The Theme Of Absurdism In 'The Stranger' By Albert Camus

The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.

The murder of the Arab is used by Camus to compare the sun and society. Society oppresses and overpowers those who refuse to assimilate and embrace "normality." Meursault is the epitome of abnormality and is thus the main target of society's, of the sun's, wrath. “The sun was the same as it had been the day I’d buried Maman, and like then, my forehead especially was hurting me..” (58-59). The day he buried his mother he did not cry rejecting the norms of society. Not crying at his mother’s funeral caused anger and confusion which the motif of the sun burns on

Light and Heat Imagery in The Stanger by Albert Camus, and Its Effects on the Murder and Existentialism in the Novel

In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.

Irony in part one establishes Meursault’s confliction with society as he is seemingly unaffected and ultimately indifferent over an occurrence that universal sentiments would perceive as utterly devastating. When Meursault is faced with the death of his mother in the genesis of the novel, he remarks, “Maman died today. Or yesterday maybe, I don’t know” (Camus 1). The immense indifference of Meursault’s morality when it comes to the death of a human being, let alone his own mother, allows readers to draw a contrasting line - from the very first sentence - of Meursault’s moral behavior relative to what society would deem as “acceptable”. Camus uses this expectation defying event to invoke the reader’s stance on the human condition’s tendency to mourn

As stated by the Webster Dictionary, an existentialist is: “individual existence in an unfathomable universe and the plight of the individual who must assume ultimate responsibility for acts of free will without any certain knowledge of what is right or wrong or good or bad.” In the novel The Stranger, Albert Camus creates a character who fits this ideology, Meursault. Throughout the whole story, his actions and the things he says makes him fit into the category of an existentialist, a person who follows existentialism. Within the story by Camus, the protagonist, Meursault, exemplifies the ideas and philosophy of existentialism through indirect and direct characterization.

In the novel, The Stranger, by Albert Camus, Camus uses a variety of literary devices in order to create a moment of inward reflection from readers, in which we reflect on just how absurd our existence is. Camus expresses his critique through one major character, Meursault, and a few minor characters as well. Camus’s use of irony pushed readers to look beyond the surface, and come to the conclusion of where the irony was displayed. Camus also made use of ironic moments in order to contrast the expectations of society, to how Meursault differs from that, all to gradually expose the hypocrisy of mankind. Camus generally uses this literary device in order make us evaluate our own selves and more importantly to display the fact that we as people can be truly happy, only if we accept our fate, instead of fighting it. In a way, he’s suggesting we be more like Meursault. Examples of this would be the funeral caretaker insisting that Meursault view his mother's body, and Meursault continuously refusing. Camus does this to make people think: what exactly is wrong with Meursault not wanting to see his dead mother? Through this technique camus shows societal expectations of how people are supposed to mourn lost, and certain responses to lost are deemed abnormal. Thus Meursault’s lack of grief automatically made him an outsider. Other uses of irony can be shown through Meursault's interactions with the chaplain, and the authority involved in his criminal case played out later on in the

In The Stranger, the positive of finding happiness and purpose is contrasted with the negative exploration of societal judgment as Meursault is critically stricken with. Albert Camus explores the more undesirable parts of society to inspire the reader to take action against such traits and to not despair when facing them; in this way the novel acts as a training ground for readers to explore these issues and truly understand them, and better equipping readers on how to face these challenges in the real world. In The Stranger, Camus writes, “Mostly, I could tell, I made him feel uncomfortable. He didn't understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else.

Camus demonstrates the disregarded reason behind the origins of relationships between people to characterize people as selfish. The relationship between Salamano and his dog displays how Salamano as self-centered. When Meursault mentions, “He hadn’t been happy with his wife, but he’d pretty

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

Throughout the book, The Stranger by Albert Camus the protagonist, Meursault is always faced with some type of problem throughout the novel.  As these problems get worse, there seems to be a lack of justice for Meursault at the end of the book and the law was more against him.   Even though most of the time he never has broken a law court authorities looked as if he did.     There are two people who testify against Meursault, the warden from the nursing home and Thomas Pérez.

In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

“Life has to be given a meaning because of the obvious fact that it has no meaning.” Henry Miller