The Themes Of Space In Ibn Fadlan And The Land Of Darkness

“By The Waters of Babylon” is a short story written by Stephen Vincent Benet that explores the innate behaviors of human beings and describes the aftermath of a nuclear war. In the beginning of the story, the narrator, John, introduces a taboo that is normal amongst his tribe,“The Hill People.” This indigenous law states that it is forbidden to cross the great river and to look upon the Place of the Gods, for it was greatly populated with spirits and demons. As a manifestation of John’s step towards adulthood or priesthood, John embarks on his curiosity voyage to the Place of the Gods, defying the well established rule within their tribe. Upon his arrival, he stumbles on an elusive and isolated setting with advanced technologies, which he deemed magical. Due to John’s expedition, he accumulated a plethora of knowledge and soon realized that the Place of the Gods was only a superstition and it was, in fact, a city of men.

The short stories “Araby , James Joyce” and “Going to the moon, By Nico Ricci” are have quite the same meaning because they both relate to attraction .Appeal is defined as an alluring or tempting quality possessed by somebody or something, often glamorous and sometimes doubtful.

In James Joyce's, "Araby", the use of light and dark imagery is used to set the tone, or attitude of the story. Joyce simply uses light and darkness to describe the imagery and plot of the beginning of the story. For example, Joyce writes, "When the short days of winter came, dusk fell before we had well eaten our dinners". The season of winter and the time of the day describes the setting of the story which helps the audience illustrate what is going on. The colors of dusk helps then understand that darkness is approaching and Joyce continues to describe the North Richmond Street as dark and only certain "light from the kitchen windows had filled the areas". The whole light and darkness concept of the story is a vital part being that the

My research topic was naval transport and watercrafts, in the following document I will be comparing and contrasting the two greatest river vessels of the ancient world. The Sampan of ancient China and the Felucca of Egypt. Each culture had a different idea on boats, and I hope to teach you that not all ships are created equal.

Document two is written by an Arab geographer whose name is Ibn Khurdadhbih. It discusses the Jewish merchants who travel “From West to East and from East to West, sometimes by land, sometimes by sea.”(Document 2) They have many trade goods in including eunuchs, slaves, silk, fur and spices. On their journey they trade items

An important quote in 1984 is "We shall meet in the place where there is no darkness"(Orwell 25). This quote is said in one of Winston's dreams. Dreaming was the only grounds to escape for the citizens of Oceania unless you are one of those people to mutter things about what you are dreaming when you're sleeping. "He knew what it meant, or thought he knew. The place where there is no darkness is the imagined future"(Orwell 26). A spot with no murkiness was thought about a spot where individuals had opportunity, where individuals could express their feelings. Furthermore , Winston thought it implied that individuals would one day be free of the party. Moreover, it gave Winston trust in a superior future. Truth be told,

“Another important trade route known as Incense Route, was controlled by the Arabs, who brought frankincense and myrrh by camel caravan by South Arabia.”(Document D)

In his short story "Araby", James Joyce portrays a character who strives to achieve a goal and who comes to an epiphany through his failure to accomplish that goal. Written in the first person, "Araby" is about a man recalling an event from his childhood. The narrator's desire to be with the sister of his friend Mangan, leads him on a quest to bring back a gift from the carnival for the girl. It is the quest, the desire to be a knight in shining armor, that sends the narrator to the carnival and it's what he experienced and sees at the carnival that brings him to the realization that some dreams are just not attainable.

The lands of Crohin were abundant with life, farmers grew crops to feed villages, and hunters took home enough food to feed even the largest of families. Life across the lands was bliss, nothing ever went wrong, no natural disasters, no crime was committed. The people of Crohin felt blessed that the Heavens had provided them with such a beautiful place to exist.

Recently, everyone has begun to wonder the same thing: why are so many leaders so… corrupt? Why do they care only about a miniscule group of people, throwing aside morals altogether? The feeling of power creates a superiority complex, letting power go to a leader’s head and giving them the desire and means to execute terrible things. This is a problem because many people in our world acquire their power because others believe they can improve the world. Once power takes control, they become corrupt. It is essential for the public to understand this because otherwise, people in power will gain this complex.

The three main geographic areas that are central to Old Testament story-line are Mesopotamia, Israel and Egypt. Within this part of the chapter, Richter lays out the places that match up with the time and people, which then allows the reader to start placing the information onto “shelves”.

In the opening paragraphs of James Joyce's short story, "Araby," the setting takes center stage to the narrator. Joyce tends carefully to the exquisite detail of personifying his setting, so that the narrator's emotions may be enhanced. To create a genuine sense of mood, and reality, Joyce uses many techniques such as first person narration, style of prose, imagery, and most of all setting. The setting of a short story is vital to the development of character.

Vivid imagery can be seen all throughout “Araby.” Vivid imagery is detailed writing that gives you a sense of an image while you read. The story begins with “North Richmond Street, being blind, was a quiet street” and continues to say, “An uninhabited house of two storeys stood at the blind end, detached from its neighbours in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces” (“Araby” 1019). The way this imagery is used shows

James Joyce’s short stories “Araby” and “The Dead” both depict self-discovery as being defined by moments of epiphany. Both portray characters who experience similar emotions and who, at the ends of the stories, confront similarly harsh realities of self-discovery. In each of these stories, Joyce builds up to the moment of epiphany through a careful structure of events and emotions that leads both protagonists to a redefining moment of self-discovery.

2. Translated by Samuel Lee, The Travels of Ibn Battuta. 51-68, 139-168, 172-176, 181-183, 199-206.