The Themes of Robert Frost's Mending Wall
One of the major themes of Frost's Mending Wall is the cycle of the seasons. Several phrases refer to the seasons, particularly in a repetitive, cyclic way: "spring mending-time," "frozen ground-swell," "once again," "spring is the mischief in me." Another theme is parallelism or the lack of it. Sometimes this parallelism takes a physical form, associated with the wall, as we imagine the two men walking parallel paths: "We meet to walk the line." "We keep the wall between us as we go." "One on a side." It is a mental wall, though, as well as a physical one, and I read the gaps as making possible a meeting of minds and attitudes as well as of lands and bodies. Closing the gaps in the wall means
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Richard Poirier points out that the poem is not only about the making of fences but the making of speech between men and, even more tellingly, the way the making of fences leads to the making of speech--poetry, really, against "the claustrophobias of mechanical forms." "Walls have a power of confinement which creates a counter-movement of 'mischief.'" Richard Poirier points out a significant fact: the mischievous poet "who voices his opposition to wall-building is also the man who each year informs his taciturn neighbor that it is time to build them." "Voice and nature are thus potentially allied."
The cycles of nature and the seasons; parallelism; speech and poetry; the contrast between the physical and mental--I state such themes explicitly so that I can try to make each item of the poem relevant to every other through one or more of the themes. For example, what significance can I find in, "We wear our fingers rough with handling them"? The skin, it says, is another boundary being firmed up, and I can fit this line "under" the theme of walls and parallelism. Frost's psyche has nothing to do with this way of reading. Thematizing, as today's critical jargon has it, or simply "theming" is essential to my own sense of coherence in the poem and hence to my experience of it, although the themes themselves do not describe that experience, which remains finally emotional and
This creates a boundary that, that person never wants crossed again. Every now and again one finds openings within the bricks or holes in their “wall”. These holes in the wall represent the breakdown of one’s blockade as they are trying to let someone in or someone forcing their way in. On the other hand, there are people who love to have an open mindset towards everyone with no boundaries or guards up that they feel necessary. This is similar to the feelings of the speaker, as in lines 1-2 and lines 23 -26 in which the speaker tries to convince his neighbor that they do not need these walls, yet he continues to stick to his traditional saying of “good fences make good neighbors”. This brings the reader to an assumption that the neighbor has created these emotional barriers or “walls” that he is choosing to stick by. This term of “mending” that is used in the title means restored, altered, or adjusted which stands for a symbol in this poem of how as the relationship of the two neighbors changed, so did their fences as they might find these loose pieces. Within the poem the speaker talks of how the season of spring is coming about and he begins to get a little mischievous. This is one way the speaker uses the new season as a way to loosen these bricks within this wall that they have built and tear it down, but the neighbor refuses to give in. There are people like this in the world that try
Frost’s various speaking tones can be shown in his well-known poem “Mending Wall.” Throughout the poem the speaker’s voice is open and relaxed, yet, inward and musing. It helps welcome the reader and at the time entices the reader into a riddle which becomes essential to the poem’s meaning. The speaker’s eventual speculation about what might not “love a wall” becomes a description of the struggle of wall-mending and begins to wonder why he and his neighbor have met to carry out the task in the first place. The speaker’s range of tone throughout the poem varies from seriousness to fantasy to glee.
The use of conversation and the thoughts of the narrator reflect the poet's own thoughts. In line thirty to line thirty-five, the narrator questions the purpose of a wall. He has an open disposition and does not understand the need to “wall in” or “wall out” (line 33) anything or anyone.
The poetic techniques were symbolism, imagery, and tone. Symbolism is the most powerfully used technique due to the fact a good number of lines located in this poem is used to signify a certain object or idea related to our life or today’s world. Imagery in the sense that you can visualize the path, the yellow wood, the undergrowth, the divergence; it is all made very vivid. Frost did this throughout; you know trying to stimulate the reader’s mood using one’s senses. In this poem, imagery permits the reader to imagine the scene that this poem takes place in resulting in an enhanced understanding of the theme. The tone Frost’s work presents is an insecure attitude which allows the theme to be brought out due to the fact the theme relates to a dilemma in one’s life. These techniques strongly aid in the revealing of this specific theme.
“Mending Wall” by Robert Frost, the fifty-six line lyric poem gives off a sarcastic tone that expresses impatience with his neighbor and the “wall.” The poem focuses on a theme of separation, the necessity of boundaries and the illusory arguments used to annihilate them.
In “Mending Wall”, two neighbors are ironically united by the traditional rebuilding of the wall between them. A wall symbolizes boundaries, orders, and separation. Or does it? One of the two neighbors doesn’t seem to think so. “Good fences make good neighbors” is his motto. (Line 26) The neighbor doesn’t see how ironic it is that the wall is a meeting spot. He uses the wall as an excuse to talk with his neighbor, because he is not very open or conversational. The situational irony ostended by Robert Frost is that the wall between the two clashing neighbors is supposed to separate them. However, each year, when they meet to “walk the line”, the wall serves as a meeting spot for the two to catch up. (Line 12) Dividing, but unifying, Frost uses the wall to symbolize unity amongst clashing people. Without the situational irony of repairing the wall, the two incompatible neighbors would unlikely be able to unite.
Robert Frost takes our imagination to a journey through wintertime with 
his two poems "Desert Places" and "Stopping by Woods on a Snowy Evening". These two poems reflect the beautiful scenery that is present in the snow covered woods and awakens us to new feelings. Even though these poems both have winter settings they contain very different tones. One has a feeling of depressing loneliness and the other a feeling of welcome solitude. They show how the same setting can have totally different impacts on a person depending on 
their mindset at the time. These poems are both made up of simple stanzas and diction but they are not straightforward poems.
He also uses other devices such as a pun, applied in the line, "And to whom I was like to give offence." The last word of the line simply emphasizes the importance of the subject, the fence. The most prominent figure of speech, however, is the ironic, "Good fences make good neighbors." This is completely opposite of the connotation of the poem. Fences do not make neighbors, but strangers that are apathetic towards each other. The neighbor seems to prefer this approach, to eliminate any risks of trespassing or offenses. Yet what the fence really does is hinder the development of friendship. This is comparable to the barriers of bitterness, anger, hate, and fear men put between one another that obstruct love and friendship.
Building physical and emotional walls has a negative impact on the people, countries, and civilizations they divide. In the case of Frost's poem, the wall took away the narrator's voice. The narrator disliked the wall, but was too timid to speak up for what he believes in. His neighbor says "good walls make good neighbors," but the narrator felt as if the wall should be torn down, and they should unite
While the narrator seems more willing to reach out to his neighbor, in the end, he does not. He does wonder why fences supposedly make good neighbors. For him, the question is what is he "walling in or walling out"? He seems to realize that he is "walling out" other people. As long as the symbolic wall stands between the neighbors, they will always be separated. Earlier in the poem, Frost uses the symbolism of a rabbit to seemingly reinforce this point. The hunters must destroy the wall in order to "have the rabbit out of hiding". The men, in turn must break down the walls between them if they are to come out of "hiding". The narrator seems to have a desire to point this out to his neighbor. However, he does not, simply dismissing his idea as "the mischief" that spring has instilled in him. He realizes that he is unable to communicate with his neighbor in any meaningful fashion and, thus, remains in isolation from him.
However, when the responders’ delves deeper into the poem, it is clear that at a allegorical level the wall is a metaphor representing the barrier that exists in the neighbours’ friendship. The first eleven lines of the poem if rife with imagery that describes the dilapidation of the wall. The first line of the poem emphasises that “something” exists that “doesn’t love a wall”. This personification makes the “something” seem human-like. The use of words such as “spills” and “makes gaps” convey an image of animate actions and create a vivid impression of the degradation of the wall. Nature, presented in the form of cold weather, frost and the activities of creatures, also seeks to destroy the wall. The idea that walls are unnatural and therefore nature abhors walls is portrayed in the phrase “makes gaps even two can pass abreast”, which metaphorically indicates that nature desires for man to walk side by side with no barrier between them. When the two meet to fix the wall, it is a metaphor that could be interpreted as the two repairing their friendship as “To each the boulders have fallen to each” which shows that faults in their relationship lie on behalf of them both. While they are mending the wall, a light-hearted tone is established. This is shown through the inclusion of the metaphor “spring is mischief in me” which shows the neighbours having fun together in repairing the wall,
Frost used a distinct way of writing throughout his poem that not only hooked the reader into the story, but also made them question their own views of walls, both physical and psychological. In the poem it is displayed that walls can be both good and bad. The wall that the narrator sees as the embodiment of what separates them, it is actually the one thing that brings them together every spring. Near the end, the narrator brings back the original question, what is the something? With this poem, maybe Frost wanted the reader to examine themselves and their surroundings and try to answer the question of tradition, and how they unite us and separates us at the same time. The narrator’s neighbor is the personification of the old ways and custom in the poem, it is evident as he is constantly repeating “good fences make good neighbors” (Frost 245) and the fact that “he will not go behind his father’s saying” (Frost 246). Even though, good fences make good neighbors is a well-known proverb, people will eventually ask themselves: Why is it necessary to have fences to build good
In the poem, “The Mending Wall” Frost creates a lot of ambiguity in order to leave the poem open for interpretation. Frost’s description of every detail in this poem is very interesting, it leaves the reader to decide for themselves what deductions they are to be making of the poem. To begin with, Frost makes literal implications about what the two men are doing. For instance, they are physically putting the stones back, one by one. Their commitment and constant drive shows how persistent these men seem about keeping the wall intact. On the other hand, there are inferences that something deeper is occurring.