The Themes Of Contemporary Art

Margaret Lazzari (Author),. "Exploring Art: A Global, Thematic Approach 5th Edition." Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 29 June

When I went to Museum of Metropolitan of Art, I saw many interesting works of arts. I was so amazed by all of the art-work. It was a tough decision to choose one work to focus on for my art paper, but there was one sculpture that caught my eye; it was Nataraja of Shiva (11th century) from Ancient Southeastern Art located on the 2nd floor of the museum. The main message of this sculpture is focused on the idea of the boundaries of cosmos and the destruction and rebirth of the world. This paper will employ close visual analysis of this sculpture and describe how the visual elements of the work relate to its main theme. In my opinion, this sculpture is very beautiful and I was so surprised to find it in the museum. As I was growing up in

"Exploring Art: A Global, Thematic Approach, 5th Edition. "Exploring Art: A Global, Thematic Approach: Margaret Lazzari, Dona Schlesier: 9781285858166: Amazon.com: Books. N.p., n.d. Web. 11 July

Art History is the study of objects of art in their historical development and stylistic contexts. The history of art, we feel, can sometimes be confused with art criticism. However, Art History is concerned with finding the value of the artistic piece in respect with others in the same category of art or movement, and art criticism is more of an evaluation of art. The art examined best represents the culture during the time period, visions the artist imagined, and history behind an event. It also represents society in a specific area, beliefs the people may have, writing that tells a story, the natural world and environment, conflict between people and areas, and the human body. With these representations, artwork overall represents the life in which we live (d). Each piece has its own genre, design, format and style to it. This makes each piece extremely different, yet pleasing to the eye. They also vary between paintings, sculptures and architecture. These different types also make a variety of artwork to be seen by all people. The art pieces that I chose, Jar, Bottle and Glass by Juan Gris, The Persistence of Memory by Salvador Dalí, and Starry Night by Vincent Van Gogh, seemed interesting to me and I believe to best represent the context in which they were created, along with the major artistic movements of the time. I went on to research them more thoroughly to better understand the history behind them,

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

Contemporary art is the art created in the present time. Today, artists affected by the social context and personal experiences reproduce pieces of art that question or make a point about controversial issues in our society. A great example is the painting created in 2006 called Great Detonators (“Grandes Detonadores”) by the Mexican artist Acamonchi. The painting is located in the exhibition The Very large Array: San Diego/ Tijuana Artist in the Peter C. Farrell Gallery inside the Museum of Contemporary Art San Diego (MCA). Acamonchi’s piece is a collage painting integrated by posters, stencils, and graffiti, which illustrate an obvious inspiration by the street art style. It is composed of cold colors such as blue, green, and aqua. Its multiple media consist of spray, paper, tape, acrylic, and oil. Moreover, the gallery is presented in big white walls and it has natural and artificial white light. The surface texture of the piece is a combination of corrugated, flat and in some parts smooth. The size is about 8 feet wide and 8 feet long, the condition is excellent, and the frame is made of wood. Furthermore, the painting the Great Detonators conveys ideas about mass produced waste, political awareness and urban chaos. Consequently, the artist Acamonchi uses this piece of art to express his opinion about important issues today during our contemporary times.

When we look at this piece, we tend to see the differences in ways a subject can be organized and displayed. This assemblage by Betye Saar shows us how using different pieces of medium can bring about the wholeness of the point of view in which the artist is trying to portray. So in part, this piece speaks about stereotyping and how it is seen through the eyes of an artist.

The title of the exhibition is called “Intersection: World Arts, Local Lives.” This exhibition opened on September 30, 2006. Some of the pieces displayed on this exhibition were not new, since Professor Brown had already gone over them. The exhibition contained a divination board, vessels, male and female figures, masks, headdresses, staffs, textiles, among others things. The art pieces were from different parts of the world. The exhibition is divided into four different sections, each with its own theme. The different themes were Art and Action, Art and Knowledge, Art and Power, and Art and Transformation. The art found in the museum seemed like it didn’t have any crack, dents, or breaks on them. Professor Brown showed the class some pictures of art pieces that had some broken

Luiseno Native artist James Luna’s performance of, The Artifact Piece (1987) confronts anthropological museums in their post-colonial precepts of the Indian “other”. In the performance of The Artifact Piece, Luna shares with the viewer that he himself is a living human artifact. Bringing into question why institutions as such continue to perpetuate and objectify Native Indigenous people as extinct artifacts, compared to dinosaur bones. His performance clearly created a crack into Eurocentric ideologies of early American Indians as separate and distant, to that of present day Native American Indians. In La Nostalgia: The Artifact, another performance by Luna. He explains “They have our stuff.” and “It’s all about the past, as if we don’t live in the present. Until they saw me…”.” In this performance he tells the viewer’s “Take a picture with a real Indian.” Sometimes Luna is in Native dress and sometimes he is in contemporary clothing. This then gives the audience a visual evidence that he is a living Indian of this space and time. As Jean Fisher put it in a 1992 Art Journal article, Luna’s work did not simply threaten to return a controlling gaze: rather, she wrote, the presence “of the undead Indian of colonialism . . . and the possibility that he may indeed be watching and listening disarms the voyeuristic gaze and

Nation's history and culture have definitely a great effect in the art conception in every country. The same way it has a bigger meaning and influence in people that share their traditions. I found really interesting how this empathy multiplies when people happen to be far from their homeland. This is why I chose “Jose Marti” by Roberto Fabelo for this report. “Fabelo”, as he is best known, is a painter, sculptor and illustrator, he was born in Cuba in 1951.

The Sacred Realm is a theme of art that involves the concept of aspects that cannot be seen but can only be brought to existence through faith by viewing a piece of art work. This faith is usually in form of a sacred realm. It’s vital to understand that this theme cannot be viewed by the naked eye. For instance, the religious images in the visual art are employed to bring about the opinions and beliefs of the individuals who are in faith of the specific religion and this is reached by provision of abstract ideas with images thru the work of art. Therefore, the Sacred Realm theme of art explains in a virtual way the reason and purpose behind the existence of certain aspects of nature such as religion

In the present artwork, I have incorporated the real image of Shirin Ebadi in the centre of the artwork. In this image, Ebadi symbolizes all Iranian/Middle Eastern women. The image is also larger in size and brighter than the rest of the elements in the painting. The large size of the image and the centralization of Ebadi in the artwork places her as the focus of the artwork. Ebadi’s image is the first element to be seen in the artwork. The significance in size of Ebadi’s image suggests the importance and immense value of the female sitting behind her desk in the artwork. Ebadi’s image is a printed image of a real photo of her. The utilization of Ebadi’s image allows the viewer to realize that it is confronting reality, not fantasy. This real image stands in opposition to the European fantasy depicted of Orientals. Ebadi’s image suggests a distinguished quality and a strong identity in opposition to the image of Oriental women as represented in the Oriental European paintings. Women are shown as intelligent, knowledgeable, dignified, and strong and

In conclusion, the Pollock, Benglis and Klee have produced drastically different works of art, the factors that have led to this consist of media, medium and material. A relating factor also includes the time- period or movement that the work was completed in this resembles that contemporary work of the specific time- period, for example, Expressionism. These techniques alter and produce different effects. Looking at different artworks has been useful for highlighting similarities and differences, through analysing contrasting works there are small similarities that are present in each painting or

I went to The Art Institute of Chicago on a Thursday when it was free for Illinois resident and when there were different exhibitions going on. There was long line at the entrance near the museum at 6pm in the evening. I went alone because I thought I can have better focus on picking a good art work. I was ready to go through all the magnificent paintings for my art museum paper. As I walked through the museum, there were colorful Indian Modern art exhibited for the occasion. They were big and vibrant. The was also a special exhibition of Tarsila Do Amaral, one of the leading Latin American Modernist artist who paint like Cubism, Futurism and expressionism. Her artworks were childlike in terms of the painting style of objects and people. I was most fond of the modernist and contemporary part of the gallery with painters like Salvador Dali and Francis Bacon. I was fascinated with Salvador Dali’s Venus de Milo with Drawers. The drawers unnaturalistically located on a human body was intriguing. The depth of the human mind and subconsciousness are creatively represented by these drawers on Venus de Milo. Francis bacon’s work Figure with meat was not bad either. Figure with Meat is a disturbing depiction of Pope Innocent X sat in front of a cow carcass cut lengthways in half. (Gould) Like his other painting, the theme is dark and twisted. The carcass is included serve as a direct reminder that death will be at the end await

“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.