The Theme Of Trophies In Fifth Business By Robertson Davies

She flirts with many men and young adults throughout the play, which makes the reader feel a lack of sympathy for her as the men she desired ended up becoming major contributors to her eventual downfall, in particular Stanley.

You get last place in your tournament. The coach walks up to you looking disappointed and hands you a trophy. You look down at the trophy confused on how you go it and notice that it reads “participation”, but why hand out a trophy if you didn’t really earn it? A popular issue today is whether or not participation trophies should be given out to young athletes. There isn’t a right or wrong answer to this debate, however I believe that it is wrong for these no good trophies to be handed out. Here are some of the reasons on why I believe this.

And when «she knows it's happening: that thing, that connection» between them, when she dances for him and «making him fall in love with her» she says to him: «We've got all we need. We don't need love. Don't diminish yourself – don't reveal yourself as a sentimental sap. You're dying to do it, but don't. Let's not lose this.» (p. 231). She knows she's driving him nuts, she knows that her rejection of his feelings makes him want to attach to her sentimentaly even more. She dances for him and teaches him what life really is. She – a 34-year-old illiterate janitor, teaches him – colledge proffessor, ex-dean, a member of highest rank of society class, what life is all about.

Iridescent is a showing of luminous colors that seem to change when seen from different angles. The novel Fifth Business has many angles in which one can approach it. One of these is Marxism, the origins of Marxism come from Karl Marx who was a philosopher that created a definition of what is a perfect socialist society. This perfection would make both the bourgeoisie and the proletariat equal, this is not the case in Robertson Davies novel Fifth Business. Percy is a character in which is all that Marx views oppose. Elements of Marx ideology can be interpreted and used to foreshadow the fate of Percy Boyd Staunton. Percy’s first encounter with these elements will shape his life

Women had access to the new contraceptive pill and this made it easier for women to engage in sexual relations outside of marriage. This bought about a questioning of the need for marriage and fidelity. During the play it becomes apparent that Lucy (Louis’ girlfriend and roommate) and Nick (Louis’ best friend) are having an affair. Nick and Lucy both share similar beliefs that the Vietnam War protest is more important than anything else. Nick and Lucy are the presented as representatives of the more modern attitudes towards love and fidelity. This is shown by Lucy and Nick being advocates of free love and seeing sex and love as two different things, this is evident when Nick says to Lewis “She’s sleeping with you, were having sex” (referring to the relationship between Nick and Lucy.) and “Lucy’s not possessive about you, I’m not possessive about her. What’s the fuss?” This shows how societies’ views of love and fidelity and what is acceptable are changing to a more laid back, free attitude. These quotes reflect the values and attitudes towards sex at the time, as women were now more freely engaging in sexual relations outside of marriage, and demonstrating ‘free love’. After Lewis’ learns of the affair between his best friend and girlfriend, he comes to the realisation that “Woman’s consistency is like an Arabian Phoenix”, which in this context, means a woman’s fidelity is often talked about and

Do we give children too many trophies? According to Bob cook a sports father of four, “when it comes to participation trophies in my experience kids know the score.” Therefore at the end of the day, a trophy for involvement is a gift, and children are aware. Based on the facts and anecdotal evidence we are not giving children too many trophies. These pieces of plastic are a source of memorabilia. In addition, the trophy does not reflect the kid’s attitude towards hard work.

In Of Mice & Men, the character Curley’s Wife is depicted as flirtatious, promiscuous, and insensitive. However, her husband Curley sees her as only a possession. Most of the workers at the ranch see her as a tart, whereas Slim, the peaceful and god-like figure out of all the men, see her as lonely. This answer will tell us to which extent, is Curley’s wife a victim, whether towards her flirtatious behaviour, or to everyone’s representation of her.

At the same time, however, Janie begins to confuse this desire with romance. Despite the fact that nature’s “love embrace” leaves her feeling “limp and languid,” she pursues the first thing she sees that appears to satisfy her desire: a young man named Johnny Taylor (Hurston 11). Leaning over the gate’s threshold to kiss Johnny, Janie takes the first step toward her newfound horizon. Nanny sees this kiss and declares Janie’s womanhood. She wants Janie to marry Logan Killicks, a financially secure and well-respected farmer who can protect her from corruption. The marriage of convenience that Nanny suggests is “desecrating … [Janie’s] pear tree” because it contradicts her ideal vision of love (Hurston 14). Because she did not have the strength to fight people in her youth, Janie’s grandmother believes that Janie needs to rely on a husband in order to stay safe and reach liberation. Ironically, Janie’s adherence to Nanny’s last request suppresses her even more because it causes her to leave behind her own horizon.

The men who “invade” Herland are filled with typical boyish fantasies of wild maidens in waiting. Their ideals about this place are comical. They expect to find a collection of wild women that are waiting to be tamed by men. They imagine a world of pure, untainted women. They cannot imagine a civilized world without the presence of men. “ They would fight amongst themselves, Women always do. We mustn’t look for any sort of order and organization” (10). This statement was made by Terry, as we come to know him. He is the most “manly” of the three men. His ideals are the most Victorian and chauvinistic. Jeff’s ideas about the women they would come to find were different than Terry’s. He believed that women should be sheltered and protected without a care in the world. “Jeff idealized women in the most Southern style. He was full of chivalry and sentiment, and all that. And he was a good boy; he lived up to his ideals” (11). Van’s ideals about their venture were the most practical in nature. He looked over every detail and tried to make the most sensible explanations. I believe he was the voice of reason. We could also compare the three to Freud’s Id (Terry), Ego (Jeff), and Superego (Van). But that is another paper.

Dorothy L. Sayers states “Wherever you find a great man, you will find a great mother or a great wife standing behind him.” Man is a societal construct that is structured and molded by maternal influences and female insight. Typically one is a product of its environment, however Robertson Davies in “Fifth Business,” deliberately uses female roles to display the impact that women have on the psychological growth of a man. Davies chronologically traces the psyche of Dunstan Ramsay as he matures with the guidance of significant female characters in his life. In “Fifth Business,” Robertson Davies uses the characterization of Mrs. Ramsay, Diana

Judy is fetishised into Madeleine as the lost object and, in the process, she is made the object of inevitable disappointment. Scotty can never be satisfied with the substitutive object and Judy must become the object of his revulsion.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

All throughout America, competition flows through the people’s blood like an epidemic there’s no cure for. From the age Americans are infants, it is bred into them. They are taught that there are winners and there are losers, and not to be a loser. Although some believe this kind of competition can lead to success and happiness, the outcomes are quite the opposite. This is shown in Arthur Miller’s, Death of a Salesman when the main character, Willy Loman, not only lives his life by the myth of competition but also drives this myth into the minds of his family. This causes one of Willy’s sons to be led down a path of misguided aspirations, leads Willy to have very low self-esteem, and evokes poor relationships with others. Through this, Miller shows that competition is just a widely believed American myth which doesn’t lead to a fulfilling life.

The story of “To Kill a Man” by Jack London portrays a main theme of selfishness and betrayal that was showed by the main character herself, Mrs. Setliffe. Mrs. Setliffe was trapped with her selfish needs when she first saw Hughie Luke (burglar). In her mind, she can picture that the story about her catching a burglar by herself will be a massive hit for tomorrow’s newspaper. She came out with an idea of keeping a good conversation and having a drink with the burglar.

Despite these discouraging surroundings, the boy is determined to find some evidence of the loveliness his idealistic dreams tell him should exist within the Church. His first love becomes the focal point of this determination. In the person of Mangan's sister, obviously somewhat older than the boy and his companions, his longings find an object of worship. The boy's feelings for the girl are a confused mixture of sexual desire and of sacred adoration, as