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The Theme Of Madness In Hamlet And Shakespeare's Hamlet

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Shakespeare is known for the many reoccurring themes in his tragedies. One such theme is that of love causing madness. One prime example of this is Ophelia’s downfall in Hamlet. Hamlet has been transformed into motion pictures any times, and two show the theme of madness in Ophelia in different ways: the 1990 version of Hamlet created by Zeffirelli and the 1996 version by Branagh. While both actresses that played Ophelia conveyed the madness well, they took different approaches in terms of vocal inflections and movements. The directors also took different approaches to portray madness like costumes and settings. Lastly, while Bonham-Carter’s Ophelia in 1990 shows some ambiguity in the reasons behind her madness, Blanchett’s Ophelia in 1996 does not.

The major scene that shows the madness Ophelia has descended into is in act four scene five. The two portrayals by Helen Bonham- Carter and Kate Blanchett are quite different as shown by their acting of this scene. First, Bonham-Carter’s movements appear much more calculated than Blanchett’s movements, as Blanchett primarily lies on the ground trashing out in a random manner. Bonham-Carter, on the other hand, walks around the set with a purposeful stride (witchywoman4u12, 2011). Next, they also speak quite differently. Blanchett screams the majority of the speech and speaks with an inflection that speaks of unsureness. Bonham-Carter speaks with a calmer tone like she knows exactly what she is saying. Lastly, when Ophelia has interactions between herself and another character like her conversations with Gertrude and Claudius, Blanchett’s Ophelia appears to be unaware of her surroundings and other people initiate the conversations (Aaron Bradford, 2013). Unlike the 1996 version, Bonham-Carter gets up close to people when she is talking to them, and initiates the conversations between herself and Claudius and Gertrude. This happens during Ophelia’s lines, “Where is the beauteous majesty of Denmark...How should I your true love know From another one? By his cockle hat and staff, And his sandal shoon…Say you? nay, pray you, mark. He is dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone,” (IV.v, Shakespeare, William). She

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