Shakespeare is known for the many reoccurring themes in his tragedies. One such theme is that of love causing madness. One prime example of this is Ophelia’s downfall in Hamlet. Hamlet has been transformed into motion pictures any times, and two show the theme of madness in Ophelia in different ways: the 1990 version of Hamlet created by Zeffirelli and the 1996 version by Branagh. While both actresses that played Ophelia conveyed the madness well, they took different approaches in terms of vocal inflections and movements. The directors also took different approaches to portray madness like costumes and settings. Lastly, while Bonham-Carter’s Ophelia in 1990 shows some ambiguity in the reasons behind her madness, Blanchett’s Ophelia in 1996 does not.
The major scene that shows the madness Ophelia has descended into is in act four scene five. The two portrayals by Helen Bonham- Carter and Kate Blanchett are quite different as shown by their acting of this scene. First, Bonham-Carter’s movements appear much more calculated than Blanchett’s movements, as Blanchett primarily lies on the ground trashing out in a random manner. Bonham-Carter, on the other hand, walks around the set with a purposeful stride (witchywoman4u12, 2011). Next, they also speak quite differently. Blanchett screams the majority of the speech and speaks with an inflection that speaks of unsureness. Bonham-Carter speaks with a calmer tone like she knows exactly what she is saying. Lastly, when Ophelia has interactions between herself and another character like her conversations with Gertrude and Claudius, Blanchett’s Ophelia appears to be unaware of her surroundings and other people initiate the conversations (Aaron Bradford, 2013). Unlike the 1996 version, Bonham-Carter gets up close to people when she is talking to them, and initiates the conversations between herself and Claudius and Gertrude. This happens during Ophelia’s lines, “Where is the beauteous majesty of Denmark...How should I your true love know From another one? By his cockle hat and staff, And his sandal shoon…Say you? nay, pray you, mark. He is dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone,” (IV.v, Shakespeare, William). She
While Hamlet’s “mad” behavior starts out as an “antic disposition,” his mental state deteriorates. Does Hamlet truly go “mad,” or is all of his wackiness an act?
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim
Hamlet is an acknowledging Shakespearean play that was later filmed in 1990 by Franco Zeffirelli and in 1996 by Kenneth Branagh. Both these directors interpret the play differently adding unique twists and turns of their own to help focus on one thing than the other. In their contrasting films, these two directors depict the character of Ophelia very differently. Through Zeffirelli’s film, Ophelia, played by Helena Bonham Carter is portrayed as a dreamy, naive, childish character, however in Branagh 's version; Kate Winslet portrays Ophelia as a more mature, sensible and strong willed character. These different portrayals of Ophelia can be further analyzed through cinematography, set and costume designs and through the actor themselves.
Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Ophelia started acted insane when Hamlet frantically ran up to her, grabbed her arms and shook her because he had seen the ghost of King Hamlet. “He took me by the wrist and held me hard. Then goes he to the length of all his arm, And, with his other hand thus o’er his brow, He falls to such perusal of my face As he would draw it. Long stayed he so. At last, a little shaking of mine arm, And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to
Hamlet is a tragic play that is focused on Hamlet’s attempt to try and avenge his father 's death. A huge tragedy of the play surrounds a character Ophelia and Hamlet’s relationship with the young woman. Ophelia made people concerned and uneasy during the “mad scene.” The death of Ophelia was described in the play, but the Queen did narrate on it a little. She could have been a lovesick mad woman, she may had been grieving from the loss of her father, or everything going on in her life may had just finally pushed her to her limits (Maki 1). When Laertes called Ophelia “a document in madness” he is referring to her speech, her singing, and what was emerging from this was suicidal insanity.
In Shakespeare's play Hamlet, there are several questions that come to the reader's mind regarding the emotional state of Hamlet. Was Hamlet really suffering from madness, as many of his friends and family thought? Was he mad or just pretending to be mad? Did Hamlet start out pretending to be mad, and his obsession drove him to madness? The reader gets insight into Hamlet's mental status through other characters and through Hamlet himself. If the characters had the information that Hamlet had about the murder of his father, would they have thought differently of his actions and his sanity?
In William Shakespeare's Hamlet, a kind of madness ultimately infects everyone, leading to an ending in which almost every major character is dead. Two of these maddened characters are Hamlet and Ophelia, who also share a love for each other. But though their irrational behavior is often similar and their fates alike, one is truly mad while the other is not.
Michael Pennington in “Ophelia: Madness Her Only Safe Haven,” elucidates the character of Ophelia in Shakespeare’s tragedy, Hamlet:
Ophelia falls to the floor, her screams contrasting eerily with the song pieces she uses as her speech. In an instant she is writhing and thrusting her pelvis in such a gross sexual manner that it becomes clear that, in his film interpretation of William Shakespeare's Hamlet, Kenneth Branagh wants to imply a strong relationship between female insanity and female sexuality. Such a relationship is exactly what Elaine Showalter discusses in her essay -- "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism" -- "I will be showing first of all the representational bonds between female insanity and female sexuality" (Showalter 223).
In the play Hamlet, by William Shakespeare madness is a prominent trait that many of the characters in the play come to possess. These characters go through a multitude of troubles throughout the play that makes this madness justifiable. This madness plays an immense role in the outcome of the play and events throughout it. Hamlet and Ophelia show this trait of madness in their actions throughout the play which ultimately have a detrimental effect on themselves and other characters in the play.
Ophelia was in a bad situation throughout the play, leaving her without much control of her life. She was not able to fix things between her and Hamlet because Polonius, her father, prohibited her from seeing him. She was subject to the rule of her father above all else. This contributes to Hamlets “act” of being crazy. She blames herself for Hamlet's
The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness
Ophelia is another one of Shakespeare’s tragic victims. Throughout the years, her character has been analyzed in a multitude of ways. Arguably being one of the main characters in Hamlet, Ophelia is known for being one of the least developed. In her literary criticism piece, Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism, Elaine Showalter goes through countless interpretations of Ophelia’s character.