The Theme Of God In Design, By Robert Frost

Frost further points out that the stretch of woods being viewed is very rural. This is made possible by the reference to the location between the woods and frozen lake. In closing the final sentence of the second stanza Frost reiterates the fact that this occurs on “the darkest evening of the year” stating the darkness of the mood.

Robert Frost's Design Robert Frost outlines an ironic and disturbing situation involving a flower, a spider, and a moth in his poem "Design". The poem's text suggests the possibility of an absence of a god, but does no more than simply beg the question, for Frost's speaker does not offer the answer. By examining the events of the poem in the first stanza and the speaker's annotative second stanza, we

Frost uses several techniques in his poem, but perhaps the most significant is his use of the metaphor. First, he describes “Two roads diverged in a yellow wood” (1). The roads represent the different choices that people have to make in life and how there isn’t always one choice to be made. Each path is an important decision which he must make, so he has to choose carefully when examining each path. When he “looked down one as far as (he) could to where it bent in the undergrowth” (4-5), this represents him not being able to predict and see the future. The forest represents the unknown, and he cannot see or predict his unknown future. One may think that his choice

Frost entrances the reader’s mind with the bountiful amount of imagery within the poem. “Two roads diverged in a yellow wood,” the comforting and well-known nature that Frost describes contradicts against the terrifying reality of the unknown through decision making. Frost goes on to explain how he, as many others do, try to visualize what his life would be like if he were to go down one of the roads he chose, “Long I stood and looked down one as far as I could” worrying about how decisions will affect every independent life can be a hassle and trying to understand and fully

This poems subject is mainly about nature and how everything is beutiful and then not. I think that Frost is trying to teach everyone to not think that everything stays perfect but eventually is not perfect

In Robert Frost’s “Design,” written in 1922, the narrator laments the juxtaposition of life and death that he bears witness to when he sees a spider on a heal-all flower carrying the dead moth it has killed. He uses a modified Italian or Petrarchan sonnet, punctuation, repetition of rhyme and diction, repetition of anomaly, and repetition of the same rhyme in both the octave and the sestet, to convey that death is a question that cannot be answered and that the only solution, the only answer, is to continue to ponder over it. While it is a question that cannot be answered, it must be questioned anyway. He uses symbols he has drawn from in earlier works, as well as his experience playing with the form of the Petrarchan sonnet in the past, to help shed light on the importance of this.

The style of the poem is more of a narrative, it paints a picture in my head of what is happening in it. It is not too long, but in the short length it spills a lot about the ideal of it. Frost is the main person speaking to us in this he is telling about his experience and how he's warning us about what could possibly happen.

The poet was trying to show his feelings about the world and political views after WWI. He was concerned with how different leaders were acting after the war. Frost wrote the poem to get his feelings out there. Luckily the world didn't end which is what he predicted in his poem.

A dark light is shed on nature, with the use of words such as “soiled” to depict the clouds in the sky (3). Normally, one would appreciate nature for its beauty and ability to create peace in its observers, but clearly the speaker feels resentment and disgust towards the environment. What happened to create this negative feeling towards a seemingly harmless and normally appreciated thing? The wind is described like a bird, flying and “beat(ing) around in its cage of trees,” wanting to be set free (2). The personification of the wind gives the normally less powerful force more shape and life, as though it is capable of great destruction. Similarly, the “starlings peck at the ice,” trying to break through (3). There is a theme of breaking free from confinement in these two lines, which is an interesting concept when the reader is introduced to the wife in the second stanza. She “stays home and stares from the window” at the outside world, which is clearly a depressing scene due to the harshness of the winter

Robert Frost wrote this poem in 1923. Frost is referencing creation from a perspective of a Christian. The poem is about creation and how creation evolves overtime. He is American from New England. This piece is from 20th century poetry.

is saying, and Frosts personal pain that he is suffering from that he ingrains into this poem. The

The dramatic situation of the poem becomes apparent in the second stanza, where Frost details the main conflict between the narrator and society. Although the speaker is currently walking in a city, he is alone, “[looking] down the saddest city lane” and shunning any interactions with other people, such as “the watchman on his beat”

Robert Frost starts off the poem with a lovely and happy scene, a child who was doing work. The author portrays and

The poem "Design" explores whether the events in nature are simply random occurrences or part of a larger plan by God, and if there's a force that dominates and controls our very existence. On that point both Jere K Huzzard and Everett Carter aggress on. They differ in their interpretations of the poem's ending and what they think Frost wanted to convey with his vague ending. Both agree that the last line of the poem was written in an undefined way with purpose on Frost's side. But each critic poses his own ideas regarding what is the meaning of that line. While Carter examines the whole poem in order to answer this question, Huzzard chose to focus only on the last two lines.

“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. These deeper layers of complexity can be clearly seen in his poems “ The Road Not Taken”, “Fire and Ice”, and “Birches”.