The Thin Barrier Between Sanity And Insanity

Since its publication, Wuthering Heights has intrigued its readers; a love story gone wrong, twisted by vengeance and heartbreak. Many important factors of the novel are displayed in the portion of the novel narrated by Ellen. The passage in Wuthering Heights in which Catherine Linton’s funeral is described is vital in explaining important relationships in the novel, particularly the relationship between Heathcliff and Edgar Linton.

The insanity defense has been quite a controversial subject. It has been used by some of the most baleful criminals in history. Its controversy derives from the belief that people who plead insanity are excused from the fault of their crimes. Surprisingly however, this defense is rarely used because of how hard it is to prove legal insanity. Less than one percent of criminals choose to plead insanity and of those who choose to plead insanity the success is quite low at 25 percent.( Rolf. p. 2) This defense has been around for centuries. It can be dated back to the 14th century. Kings were willing to pardon crimes to those who were deemed “mad”. By the 18th century the “ wild beast” test was developed by some English courts. However, the

What is truly considered to be sane or insane can never be absolutely determined by any means, but Charlotte Perkins Gilman investigates, to the best of her abilities, who and what should be understood as sane or insane. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, any reader with any ability to interpret can see that this subject matter is discussed throughout the text. But which characters are really insane and what evidence is there to prove this? By using the author’s text and other credible outside sources, this paper will research the deep realms of the minds of the characters introduced in the short story, “The Yellow Wallpaper.” One of

Holden Caulfield is an insane person in a sane world. What is insanity? Insanity is when you’re in a state of mind that prevents normal perception, behavior or social interaction. This state is mental illness. Insanity is when you do things in deranged or outrageous ways that could frighten people, or make people feel uncomfortable when around you. It’s when you do things out of the ordinary; yet feel as if they are ordinary. Insanity could come about when you’re depressed, or after a traumatic event, and sometimes even by keeping all your feelings bottled up inside of yourself. Sane people are sensible, reliable, well-adjusted and practice sound judgment. It’s behavior that is expected in a society. By these

Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights   to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.

A deeper level is achieved in the mind of the narrator when she acknowledges her own mental state and that she is eager to leave her sad mood. While the man is described as animal-like and savage, she stands “In moody sadness, on the giddy brink” (9) full of contemplation and reflection on her own worldview. The poet is quite self-aware while the lunatic is not, and through her intelligent banter, the reader can see the extreme difference in personality. The poet’s own self-conception, however, is ironic in that she is wishing for ignorance that can only be achieved by lack of a self-concept. The catch-22 she experiences is perplexing, both to her and the reader.

The insanity defense is the most controversial criminal defense that is used in courts (The Insanity). Ironically, it is the defense that is used the least. According to a professor of law at Santa Clara University, Professor Alexander, the plea is only used one percent of the time, and works less than half the time it is used (Steibel). In cases where it is used, it tends to get a lot of attention from the media which provokes debate from the public (The Insanity). Critics have reservations concerning the exploitation of the plea, namely that the defendants will use to get shorter sentences or to evade a guilty verdict completely (The Insanity). However, according to a study done by the American Academy of Psychiatry and the Law, the majority of those who are judged not guilty by reason of insanity do in fact suffer from a mental illness (The Insanity). History has shown us that we need the insanity defense because a person cannot be held responsible for their crimes if they do not have the mental capacity to understand what they have done wrong or cannot stop themselves from committing this crime, it would be unjust to punish someone who does not deserve it.

Her every need is taken care of. Later, when she is confronted by Heathcliff, she is reminded of Wuthering Heights and begins to miss the place she once was so eager to leave. Catherine begins to see the Grange as superficial and confining, and at first she is only annoyed by this, but eventually the suffocating enclosure causes Catherine to lash out at her husband and all the Grange represents. Catherine, aware of her incestuous attraction to Heathcliff, believes the Grange is destroying her, and because of her disgust of the Grange and her sense of guilt, it does. In the process, Edgar too must suffer Catherine's pain because of his love for her.

The insanity defense has been used in several cases in criminal law. This defense basically states that the accused cannot be held responsible for what he/she did because they had no control over their actions. Many times the defense attorney will plea for a deal that the defendant be sent to a mental rehabilitation center for proper treatment. When using this defense the defense attorney will argue that there may be a chemical imbalance in his brain therefore he had no idea what he was doing at the time.

The metaphors drawn from nature in Wuthering Heights drive the plot primarily through characterization. Rarely does the story venture outside, containing almost exclusively scenes leading up to a character’s departure and the response to his/her journey. The absence of tangible nature in a book so driven by its symbolism seems peculiar at first. Why does the author not provide the reader any detail of Heathcliff’s struggle against the storm after he departs in heartbreak? By narrating the storm in terms of how it is observed from inside, the reader loses the expected description of the storm’s intensity. Even Catherine’s diary, the most

The disorderly atmosphere of Wuthering Heights, generated by Heathcliff’s raucous behavior causes Catherine to gravitate towards a more uncivilized and mannerless version of herself. Several times, Catherine snaps at others and throws furious tantrums, as she scolds and even slaps Nelly for cleaning in Edgar’s prescence. The rambunctious setting of Wuthering Heights conjures a different Catherine, where, “to pracise politeness...would only be laughed at,” influencing her to act on rebellious

A good daydream every once in a while is a relaxing, borderline meditative phenomenon that allows the conscious mind to escape for a brief moment in time. Whether it happens when watching an interesting movie or when zoning out of a boring class, this process of the mind leaving reality occurs every day multiple times a day. The idea of severing or dissociating the mind from reality has both beneficial and detrimental effects. Martha Stout, a clinical psychologist and author of the text The Myth of Sanity: Divided Consciousness and the Promise of Awareness provides examples and explanation from a passage in the text “When I Woke Up Tuesday Morning, It Was Friday” of how the mind and dissociation can help and hurt the individual. Using terminology and models from “Immune to Reality”, a chapter from the book Stumbling on Happiness written by Harvard professor of social psychology Daniel Gilbert, we will support this. The brief disconnection with the conscious world is why the divided self can both protect and endanger the individual.

Martha Nussbaum describes the romantic ascent of various characters in Wuthering Heights through a philosophical Christian view. She begins by describing Catherine as a lost soul searching for heaven, while in reality she longs for the love of Heathcliff. Nussbaum continues by comparing Heathcliff as the opposition of the ascent from which the Linton’s hold sacred within their Christian beliefs. Nussbaum makes use of the notion that the Christian belief in Wuthering Heights is both degenerate and way to exclude social classes.

In the novel, Catherine has a tendency to lose her head and become caught up in her day-dreams, fantasies, and nightmares. She consistently creates situations or ideas in her head that are much worse than probable in her real life. As K.A. Miller writes in "Haunted Heroines: The Gothic Imagination and the Female Bildungsromane of Jane Austen, Charlotte Brontë, and L. M. Montgomery", the ideals of what Catherine has read so much of has influenced her mind very powerfully, perhaps even dangerously so. Miller says that Catherine, “Has allowed what she has read, rather than the evidence of her own eyes to script her vision of life. This failure to exercise reason, alongside her imagination, jeopardizes her” (Miller 9). Catherine allows her imagination to be so thoroughly influenced by the gothic romances and novels that she reads that she consistently gets

His writing shifts in this way in an effort to draw the reader’s attention. This frantic style of writing is meant to parallel the speaker 's thought process and mental state. In addition to this frantic writing style, the author repetitively uses opposing and contradictory words whilst attempting to describe lust, “enjoyed” (5) and “despised” (5), “hunted” (6) and “hated” (6), “bliss” (11) and “woe” (11), and “joy” (12) and “dream” (12). In addition to these contradictions, there is also heavy repetition. The words extreme and lust are both repeated several times throughout the poem. These conflicting views of lust, as well as the repetition of language, further reflect the confused, frantic, and frazzled mental state of the speaker. Beyond the madness as a result of guilt, the author claims lust within itself creates madness, “On purpose laid to make the taker mad:/ Mad in pursuit and in possession so, / Had, having and in quest to have, extreme;” (8-10). These lines create a metaphorical crack within the armor of the speaker’s mind that will echo throughout the entirety of the poem.