It is often said that literature is a voice for the oppressed. Marjane Satrapi proves this point in her graphic novel / memoir Persepolis, in which she shows how children, secularists, nationalists and even Muslims were marginalized, excluded and silenced in Iran during the Islamic revolution in the 1980s. Her work serves as a voice for those who were oppressed.
From the first page of the graphic novel the author explores the theme of growing up under oppression. She introduces herself and the troubles of the Islamic revolution through the symbol of the veil. The first frame of the first page presents a portrait of
Marjane Satrapi wearing the veil, looking expressionless and without identity. The caption reads, ‘This is me when I was ten years
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In one frame Marjane helps her mother pour alcohol down the toilet, as the police threaten to search their apartment (p.110). In another frame, Marjane’s mother puts tape on the windows, as a safeguard against the Iraqi bombings, and black curtains over the windows, to prevent the neighbours from seeing their parties (p.105). She tells this story of her parents living in fear through very stark, black and white drawings, which show the contrast between the evil theocratic regime and her good secular parents. This contrast culminates in the final page of the novel, when her parents send her to Austria to protect the life of their only child from the horrors of war and the dangers of the Islamic regime. In one frame a bearded guard is searching through her suitcase at the airport. In the next frame her mother faints from sorrow as she says goodbye to her daughter (p.153).
This scene shows the sacrifices that the elite secularists had to make at the hands of fundamental Muslims.
As one reads this graphic novel, one understands how so many people in Iran,
Although books full of words are more efficient in delivering and describing what the author feels, sometimes pictures can give a deep meaning depending on how they are organized. The Veil by Marjane Satrapi’s is a graphic novel that’s organized in a particular way, to deliver a certain message through the pictures. Marjane includes different sizes and frames that serve what she is thinking and feeling. Choosing certain sizes, frames and colours isn’t arbitrary. As each box increases in size, it means that she wants to emphasize the message behind that box, or show her relation to that particular text. Contrast is also one of the main elements that Marjane uses in her graphic novel. For example, on page five, there is a big picture of
Lisa Barnes Lampman's book "God And The Victim: Theological Reflections On Evil, Victimization, Justice, And Forgiveness" discusses the concept of crime and how it can be seen from a spiritual perspective. The writer is concerned about having people adopt a theological attitude in trying to understand crime and what triggers it. Victimization is also a principal concept in the book, as the writer relates to it in regard to crime and apparently wants to emphasize the fact that it is common for some people to consider themselves vulnerable to crime. The writer basically wants her readers to acknowledge that crime can have damaging consequences for society as a whole.
As American singer-song writer Duncan Sheik once said, “It’s inevitable your environment will influence what you do.” It is not a secret that the environment a person grows up in helps shape their views of the world and how he or she perceives different issues. The United State of America are known as the melting pot. We have many cultures and races all living within the same cities working together peacefully for the most part. To outsiders America is the place to come to achieve the “American Dream”, and it is the place where fresh starts, entrepreneurship, and individualism are highly encouraged. There are freedoms in American that many other people across the world are not as lucky to have.
Throughout the Iranian Revolution, many events and changes took place that largely affected the views of Iranians by other nations. The graphic novel, The Complete Persepolis, written by Marjane Satrapi (Satrapi, 2003), conveys many of these events and changes through the eyes of a child growing up in the 1980s in Iran. Satrapi’s main purpose for this book is to describe how the Iranian government was corrupt, causing foreign nations to have a tainted view of all Iranian citizens. The Complete Persepolis does so by presenting major events and changes in a manner that is directed towards audiences that are willing to have an open mind about ethnicity and false stereotypes, and an audience that is young and can relate to the “coming of age” aspect of this novel. By exhibiting a credible first hand account of how Satrapi and many others were affected by the events that took place during the Iranian Revolution, The Complete Persepolis can effectively persuade a reader to eliminate the “Islamic extremist” stereotype that the corrupt Islamic Republic gave all Iranian citizens.
Dean Acheson once gave the timeless advice of “always remember that the future comes one day at a time”. This quote highlights how truly important each and every day is and the significance of the time you use or waste. The way that you choose to use that time, the decisions you make, and the things that surround you change who you are and greatly affect your future. These are all aspects that were clearly shown throughout the graphic novel Persepolis. It is because of these aspects of life that Marji developed the characteristics that she did. As an Iranian citizen Marji was consumed by war for a long time. This is what
Samuel P. Huntington once said, “In the emerging world of ethnic conflict and civilizational clash, Western belief in the universality of Western culture suffers three problems: it is false; it is immoral; and it is dangerous.” Two contrasting beliefs have a tendency to cause conflicts. When groups of people have opposing views, dangerous confrontations will occur to see which view is dominant. The Islamic Revolution was blood ridden, violent, and incessant; the conservative sect of the population, which viewed religion as the proper and only reasonable way for society to operate, and the more liberal side of the population, which had far more westernized views clashed with each other. In Marjane’s Strapi’s graphic novel Persepolis, the
Persepolis the Story of a Childhood by Marjane Satrapi’s at first impression looks like an unsophisticated comic book; however the book is much more intricate than it looks. It appears like the author Satrapi uses a graphic novel style to add to the stories and supplement profound thoughts what words probably cannot express in novels: layers of visual intuitions. However, does the use of graphic novel help Satrapi propel her idea? In the comic book it seems like she really has propelled her idea.
Western culture has often misperceived the east and the way that their society functions. In Marjane Satrapi’s Persepolis, Satrapi uses graphic novels as a way to demonstrate to the western culture how the east has been misrepresented. The use of media helps to depict to the west how their views of the east may have been unfairly formed in the past. The media has only revealed limited knowledge that only shows partial perspectives because it is difficult to get perspectives of the minorities although they are the ones who hold the most truth. In other words the use of graphic novels and a child’s perspective give the west a new idea on how it is that society in the east functions. This style of writing brings the connection between the two
Throughout the book persepolis they have many themes. It has Nationalism, Imperialism, Revolution, Danger, and Religion. The themes all connect to the war with Iran and Iraq. They all happen during the war.
Oppression is something that all humans are faced with at some point in their lives. No matter how large that oppressing force may be, it is sure to have an effect on those in its path. Zora Neale Hurston, and Celeste Ng are two authors who wrote about how their characters live in the face of hardships and both show a dramatic change in their characters from beginning to end. Hurston writes about a young woman, Delia, living in the 1920’s dealing with an abusive husband in her short story “Sweat.” Ng’s novel Little Fires Everywhere follows two families living in a prim and proper town in Ohio in the 1990’s. Throughout these works, the characters are consistently challenged by cruelty of the powerful forces surrounding them, but more importantly,
Amazing, intriguing, and unimaginable are just a few words to describe how I felt about Persepolis while I read this true life story of Marjane Satrapi. This book has helped me to see all the life struggles, good times, and adversities that Marji faced between the ages of nine to thirteen. The Islamic Revolution had such a daunting effect in the Middle East, especially in the county of Iran where Marji and her family resided.
Persepolis by Marjane Satrapi is a graphic memoir that reveals the life of a woman growing up in pre and post Iran, as well as her experiences in Western countries. In this book, Marjane utilizes historical events that affect her life during her upbringing in Iran. These include the oppression of the Shah, as well as the rise and effects of the regime. These events’ integration into the story showcase how they affect Marjane and the other citizens of her country. Additionally, these events are important for the context and understanding that they grant readers unfamiliar with the text.
Persepolis focuses on major themes like Feminism, Freedom, Religion, War, and Culture. Although this book is about Marjane Satrapi a young girl who lived her childhood in Iran from the 1980’s which was during the Iran revolution, where at a young age she’s already opened up to a warfare environment. This book can be interpreted differently based on the reader’s location, history background with Iran, and the differences in government. In this essay we would be comparing the readers from Iran vs. America.
Adolescence is an age where children began to find themselves or, in some cases, lose themselves, an idea clearly developed by Satrapi in her graphic novel “Persepolis”. Satrapi explores the challenges and difficulties experienced by a sheltered and naive girl during the tumultuous and uncertain years of the Iranian revolution and attempts to solve the oppression she witnesses by the Islamicist government. This is important to the whole text as it identifies the religious conservatism and Islamisation of the state causes distress and confusion in Marjane who consequently had to redefine herself, given that her freedom and personal liberties were denied them in schools, public places, and even her own home.
Persepolis is an autobiography by Marjane Satrapi that pushes the reader to visualize Marjane’s life from childhood to growing and becoming an adult. This story takes place in Iran and it’s during the Islamic Revolution. The name Persepolis itself comes from the capital of an ancient Persian empire. The most prominent motifs for this novel is smoking, and the major reason for it is repetition, Marji spontaneously changes her lifestyle, habits, and attitude after she begins smoking, and that holds hands with another major motif which is coming of age. This writing will prove to you how Marji’s start of smoking and coming of age will bring changes to her lifestyle, attitude, and habits.