The Thin Blue Line

film analysis to give the audience a better feel for what the character is going through. The director's

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

The idea of a documentary being an artistic or even personalised expression of a director is long gone, or so it seems in recent times. In Michael Moore’s latest documentary, Bowling for Columbine, he attempts to get across to viewers his, and essentially only his point of view, on the topic of gun laws. Although what Moore is trying to say is not necessarily wrong, he is at the same time not taking into account the other side of the argument either; all he is trying to do, essentially is hypnotise viewers into thinking

A variety of camera techniques are used throughout the beginning sequence to enhance the mood and involve the audience. Camera techniques are harmonized with lighting effects to culminate this dramatic scene. I will begin by discussing examples of this. In the village, many close-ups and long shots are used to enhance facial expression and to set the sombre mood.

Almost every piece of cinema seeks to give the viewer an understanding by intricately assembling shots in a coherent, and a sometimes muddled, manner; the techniques used in editing places various shots in purposeful sequences, to emphasize certain relationships between shots. The shots can be arranged smoothly and logically, or shift abruptly from shot to shot; different methods of the aforementioned arrangement of shots are utilized in either discontinuous or continuous editing. Sherlock Jr. and The War on Drug’s music video “Holding On”, are two motion pictures that offer spatial relations, by applying techniques of both continuous and discontinuous editing.

Burton manipulates shots/framing, editing, and music/sound to enhance the perspective of the audience and give them a meaningful and relevant story.

Because I 'm older, curious by nature, and an avid reader of research (domestic and worldwide), and because social issues matter greatly to me, I didn 't really learn anything new from the documentary. However, it confirmed for me that my fears and growing apprehension about gun violence and guns in general are valid.

Life on the Color Line is a powerful tale of a young man's struggle to reach adulthood, written by Gregory Howard Williams – one that emphasizes, by daily grapples with personal turmoil, the absurdity of race as a social invention. Williams describes in heart wrenching detail the privations he and his brother endured when they were forced to remove themselves from a life of White privilege in Virginia to one where survival in Muncie, Indiana meant learning quickly the cold hard facts of being Black in skin that appeared to be White.

Richardson’s non-interventionist style is a prime example of observational documentary, and works specifically well in capturing and promulgating the subject of death. According to Nichols, observational documentaries started appearing in the 1960’s as result of more mobile and smaller equipment. Furthermore, observational documentary stresses non-intervention, as filmmakers objectively observe indirect speech, candidness in the form of long takes, and create a world out of historical reality not fabricated with

The purpose of this paper is to highlight how Robert Hammond and Josh David’s visionary idea transformed an unused, abandoned railroad line into a spectacular green space in the sky –New York’s High Line. Hammond and David were locals who believed that tearing down the railroad line was not a good idea. Meanwhile other people in the community, including property owners and Mayor Giuliani wanted the unused railroad demolished. With the help of photographer Joel Sternfeld who captured the abandoned railroad line’s overgrown greenery and fields of wildflowers that changed with the seasons, they were able to get people to recognize that this was a green space in New York city that was worth keeping.

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

This documentary has a voice which is the most important part of any movie, furthermore, it has it own way of living and breathing and speaking to

One cinematic technique that Wells used was the Montage, the cinematic technique used to provide a lot of information in a very short amount of time or to show the passing of time. There are many of these used throughout the film which include the use of newspaper reels, opera shows, and my

The opening scene in David Lynch's Blue Velvet portrays the theme of the entire film. During this sequence he uses a pattern of showing the audience pleasant images, and then disturbing images to contrast the two.

As we often disregard or remain ignorant to our inadvertent or purposeful killing of our planet, Carl Sagan gives us a lesson in humility and a reminder of our folly and obscurity as humans. The "Pale Blue Dot" is where our species has lived forever, where we fritter our time away on things that in retrospect were quite inane or detrimental, but made perfect sense at the time. War and overheating of our planet--we do a lot of unscrupulous things it seems, although in the end, in the grand scheme of the universe it's all pointless. To those on Earth everything happening on our planet is relative. We are conceited, thinking we are at the center of the universe, as if everything revolves around us, lured into a false sense of security that we are special and help