The Themes Of Kamala Das

The story aids in convincing society of the negatives of the Bourgeoisie, as they are portrayed this way in the piece of literature through the sisters’ self-importance and sense of entitlement. Moreover, the hard working and virtuous Beauty embodies the positive aspects of the Proletariat in the text. Furthermore, the merchant’s wealth directly affects his importance in the story. This story is one of the many examples of an allegory used to promote an author's viewpoint as it is seen as a romantic story on the surface, but underneath, shows the importance of wealth and presence of class within society. This story can prove that readers must broaden their scope in order to examine all aspects of a text and analyze them in a way to draw true

The book’s main appeal and power is the author's use of Estrella, who serves as the focal point of all the large issues. In one particular scene, we see Estrella playing with one a naked doll. Estrella asks the naked doll if she was okay and then shook the doll's head “No”. This conversation with the doll can be seen as the sense of denial that takes place in a child’s mind that is not allowed to openly express herself, her fears, her anxieties, and her hopes. She allows the doll to represent her honest feelings about the lifestyle of living she is placed in. She is a unique and interesting individual, who will not grow up to be knocked down by economic issues, difficult labor, and especially men.

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

In the short story, the writer tells a woman’s depression which guides her to break the limits and restrictions over woman. The woman who has no name or identity symbolises all women’s suppressed position in patriarchal society. In the story, the woman describes the house and her rooms with the words; ancestral hall, old-fashioned chintz, barred windows, heavy-immovable bed. The descriptions depict the house as patriarchy’s realm. Also, the yellow wallpaper’s surrounding of her shows the woman in a trapped, confined and repressed position. Not only the yellow symbolise the weakness, but the paper also

The author agrees with the idea of women as victims through the characterisation of women in the short story. The women are portrayed as helpless to the torment inflicted upon them by the boy in the story. This positions readers to feel sympathy for the women but also think of the world outside the text in which women are also seen as inferior to men. “Each season provided him new ways of frightening the little girls who sat in front of him or behind him”. This statement shows that the boy’s primary target were the girls who sat next to him. This supports the tradition idea of women as the victims and compels readers to see that the women in the text are treated more or less the same as the women in the outside world. Characterisation has been used by the author to reinforce the traditional idea of women as the helpless victims.

Siddhartha begins to deviate from his holy walk in life when he meets Kamala. In Siddhartha Kamala is a pleasure woman who owns a beautiful grove outside of a larger town. “Siddhartha saw how beautiful she was

Her unforeseen actions are due to the rest care tradition, which has progressively worsened her mental state and caused her to overlook her role as a caring wife in desperation to escape the imprisonment of the tradition. As witnessed from the two short stories, conflicts arise amidst families due to the events of old traditions, establishing a divide between family members that is difficult to overcome once constructed.

        Siddhartha reaches a town and is moved by the beauty of the courtesan Kamala as she enters her grove in a sedan.  This starts Siddhartha stage of the flesh.  He asks her to be his teacher in the arts of love, but Kamala laughs and says that she receives only those young men who approach her in fine clothes and shoes, with scent in their hair and money in their purses. When she learns that Siddhartha can read and write, she conducts him to the businessman Kamaswami, who will help him to acquire the tokens necessary for entrance into her garden of pleasure.  Kamala gives him a kiss in exchange for a good poem, and the amount of knowledge in that kiss amazes Siddhartha.

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

On her knees deals with themes such as family, pride and self-respect. The most important part of the story is when the narrator Victor, is advising her mother not to return to her place of work as the latter was accused of having stolen a pair of earrings in the house she works as a servant to make ends meet. At this point, the story has reached an important situation which will be discussed in this essay with close reference to the mother-son relationship. On her knees reflects the reality of life where one has to struggle and where those who work for honesty always face trouble.

When the narrator first encounters the girl, his friend's older sister, he can only see her silhouette in the “light from the half-opened door”. This is the beginning of his infatuation with the girl. After his discovery, he is plagued by thoughts of the girl which make his daily obligations seem like “ugly, monotonous, child's play”. He has become blinded by the light. The narrator not only fails to learn the name of his “girl”, he does not realize that his infatuation with a woman considerably older than himself is not appropriate. He relishes in his infatuation, feeling “thankful [he] could see so little” while he thinks of the distant “lamp or lighted window” that represents his girl. The narrator is engulfed by the false light that is his futile love.

In the story the author portrays the protagonist differently from the other characters because she talks about the physical appearance of other characters and when it comes to the narrator we have no idea what she looks like but she is developed partially through her relationship with other characters, although we the readers do come the find out that the narrator is around the age of 15-17 years old and we can assume that she has a bad relationship with her parents because first of all she talks about them maybe once or twice in the whole story and second of all we know that they sent her to boarding school so that alone proves that her relationship with them is lacking. As readers we also know that she has trouble opening up in the story she say “To open your heart. You open your legs but can’t, or don’t dare anyone, to open your heart” (237). This is a prime example of how author characterizes the protagonist as broken and emotionally damaged. And as the story progress the author becomes more honest with us the readers and herself, she starts the reveal the pain she is in and how lonely she feels. The narrator gives us an example of how she feels after sex by saying “After sex, you curl up like a shrimp, something deep inside you ruined, slammed in a place that sickness at

This tragic marriage and feelings of guilt and grief have been haunting her since the time which can be seen in a recurring motif of a polka tune Varsouviana which „[has been] caught in [her] head“ (Williams 113) and which she associates with the night her husband committed suicide. It is obvious that she has never come to terms with her past. Whenever someone mentions her dead husband, she does not feel well: „The boy - the boy died. Iʼm - going to be sick!“ (Williams 31) She realizes that she is responsible for his death and does not know how to deal with it which results in her love affairs, withdrawal from reality and the final mental breakdown.

Kamala, is the main, and indeed, the only female main character in the novel Siddhartha, by Hermann Hesse. Kamala, a wealthy courtesan, is the bridge between the lay people reading the novel and the main character Siddhartha, who is more of a holy man, than a relatable character. Kamala is a kind, yet selfish women who allows for the reader to connect to Siddhartha, by making him more imperfect. Later in the novel, even after Siddhartha has left town, she unintentionally brings Siddhartha, his son, and again provokes him to react as an imperfect human rather than a holy man. Thus, Kamala, while not necessarily a large character, she is integral to the plot and to the reader's ability to connect to the novel.

Sarita, in order to get rid of depression, has to name her lost object. "The thing" she is suffering for its loss. Ironically, Sarita cannot name it and calls it "this thing". She knows that she cannot call it love. She believes that does not love Julio but actually hates him for being the reason of her pain. She tries to find a meaning to her life and through her search for it she attempts to find a name for her depressive object to get rid of it. She use letter writing, prayers to god and questioning her old neighbor Fernando about peace of soul. Hence, through her journey to find meaning, she hopes to identify her lost 'thing' that drives her depression and emptiness.