The Themes Of Dreams In Truman Capote's In Cold Blood

Truman Capote's "In Cold Blood" is the story of Perry and Dick and the night of November 15, 1959. This investigative, fast-paced and straightforward documentary provides a commentary on the nature of American violence and examines the details of  the motiveless murders of four members of the Clutter family and the investigation that led to the capture, trial, and execution of the killers.

Truman Capote wrote In Cold Blood with the intention of creating a new non-fiction genre, a creative spin on a newspaper article with the author, and his opinions and judgments completely absent from the text, leaving only the truth for the reader to interpret. The pages of In Cold Blood are filled with facts and first-hand accounts of the events surrounding the brutal murder of a wealthy unsuspecting family in Holcomb, Kansas. Author Truman Capote interviewed countless individuals to get an accurate depiction of every one affected by and every side of the murder. Although he declares himself an unbiased and opinion-free author, based on the extensive descriptions of one of the murderers, Perry Smith, there is much debate about this

Although in In Cold Blood, Truman Capote is illustrating the points of view of Holcomb, Dick, and Perry after the murder of the Clutter family, his prime motive is to exonerate Perry from blame for what he did; therefore he asserts that outside forces such as other people, the future, and the universe shape a person and their actions.

What is it like to have a dream that makes you feel alive, that gives you another reason to rise and to strive in the morning and throughout the rest of your life? During the 1930’s this was often found within migrant workers who were searching for “The American Dream” of, at the time of the Great Depression, land, wealth, and liberty. Sadly, most people failed to find “The American Dream” and ended up isolated and empty. Dreams are the reason people chose to suffer this pain. In the novella, Of Mice and Men, the author, John Steinbeck, has demonstrated through dreams and false hope that they cause more trouble than good.

Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.

The dynamic partnership between Dick and Perry stems from their egos, or lack thereof. Perry is especially self-conscious, and his behavior as presented in the book is due to his sense of lacking and

New York, Los Angeles, Tokyo, London, Sydney, even Rio de janeiro are exciting extravagant populous cities across the world filled with adventure and endless opportunity. Holcomb, Kansas is rightfully not mentioned in this group. This town east of the Colorado border is a stranger to even the Santa Fe Railroad that divides the community in half. Truman Capote expresses the “lonesome area” that is Holcomb in the introduction of In Cold Blood through diction and imagery.

In the novel “ Of Mice and Men” by John Steinbeck, is a fiction book that lets the readers know about two ranch hands who go together everywhere and they end up coming to a ranch to earn money for the dream they have to own some acres but they ended up having to go through some hard times which made it to never happen. Steinbeck wants us to know that dreams aren’t real, because they aren’t achievable, they don’t take actions to make it happen. Steinbeck uses foreshadowing and symbolism to express the theme by creating suspense and emotional connections to the characters and their dreams.

Truman Capote writes a genius book about a real murder that happened and he tore the case apart to find out every detail that happened in the crime. In Cold Blood is about two men who almost get away with a hostile murder of a family. How a lead detective on the case gets so pressured about finding these men. It is also about the anxiety that these murders put on the killers because one of them is afraid they are going to get caught. The town that turns on each other and locks their doors at night and prays no one comes in. Capote’s purpose in this book was sympathizing with the killer and all the other people in the book, also in the book he presents foreshadowing, and Pathos, he has many other Rhetorical Strategies but these are the important Strategies.

The significance of the aforementioned dreams changes the overall outcome of future events that will transpire. For example, in Of Mice and Men, George is very cautious with his plans, as seen in “George was on guard immediately. ‘S’pose I do,’ he said. ‘What’s that to you?’ and “George said quickly, ‘Don’t tell nobody about

1: What is the central argument the writer makes in your book? For example: “[Author name] argues that . . . because . . .”

In the reality-based novel In Cold Blood written by American novelist Truman Capote, Capote utilizes juxtaposing polysyndeton, hypersensitive pathos, and sympathetic logos to paint convicted murderer Perry as the victim of a mental illness rather than a cold-blooded killer. Throughout the novel, Capote strategically persuades the reader that Perry is more of a victim than a perpetrator.

In Truman Capote’s book In Cold Blood, Capote takes readers to the town of Holcomb, Kansas. As someone who has always lived in large cities, such as New Orleans, Louisiana or New York City, Truman Capote was a complete outsider to this town. His interest in traveling to this town came as a surprise to his publishers, it was so tremendously unusually for his character. Capote’s depiction of Holcomb, Kansas from an outsider's point of view, was that of a small country town in the middle of nowhere, which Capote has characterized using rhetorical devices such as imagery, diction, and Syntax.

In the final months of 1959, the Clutter family was brutally murdered in their Holcomb, Kansas, home. Reports of their murders made national news. One of these headlines captured the attention of Truman Capote who chose to pursue the story further; eventually, after years of research and thousands of pages of notes, he penned In Cold Blood. It was first published in 1966, and it found immediate success. Capote’s original storytelling methods combined with the sensationalism of the crime was instrumental in creating, at the very least, popularizing a new genre: creative nonfiction. Utilizing unique narrative structure and author-tainted character development, Capote weaves a tale that questions the authenticity, the intent, and the meaning of justice.

The man recognizes how easy it is to surrender to the mirage of good dreams, where the richness of color and variety of detail provides a dangerous contrast to the grey monotony of both his and his son’s reality. Often, he awakens “in the black and freezing waste out of softly colored worlds of human love, the songs of birds, the sun,” (272). Those dreams are an invitation to rest in some nonexistent land. The man recognizes this as a dangerous temptation so he forces himself to wake up and face the cruel world rather than deteriorate in a world that no longer exists. His philosophy is that “the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death.” (18). Only bad dreams belong in his mind because all good dreams are a reminder of valuable days that cannot be lived