france, Spain, and northern Africa. After the conquering of many of these lands the armies became independent and created civil wars in the land. Much of the Roman empire was corrupt and falling apart. Three generals Crassus, Pompey, and Julius Caesar formed an alliance, they kept the senate but left it with little power and say. The senate was worried about Julius Caesar he was power hungry and very

Augustus is known to be the first Roman emperor, and the founder of Rome, known for politically transforming the Roman republic to the early Roman Empire. During his rule his influence on artwork and architecture illustrated a classical style, and often they was a reflection of the “public image” of his rule, as well as his “new agenda”. (115) Augustus was quickly seen as a restorer of Rome. Augustus commissioned many large scale building projects such as the Campus Martius, as well as elaborate pieces of portraiture that illustrate his power and the peace of the new Rome under his rule. Augustus acknowledged his power and wealth but at the same time never formally declared himself emperor in order to maintain his citizenship. Although he was keen on denying title of emperor, he emphasized that he was a descendant of the great Julius Caesar considering himself his adopted son and his predecessor, in which he reinforces in some of the temples he commissioned. Overall Augustus was seen as a man of change and power, the one who brought prosperity to Rome when it became shaken by the assassination of Julius Caesar. The age of Augustus brought forth a classical style, influenced by Greeks, and the usage of marble and concrete to create complex buildings and sculptures. This was important because as a result of Augustus’ reign Rome obtained a very classical style, in which would later be reintroduced in order to mimic his greatness by other Emperors.

When discussing Augustus and Caligula it is simple to bring up the subject of public works and law. Augustus had the most success with his many projects, including the Temple of Mars the Avenger, the Palatine Temple of Apollo, and the Temple of Jupiter the Thunderer on the Capitol. Many colonnade, basilica, and theater were erected and named after relatives. He urged many renowned

The first settlement was created as a result of a power move made by Augustus. After the battle of Actium, Octavian was the sole ruler of Rome and Cleopatra’s territories in Egypt. Knowing that Julius Caesar had been assassinated for obtaining too much power, Octavian decided to step down as the leader, “In my 6th and 7th consulship… I transferred the republic from my power to the control of the senate and people of Rome.” Although in The Res Gestae, he claims to have transferred the power back to the senate and Rome, this decision was more calculated. He used his reputation achieved through popularity with Rome, winning wars and having the senate’s support to gamble on the chance the senate would want Octavian back.

Augustus, born as Octavian, was one of Rome’s most prosperous Emperors as he contributed to Rome in many different ways. Most aspects of his achievements included; rebuilding constructions and continuing the works of his uncle, Julius Caesar. Augustus restored the Capitol and theatre of Pompey with an enormous cost. In addition; he rebuilt 82 temples of Gods and embarked on a constructive agenda of building roads, highways, aqueducts and bridges. Augustus states in the book he wrote himself – The Deeds of Divine Augustus: “I made highways that connected the entire empire with the Roman city the heart of Rome” which proves how much Augustus contributed to Rome. Due to the first emperor's utmost accomplishment, Pax Romana otherwise known as Roman

Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 109 Frank Sear. Roman Architecture (London: BT Batsford Ltd, 1989), 59. Darryl A. Phillips, “The Temple of Divius Julius and the Restoration of Legislative Assemblies under Augustus”, Phoenix 65 (2011): 382 Stamper, The Architecture of Roman Temples, 130 Sear, Roman Architecture, 58 Sear,

Throughout the history of Ancient Rome, the construction of public buildings was used as a political tool, to manipulate the views of the people and to demonstrate the power of the State. The very first emperor of Rome, Augustus, initiated social reform through the construction of buildings from 27 BC onwards. Emperor Vespasian in 69 AD used a similar initiative, and throughout Rome’s history it can be seen that times of civil unrest are often followed by a flourish in architecture and the arts. An example of this can be seen in one of Vespasian’s major building projects, the Colosseum, officially the Flavian Amphitheatre, which had

The Parthenon, with no doubt, is one of the best well-known Greek temples of all times. It is also the dominant temple on the Akropolis. Its construction began in 447 BC and ended in 438

The Colosseum was first built in 70-80 CE in Regio IV Templum Pacis, which is in Rome Italy today. Measuring some 620 by 513 feet, the Colosseum was the largest amphitheater in the Roman world. Unlike many earlier amphitheaters, which had been dug into hillsides to provide adequate support, the Colosseum was a freestanding structure made of stone and concrete. The Colosseum could seat up to 80 thousand people. The Colosseum was a gift to the Roman people from Emperor Vespasian.

Arguably, one of the most influential structures of Rome was the Pantheon because of its immense size, and the use of concrete for the massive dome. This structure was named the Pantheon most likely because Pliny the elder, a spectator during the time of Vespasian 's rule saw this and referred to it as the “Pantheum”. Although the version of the Pantheon that Pliny the elder saw is not the Pantheon currently in Rome, there are many accounts of what it looked like, and why it was built. Agrippa’s Pantheon, the version that Pliny witnessed, or the original pantheon was built during the Pax Romana. This was a time of peace for the Romans, and to lead them in their endeavors was Emperor Augustus. During this time culture flourished because of there was no need to worry about necessities. From 31 BCE to 14CE the Pantheon was constructed to honor the Julian clan. The result of this was a south-facing rectangular building, with the Thermae of Agrippa, or the Roman public baths to the south. This temple was decastyle, meaning that is had 10 columns on each side. Pliny also mentioned that Diogenes of Athens was commissioned by Agrippa to create the caryatid columns. Caryatid columns are much like sculptures, in that they depict a person, but this person is standing in order to form a column to support another structure. To much dismay this temple was destroyed in the