The Theme of Beowulf
Interpretations of Beowulf vary. In this essay I hope to state clearly some of the popularly mentioned themes running through the poem.
“Many critics feel that the speech of Hrothgar between lines 1700 and 1784 encapsulates the moral of the poem….’He does not know the worse – till inside him great arrogance grows and spreads’” (Shippey 38). Hrothgar’s ominous words do come back to haunt the hero more than once. Beowulf is a braggart; he is proud, and nothing seems able to change his basic proud outlook derived from his all-powerful physical strength. Even shortly before his own defeat against the fire-dragon, our hero is recalling his killing of the great hero of the Hugas with his bare
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Beowulf escaped
by his own strength, did hard sea-duty;
he held in his arms the battle-outfits
of thirty [warriors] when he turned to the sea:
No need to boast about that foot-fight
among the Hetware who bore shields against him;
few returned to see their homes
after facing the brave, the daring man.
Across the seas Ecgtheow’s son,
alone and lonely, swam to his homeland.
Beowulf seems to display absolute confidence in his own strength. So indeed, Shippey may be correct in asserting that Hrothgar’s advice that pride as the downfall of great people especially, is the theme of the poem. But in “Beowulf: The Monsters and the Critics” Tolkien states another view on the theme:
Let us suppose that our poet had chosen a theme more consonant with “our modern judgment”: the life and death of St. Oswald…. It is just because the main foes in Beowulf are inhuman that the story is larger and more significant than
The poet admired Beowulf’s ability as a warrior stating “There was no one else like him alive. In his day, he was the mightiest man on earth,”(15). The poet described the great warrior as wielding “the strength of thirty in the grip of each hand”, treating his comrades with great respect, and only using his immense strength for noble deeds, to the point where the Geats considered him weak (149). Like most warriors at the time, Beowulf believed in a fatalistic view, made clear in line 1386 saying, “For every one of us, living in this world means waiting for an end. Let whoever win glory before death.” (97). The poet emphasized this philosophy, including many passages where Beowulf’s thirst for glory is
Beowulf is a story of great courage and triumph over adversity. But over the whole story there is a hanging sense of dread and impending death. This is shown by the sense of impending death, the strong sense of doom, and the nature of luck throughout the story. These play a mojo role in shaping how the story
The Anglo-Saxon epic Beowulf touches on the vice of pride, and is instilled in the main character, Beowulf, the great and mighty warrior. His boasting and arrogance when first dropping anchor at Heorot transitions throughout the poem, and, in contrast with his ideal kingsmanship, motivates him to accomplish and overcome the many challenges he faces as an epic hero. The contrast of his absent humility in the rise and fall of the story help promote the progression of the story, through its different purposes. Beowulf, when first landing upon Hrothgar’s kingdom, boasts, which does not go unchallenged, so that he might gain the trust of the Danes, but when knowingly facing his last battle, uses bragging to comfort and brace himself for his ultimate demise.
Beowulf, the defender of Hrothgar and Heorot, exhibits far more complicated (and less sincere) shades of revenge than the Grendel’s mother. At the end of the day, Beowulf’s goal is to become the preeminent warrior in all the land. In his society, the only way to gain such widespread celebrity is through courageous and self-endangering acts. Beowulf masks these deeds with a façade of seeking revenge; he supposedly comes to Heorot to save the Danes from Grendel’s terror, but his true motives lie in becoming a hero. His reward is not the pride of doing a good deed; Beowulf is rewarded with lavish and expensive gifts.
In the epic poem Beowulf, there is an obvious distinction between good and evil. The hero and his foes play roles that are commonly associated with Anglo-Saxon literature. The lines are clearly drawn and expressed in the poem. As the story moves, the reader cannot mistake the roles being played, based on the characterizations in the epic, one recognizes each character for their purpose and place.
“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.
Beowulf transitions from warrior to king in the second part of the poem. Instead of relying on his own beliefs and practices, he emulates the heroic king Hrothgar. Beowulf becomes more concerned with the lives of his subjects and takes a more conservative ruling stance. Hrothgar prepares Beowulf well to take over the thrown and teaches him to honor his warriors, protecting his people and maintain a stable Kingdom. Hrothgar reminds Beowulf of the Greek tragedians and teaches that pride without humility will result in a tragic fall (Chickering 1383). He also teaches Beowulf about Christian beliefs like wealth is accumulated through the grace of God and should be shared unselfishly (Chickering 1384).
Continuing, even though he did not defeat Grendel by himself, Hrothgar demonstrates the wisdom a king needs to rule his kingdom. At the arrival of Beowulf’s troops, Hrothgar knew distinctly that he needed to gain their loyalty in order to let Beowulf fight Grendel, so he generously gave plenty of drinks and he even brought out his own wife to please them, “…the Helming woman went on her rounds, / queenly and dignified, decked out in rings, / offering the goblet to all ranks,” (620-622). Hrothgar utilizes his tactful mind to gain these warriors’ trust, even though he could not fight anymore like Beowulf, the Danes’ king’s wisdom remains and makes him qualify as a king. Furthermore, Hrothgar gives advice to Beowulf, which reveals the insight Hrothgar has and the great worldview he yields. He says to Beowulf, “…beware of that trap. / Choose, dear Beowulf, the better part, / Eternal rewards. Do not give way to pride.” (1758-1760). In these lines, Hrothgar warns Beowulf about the danger pride wields, which can infiltrate the strongest warrior; he pointed out the most dangerous trap, which people in that time period ignored easily when they become a leader.
Beowulf is superior to the average person in many areas, among them physical strength. Throughout the poem, Beowulf accomplishes feats that no other man would be able to survive and proves his boundless might. Beowulf is described to Hrothgar, king of the Danes, by a messenger as "...a mighty warrior, powerful and wise" (line 370). Beowulf himself challenges the insults of Unferth by saying, "...no strength
Thanks to this “sermon”, the reader can understand the difference between being a wise king and a brave warrior, which is also one of the main themes of the poem. Hrothgar is the model for maturity and wisdom: before becoming king he had been a warrior like Beowulf too, so he knows what he is talking about when he compares strength and fortune to a “trap”. He is the symbol of stability and tries to share this values with Beowulf, who is exactly his opposite. The young hero embodies, on the contrary, the manners and values of the Germanic code, like loyalty and pride. But pride is presented here as a “double-edged sword”, because if it is not controlled can lead to death. Hrothgar, trying to prepare Beowulf for the ascension to the throne, becomes an inspiring model for him. However, as explained previously, Beowulf demonstrates at the end to be a brave king, but not a wise one… He becomes older and more powerful, but he seems not to have grown up mentally, because ‘till the very end he is focused on reaching glory (to the detriment of his people’s safety) even if he knows that it is inevitable for him to lose. This passage is a sort of forecast of what the reader will read next and demonstrates that heroism means nothing if it is not “blown over” by
Some literary scholars maintain that Beowulf developed character flaws through the course of the long narrative poem, and that at the time of his death he was a victim of pride, avarice, selfishness and an inordinate craving for glory. The purpose of this essay is to show that he was a tremendous hero from beginning to end.
Imagine that you are the hero of a village. You are the person that everyone looks up to- you have all the fame and fortune you could possibly want. But, this doesn’t just come to you on a silver platter. There are risks to take, challenges to overcome, and lives to be put at stake. You must defeat creatures of all sizes and strengths to gain this honorary title. This is Beowulf’s reality as he must conquer unbelievable tasks that nobody else would dare to face. Because of this, Beowulf is recognized as a boasting person, brave, and selfless; and rightfully so.
There is considerable debate as to whether the poem Beowulf is an epic narrative poem or an heroic elegy. Which is it. This essay intends to present both sides of the story.
Throughout the poem, Beowulf, is characterized by his acts of heroism in the Anglo-Saxon society. He not only possesses the values of strength and bravery, but as well exhibits the theme of the “Germanic-Code” which include loyalty, chivalry, and self-respect. But it seems that his values of heroism leans
The epic tale of Beowulf was written sometime after his death. In other words, a long time ago during the Anglo-Saxon period. Today, directors in Hollywood did not keep from creating their own rendition of this epic poem As a result, plenty of modern interpretations of Beowulf, such as Sturla Gunnarsson’s Beowulf and Grendel, have been released. Naturally, the cultural values that might be reflected in modern Beowulf renditions will demonstrate a clash with those of the original fifth century Beowulf literature. One reason for this is that in the modern age we value characters with profound characteristics, characters that change due to the challenges they experience; characters that we as the audience can attach to. Flat characters like those of the original Beowulf text are difficult to empathize with since they are not realistic enough for our standards. Due to these differences in culture and values, the Beowulf and Grendel from the original Beowulf text possess definite contrasts when compared with their Beowulf and Grendel counterparts.