The Temptations. Essay

The artist wants the audience to feel his substantial affection for Delilah, and how it is unchanging even though they are separated by distance. He appeals to the audience’s emotions of admiration, compassion, and longing for another person. The artist does this by singing about his extensive love for Delilah, which may lead people to think of someone they themselves care deeply about, or an example of love in their life.

Queen’s “Bohemian Rhapsody”, written by lead singer Freddie Mercury, is an elaborate and intriguing best-selling song from 1975. There is much speculation about what this song could be about, but there is a general understanding that no matter it is about, the song is used to express Mercury’s feelings. Throughout the song, there are various shifts in tone and music style, which are very important in demonstrating Mercury’s emotions toward himself and others. The song is symbolic of Mercury’s emotional struggles, and through various rhetorical strategies he conveys his confused and fragile emotions to the listeners.

Connie wants her life to be like one of these songs. Since she has no one to guide her, she is using these songs as her moral compass. The inspiration she has found within popular love songs is dangerous and unethical, and clearly shows the demoralization taking place in this generation.

In a time where the majority of music is about making money, doing drugs, or having sex, it is complicated for music concerning other topics to gain attention. However, there are always a few jewels that beat the odds. Lecrae, the stage name of a Christian lyricist who piously centers his music around the teachings of Jesus Christ, is one of those jewels. In all of his songs there are explicit references that all of his energy is channeled into doing the will of God. Typically Lecrae’s genre of music is overlooked by the majority population because it lacks the pizazz in the beat that popular music has. As a result of this millions of people get deprived of the content of Christian music which has the power to

In these songs, one can unearth the heart’s deepest desires—desires that are so basic, so undeniably human, that they cannot help but underscore the dehumanizing condition of slavery.

Since its inception, country music has proven to be? as a powerful outlet to express the view of the contemporary culture. As a result, the lyrical value of such songs provides listeners an insight to the changing climate of social and political ideologies. During the 60’s defined gender roles dominated social lifestyle and was were? mimicked in music. In recent years, a resurgence of idealistic, stereotypical gender-specific roles have cropped up in country songs, creating a subgenre labelled “bro-country.” Jody Rosen of the New York Times first coined the term “bro-country” in order to describe songs that use lyrical tools idealizing dominant, hegemonic gender roles present in culture. Songs such as Tim McGraw’s “How I’ll Always Be,” Luke Bryan’s “Huntin’, Fishin’, Lovin’, Every Day,” Sam Hunt’s “Make you Miss Me,” and Dierks Bently’s “Different for Girls” use the lyrical discourse, under the lens of “bro-country”, to highlight dominant, male gender-specific roles, while simultaneously reinforcing prominent, often negative, views of women.

Women’s music came from radical, grassroots origins in the 1970s thanks to contributions by brave women, mostly lesbians (Mosbacher, 2002). These women used non-violent, peaceful force to forge their own way into the music industry. It was a peaceful yet political revolution of togetherness and liberation. It brought together women of different backgrounds who produced easy-listening, mellow harmonies played with lyrics filled with tumultuous

Country music has proven as a powerful medium to express the views of the contemporary culture. As a result, the lyrical value of such songs provides listeners an insight to the changing climate of social and political ideologies. During the 1960’s defined gender roles dictated social lifestyles and were mimicked in music. In recent years, a resurgence of idealistic, stereotypical gender-specific roles have cropped up in country songs, creating a subgenre labelled “bro-country.” Jody Rosen of the New York Times first coined the term “bro-country” in order to describe songs that use lyrical tools glorifying prevailing, hegemonic gender roles present in culture. Songs such as Tim McGraw’s “How I’ll Always Be,” Luke Bryan’s “Huntin’, Fishin’, Lovin’, Every Day,” Sam Hunt’s “Make you Miss Me,” and Dierks Bently’s “Different for Girls” use the lyrical discourse, under the lens of “bro-country”, to highlight dominant, male gender-specific roles, while simultaneously reinforcing prominent, often negative, views of women.

Shallow lyrics that fail to evoke much thought can be detrimental to a listener's intellectual health. Many developed countries have seen declines in reading proficiency and the superficial

This song displays the traditional messages sent by male artists. What about female artists? What do their songs portray? Andsager and Roe’s findings give a good description. According to them, there are two kinds of female artists. The strong, more established female artists portray women as “fully equal.” These women are in their thirties at least, they are more established, and they dress in casual suits. They sang romance, female emancipation, and heartbreak like the rest, but they did not compromise their image in their videos. They use Trisha Yearwood as an example in her song Everybody Knows. The other type, were women who “fell into the lowest level on the consciousness scale.” They used Deana Carter’s song We Danced Anyway as an example. In this song she rolled on the beach in a wet t-shirt. Another one is Faith Hill’s song Breathe. In this song, Hill is seen rolling around in her bed sheets with no clothes on.

Songs like “Ain’t no mountain high enough”, “My Girl”, and “ABC” have shaped American history in ways that people don’t even realize. We wouldn’t be listing to artist like Beyoncé, Drake, and John Legend if these former artists didn’t write and/or perform these songs. They have allowed African American music to blossom to what it is known for today. If these artists did not continue to write and produce music, they would have never gotten anywhere and we wouldn’t have the African American artist we love today. This paper will now go into more specific African American singer, songwriters, and composers.

The effect of the allusion found within the songs, “Sirens Song” by Miss May I and “Song to the Siren” by Tim Buckley, is to emphasize the idea of the deception of man, through the manipulation of natural behavior and key attributes of the mind, such as wonder and sympathy. The deception of man through the control of the man’s curiosity can be found in “Sirens Song” when the Siren is revealed to manipulate the sailors’ ideas and tempt men if they hear the song. The sirens use their control to make the men “Broken betrayed and lied to like the rest/ With a face red and worn, she looked into/ The broken mirror, finding only a harlot/ Faithful to my sins/ Fracture of beliefs (of beliefs)/ Tempted by the appeal [of the song] (the appeal)” (Miss

In the song Viva la Vida, Coldplay uses personification to personify and reveal a loss of power when the lyrics say, “...Sweep the streets I used to own…” (Coldplay). Viva la Vida demonstrates the use of personification and reveals that the speaker is lonely and powerless. This represents his kingship and his kingdom as they fell together and loss of power. This same personification is demonstrated through Scarlet Pimpernel, but in a different way, “Abusive power are shown in the Scarlet Pimpernel, and it leads to others powerlessness, “... you know as well as I do the fate that awaits him at the hands of the Revolutionary Government…” (Orczy 129). The overuse and misuse of power are demonstrated in the Scarlet Pimpernel and, conversely is conveyed by personifying fate and the French government to leave others that are in their way, powerless. Personification is expressed through Viva la Vida and The Scarlet Pimpernel in a similar but different point of view to portray it with misuse and

Do you ever wonder what is the meaning behind what you so proudly sing whenever you hear it? Music is an art form of culture which organizes sound with times It first came around in prehistoric times, however, as times passes, music is drastically changing. As a result, in the last decades music has experienced drastic changes in the themes they are talking about. These changes are due to the generations and what they are living, political and social actions of the time. For example, the decade of the 80s was the rise of hip-hop and rap music from a local phenomenon to a worldwide known genre of music. Previously, a crack cocaine epidemic had stroke major cities in the USA and it coincided with the rise of hip-hop in black communities as these

The 1980’s consisted of several historical events and societal changes that have been relived though the lyrics of many young hip-hop artists. Of the numerous genres of songs, hip-hop has been labeled as of the most relatable genres. During this 1980’s, many of the songs that were written by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This finding is similar to what was stated in Frith’s article (1986) that most successful pop songs were about being “happy in love” and “frustrated in love” as well as having a sex interest (p. 78). Instead of using derogatory terms to describe women, men felt the need to use more delicate and gentle terms. Through their music, artists portrayed women as individuals who provide love, support, happiness and fulfillment to a man’s life. Furthermore, male artists portrayed themselves as men who weren’t afraid to express their emotions, admit their dependency on women, and their willingness to do what it takes to keep a woman. There were no signs of hypermasculinity or dominance in the first few songs