The Thing Around Your Neck Short Story

From a young age, our interactions with our parents play an instrumental role in how we perceive ourselves and the world around us. The short story “Girl” by Jamaica Kincaid exhibits the relationship between an Antiguan mother and her daughter in a patriarchal society where the list of rules and regulations for women is exhaustive and almost never-ending. By analyzing the unique and often tense dynamic between the mother and daughter, “Girl” showcases the direct influence mothers have on their children, and how traditional and patriarchal customs can influence that relationship. The main themes are represented by the subjects the mother spends the most time on as well as the overall tone of the piece and how it relates to the mother-daughter

“Sometimes you will never know the true value of a moment until it becomes a memory.” Chimamanda Ngozi Adichie was born september 15, 1977 in Enugu, Nigeria. She is a novelist, short story writer, and nonfiction writer who has published more than 15 novels. The novelist has also a myriad of awards such as Reader's Digest Author of the Year Award, MacArthur Foundation Genius Grant, and the National Book Critics Circle Award. In this short story, “To My One Love”, the reader is given a setting on Nigeria in the 1990s where there has been an abundance of “Operations”, or robberies. At this time Chimamanda is in university and has taken a fancy to a young man named Nnamdi- unfortunately, he died because of these operations. Chimamanda wrote

The poems ‘Still I Rise’ and ‘Unknown Girl’ both explore the way women are expected to behave in specific societies. ‘Still I Rise’ focuses on Maya Angelou’s refusal to accept racism and to allow “them”, white oppressors, to push her down. ‘Unknown Girl’ focuses on Moniza Alvi’s want to be accepted in a society where she belongs, but can’t call her own.

The Thing Around Your Neck by Chimamanda Ngozi Adichie highlights the often challenging lives of Nigerian women living in Africa, but also abroad in the United States. It is however, not the difficulties which Adichie is ultimately focusing on, but the courage and intelligence of women who are able to make ‘small victories’, overcoming various attempts of cultural oppression.

The book Hustling is Not Stealing: Stories of an African Bar Girl by John M. Chernoff tells Hawa’s story of life as an African bar girl. Known as an ashawo, which is another name for bar girl, Hawa shares her life story with Chernoff throughout his travels to West Africa. This review includes a summary of the book, background information about the author, and a critique of the book. Hawa’s stories share the struggles and freedom she experiences throughout her life.

Imagine living in dramatic fear, someone who loves you, puts you through abuse, depression, and demolishing your self-esteem. How does a person grow from such a traumatic experience and become brave? Chimamanda Ngozi Adichie was born on September 15, 1977 in Enugu, Nigeria. During her senior year at Eastern, she started working on her first novel, Purple Hibiscus, which was released in October 2003. Adichie demonstrates bravery and growth in humanity. Kambili and her family’s lives are followed throughout Purple Hibiscus. Kambili and her family live through fear of Papa, they are silent and are afraid to stand up for themselves. Fear suppresses our individuality and confidence- thus; it controls humanity and hinders us from bravery and growth.

According to Adichie, since the childhood, she was a victim of single story consequences. Her first false conception was caused by the children books, all of which is from American and Britain, filling up characters with totally different features, behaviors and “things which I could not personally identify” (1:43). This used to make she think that there would be no literature for the people like her. However, she got out of this perception when finding out other African authors and books. The second misconception is about Fide’s family when she turned eight. She knew nothing about Fide’s family except their poverty by keeping listening to the single story about them through

My room-mate had a single story of Africa; a single story of catastrophe”. Adichie also tells how growing up in Nigeria reading only American and English children’s books made her deaf to her authentic voice. As a child, she wrote about such things as blue-eyed white children easting apples, thinking brown skin and mangos had no place in Literature. That changed as she discovered African writers.

Chimamanda Adichie’s Purple Hibiscus is a story set in Nigeria told from the perspective of Kambili and her journey towards independence; along the way, she looks to the female role models in her life, each which aid her path to liberation. Mama and Aunty Ifeoma are two vital female characters to the development of the story but with stark contrasts; Mama’s submissive and reserved demeanor provides a perfect foil to Aunty’s outgoing and independent personality. They both influence Adichie’s bildungsroman, but how they aid Kambili’s endeavor is strikingly different. Mama and Aunty Ifeoma represent the female figures in Kambili’s life; Mama shows Kambili to submit to the men in her life, while Aunty Ifeoma opens up the idea of being independent and free thinking. Mama stresses submission and dependency as a sacrifice to tradition while Aunty Ifeoma emphasizes independent thought to embrace oneself and progress over all others. The way that these two women uphold themselves throughout the novel, demonstrates how these patriarchal societies, like the one in Nigeria, restrict women like Mama, while women like Aunty are deemed rebellious to society.

“Still I Rise”, written by African-American writer Maya Angelou, includes a character who rises “Up from a past that’s rooted in pain.” No matter what words are said against her, lies are told about her, threats are made towards her, or words are written against her, she takes the past and uses it to fuel her confidence. The way she writes creates a deep sense of pride and feeling, while giving the poem life and helping the audience realise that they, too can rise. The diction, literary devices, and theme help the speaker portray her feelings about the topic of oppression in her experience.

Watching the TED talk that Chimamanda Ngozi Adichie gave on “The Danger of a Single Story” was powerful. A single story has insufficient primary sources to have the full comprehension of the real story. Seeing Adichie verbalize issues that I have discovered in myself allowed me to reflect deeply regarding my perception of others. Adichie spoke on how her childhood was filled with English stories and how she gained a perspective on their culture through books. Books are truly powerful storytellers and is often forgotten about in a society where books are taken for granite. A book in another one of my classes was based on Adichie’s idea of how English stories only told one side of the story; this book explored the lives an Igbo society and how English stories portrayed them differently than who they actually were. This proved that I am not alone in making a single story, furthermore

2a) Adichie uses a narrative point of view to explore the theme of domestic violence. The book is narrated in the first person by a 15 year old who is directly affected by domestic violence. Because of her young age she is quiet honest and this allows her to paint a great picture to the audience of the brutal abuse that Eugene bestows upon his family. This is as a result of her sensitive, intelligent and observant nature.

Historically, women have been viewed as inferior to men due to a female's lack of physical strength. In the candid novel, Things Fall Apart, by Chinua Achebe clearly defines gender roles; women are the caretakers and cooks- simply existing to satisfy men’s desires. Although “Things Fall Apart portrays the women as weak ,inferior, and being put in their place by men; however, Achebe also notes their importance during several parts of the story. By incorporating powerful dialogues and scenes to develop gender conflicts, Achebe uses the completely divergent character of Okonkwo, who constantly strives to achieve manliness to demonstrate that although women in the Igbo society are important, they are not treated as such. Chinua Achebe, the author suggests that there is a constant conflict which exists between the two genders and the expectations of the roles in which each of them must play.

The Thing Around Your Neck, by Chimamanda Adichie depicts the lives of Nigerian women, some in the United States and others in Nigeria. Her short stories deliver a powerful take on the day to day struggles women face in multiple countries. In these works, women are marginalized and silenced within the text due to the lack of equality that lies within Nigerian and American culture. In doing so, the prevalent issue of the oppression women face on a day to day basis is brought to the surface. Throughout these stories, Adichie addresses these struggles through her expert use of irony and symbolism throughout her short stories.

The true genius of The Story of an African Farm is not in the unusual way it is constructed, although critic Patricia Murphy praises author Olive Schreiner's non-linear, feminine time in the novel and the ways cyclical time influences the story's development. Neither does the novel's true achievement lie in its artistic allegories, though Schreiner is commended for her mythological uses of South Africa's landscape (Marquard, 294), and for the meaningful "Hunter Tale" told by Waldo's stranger in the novel's center ("Politics of Power," 585). The most remarkable, complex aspect of the work has to be the way that it attempts to define gender norms for women, enlarging their potential role in society to equal the scope of a man's station. This facet of Schreiner's best-known book is the reason that she has become famous as, "a feminist who hated being a woman" (Showalter, 195), and the reason that African Farm has endured as an early feminist manifesto.