The Theme Of Poe's 'Fascination With Fear'

The narrator describes the two different ways he wakes up from two different forms of attacks. The first described, “I remained, until the crisis of the disease restored me, suddenly, to perfect sensation,” and then “I awoke slowly. Just as the day dawns to the friendless and houseless beggar who roams the streets throughout the long desolate winter night – just so tardily – just so wearily – just so cheerily came back the light of the soul to me.”

It is a well known fact that Edgar Allan Poe‘s stories are famous for producing horror or terror in his readers beyond description. However, it is one of this essay’s attempts to precisely describe these two characteristics present in The pit and the pendulum and The black cat. Horror may be defined as “the feeling of revulsion that usually occurs after something frightening is seen, heard, or otherwise experienced. It is the feeling one gets after coming to an awful realization or experiencing a deeply unpleasant occurrence.” On the contrary terror is described as “the feeling of dread and anticipation that precedes the horrifying experience” These two concepts are thought to be crucial when analyzing Poe’s writings. It is going to be

Poe appeals to the readers five senses, more particularly the reader’s sight and sound. Poe talks of an “evil eye” that an old man possesses, and the, “pale blue eye, with a film over it” (n.p.) is one example of imagery that Poe uses to describe the reasoning behind the narrator chose the old man as the one he or she would kill. Another example of how Poe executes imagery in the short story is when the narrator sneaks into the old man’s bedroom; “I turned the latch of his door and opened it- so gently! And then when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head [...] moved it slowly-- very, very slowly so that I might not disrupt the old man’s sleep” (n.p.), here Poe is giving details as to how carefully the narrator had moved through the old man’s room. He explains how the narrator walked so carefully and quietly the Old Man did not wake.

Edgar Allan Poe is known for his knowledge of how to build and use suspense, but how does he do it? Poe has done many works in his time as a poet and he has mastered suspense in writing these works. He knows when and how to use suspense. In all of his story you can find at least one sentence of suspense. Edgar Allan Poe uses craft elements like short and choppy sentences, the setting, and very descriptive language to build suspense in his works.

“He felt his body divide itself into a hotness and a coldness, a softness and a hardness, a trembling and a not trembling, the two halves grinding one upon the other. (1.207-8)”

In this story, Edgar Allan Poe (such as in many of his works) uses the setting to create a dark image inside our minds. He makes this specially through darkness, therefore the character makes a connection with death. “The physical setting oppresses him in the visions of his graveyard” (1).

Poe’s utilizes imagery to portray the narrator’s struggle to cope with the loss of Lenore. For instance, when the narrator opens the door to see who is knocking, he recounts, “Deep into that darkness peering, long I stood there wondering, fearing” (Poe 25). Poe’s use of imagery reveals the speaker’s trepidation as fear is instilled

"He felt his body dive itself in a hotness and a coldness, a softness and a hardness, a trembling and a not trembling, the two halves grinding one upon the other."

The narrator suffers from catalepsy, a physical condition in which the individual cannot move or speak for hours or, in extreme cases, for months. According to the narrator’s explanation, what are some of the ways that one can tell a cataleptic is still living?

Edgar Allan Poe is the most morbid of all American authors. Poe made his impact in Gothic fiction, especially for the tales of the macabre of which he is so renowned for. “How can so strange & so fine a genius & so sad a life, be exprest [sic] & comprest in on line — would it not be best to say of Poe in a reverential spirit simply Requiescat in Pace [?]” — (Alfred Lord Tennyson’s reply to the Poe Memorial committee, February 18, 1876). Poe’s own life story sheds light on the darkness of his writings.

Edgar Allan Poe has a distinctive and dark way of writing (Poe & Kennedy, pp.22). His mysterious style of writing appeals to passion and sentimentality. Poe’s most prominent works of fiction are gothic. His stories tend to have similar recurring theme of either death, lost love or both. Poe’s psychologically thrilling stories examining the depths of the humanoid psyche earned him much fame throughout his lifetime and after his death. And this distinctive style of writing made him possess his own style of wiring (Arbor, pp.71). There is a psychological concentration which is an important characteristic of Poe’s literatures, particularly the tales of horror that encompass his best and well-known works, such as The Black Cat and The Raven which

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

Sadness, guilt, and fear are some of the most negative emotions that humanity can experience, however they are also the strongest. Edgar Allan Poe, a nineteenth century author and poet, is known primarily for his use of these emotions, as well as the results that may come from these emotions, such as substance abuse, depression, and death. However, the ability to write such elegant, sophisticated works that delve into the very dark recesses of the human mind reflects greatly upon the author himself. Repetitive themes found both in Poe’s stories and in his life deliver insight on the inspiration for this author’s stories. Poe uses themes of death, illness, and depression in order to reflect his own experiences within his writing.

As a master of short stories of horror, Edgar Allan Poe is knowledgeable, learned and imaginative. He could skillfully manipulate the words in his literary works to create everything people can think of. The masterful use of the symbols, objects intensify the readers’ nerve as the typical elements of horror in Poe’s short stories, and therefore it is also a feature which makes Poe 's stories different from other writers.

Edgar Allan Poe was a prominent writer during the era of Romanticism, but Poe’s poems focused primarily on the Dark Romanticism, developed under Romanticism. The era of Romanticism was commonly described as showing raw emotion, but there was still a conflict in the story. The purpose of Romanticism was for the writer to feel free; there were no rules when it came to this form of writing. Dark Romanticism was looking at the gothic side of stories rather than the heroism stories, which focused more on death, and the flaws of humans. Dark Romanticism also focused on the evil aspect of writings rather than the heroic part to stories. Edgar Allan Poe’s poems are shown more in this type of writing rather than the typical Romantic writings. When looking more into Dark Romanticism readers are able to see how Poe could have connected his personal turmoil to his poems. The University of Delaware’s library says, “Suffering for offenses against God, man and Nature, the hero-villains wander the earth, alone and misunderstood. Their personal torment in a vast universe is emphasized by desolate settings of icebound seas, jagged mountains and bottomless abysses: imagery that would inspire artistic, literary, and musical compositions,” (Dark Romanticism). This quote shows readers that writers during the Dark Romanticism era used their own sufferings in order to make the stories seem more dramatic and almost human. Looking into the poems “Annabel Lee” and “The Raven”, readers are able to see