The Things They Carried Literary Analysis Essay

After O’Brien subconsciously tossed a grenade at a young soldier that killed the man, he absorbed in a state of shock and guilt upon examining the body. Unlike other passages where the author left the overall picture to our imagination, he emphasized the true sight of the young man providing the reader with meticulous descriptions of the injuries in this chapter. For example, through the eyes of O’Brien, he began by noticing the most distinct feature, the jaw lodged in his throat. Then, as if he was following O’Brien’s trail of sight, he proceeded to focus upwards, describing the mouth, the eyes, and finally the hair. Thus far, even though his statements were too detailed to be “true,” O’Brien seemed calm and composed. However, as the author’s

At the same time, O’Brien struggles with destructiveness of the conflicting images of violence and peace in death through the juxtaposition of the imagery of the dead man. While “his one eye was shut, the other eye was a star-shaped hole.” The dead man has one shut eye that resembles a peaceful sleep, while the other side is obliterated by the grenade into a star-shaped hole. The image of the star-shaped hole in the dead soldier’s eye represents the hopes that he once had when he was alive: “He hoped the Americans would go away. Soon, he hoped. He kept hoping and hoping, always” (119). Furthermore, “his right cheek was smooth and hairless,” an image of untouched innocence that contrasts with his left cheek, which was “peeled back in three ragged strips,” destroyed by the violence O’Brien inflicts upon it. The juxtaposition of the butterfly that settles on his chin and the fatal wound on his neck, “open to the spinal cord…blood…thick and shiny” illustrate the complexity and ambiguity of the unnaturalness of war, depicted by the image of the dead man’s wrung neck, contrasted with the ironic peace and naturalism of death in the image of the fragile butterfly. These select images are also those that O’Brien chooses to fixate upon and develop throughout the chapter as he struggles to comprehend the moral implications of his actions. The innocence of the “slim, dead, almost dainty young man” is further reinforced when O’Brien describes his wrists as “wrists of a

In the story titled “The Man I Killed” O’Brien reflects on the events leading to and following his killing of a Vietnamese soldier via a grenade. He goes on to tell the reactions of his platoon mates as well as his own. The explosion of the grenade left the Vietnamese soldier’s face burned and unrecognizable. This symbolizes the life of so many of the thousands of dead Vietnamese soldiers that too were killed and consequently buried. These dead soldiers went unidentified and failed to bring their respective families closure. O’Brien struggles to cope with

Throughout The Things They Carried, by Tim O’Brien it is difficult to separate what is fictitious, and what is true. During the entire work there are two different “truths”, which are “story truth” and “happening truth”. “Happening truth” is the actual events that happen, and is the foundation or time line on which the story is built on. “Story truth” is the molding or re-shaping of the “happening truth” that allows the story to be believable and enjoyable. It is not easy to distinguish “happening truth” from “story truth”, and at times during the novel O’brien reveals which is which. On the other hand, when the reader is blind to

In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to

In Tim O’Brien’s The Things They Carried, he emphasizes a chapter on “The Man I Killed”, which describes the characteristics of a young Vietnamese man in which O’Brien may or may not have killed with a grenade. The novel is not chronologically sequenced, which leaves more room for the reader to engage in a critical thought process that fully bridges the author’s mind to their own. In O’Brien’s chapter, “The Man I Killed”, he attempts to humanize the enemy in a way that draws little separation between the enemy and himself by relating the enemy’s life prior to the war to his, and illustrates the war through the eyes of the soldiers who fought it.

There are many levels of truth in Tim O'Brien's The Things They Carried. This novel deals with story-telling as an act of communication and therapy, rather than a mere recital of fact. In the telling of war stories, and instruction in their telling, O'Brien shows that truth is unimportant in communicating human emotion through stories.

The Things They Carried by Tim O'Brien expresses the importance of a story-truth, as opposed to a happening-truth by use of literary elements in his writing. The novel is about war and the guilt it leaves on everyone involved in the war. Story-truth is not exactly what happened, but uses part of the truth and part made up in order to express the truth of what emotion was felt, which an important thematic element in the novel is. The three literary devices he uses to express this are diction, imagery, juxtaposition, and hyperbole. All of these elements allow the reader to identify emotion that is expressed in each story, as though that were the complete truth.

This passage helps the reader understand how the emotional burden of uncertain death weighed on the soldier. However, it also acts as a symbol by giving light to the fact that the emotional baggage they carry was brought about by their own fear of humiliation and shame. Many of the soldiers are there only to avoid the persecution that ensued those who evaded the draft. Through the use of symbolism, O’Brien is able to effectively highlight the burdens faced by the soldiers who conformed to the expectations of society.

            Tim O’Brien brings the characters and stories to life in The Things They Carried. He uses a writing style that brings stories to life by posing questions between the relationship of reality and fiction (Calloway 249). This is called metafiction and it exposes the truth through the literary experience. Tim O’Brien uses metafiction to make the characters and stories in The Things They Carried realistically evocative of the Vietnam War.

Tim O’Brien’s, The Things they Carried is a riveting tale of struggle and sacrifice, self indulgence and self pity, and the intrapersonal battles that reeked havoc on even the most battle tested soldiers. O’Brien is able to express these ideas through eloquent writing and descriptive language that makes the reader feel as if he were there. The struggle to avoid cowardice is a prevailing idea in all of O’Brien’s stories.

Tim O’Brien writes about both the physical objects they carry as well as their emotional burdens. The objects that these soldiers carry serve as a symbolism for what they are carrying in their hearts and minds. The soldiers carry items varying from pantyhose, medicine, tanning oil, and pictures. Jimmy Cross is an inexperienced sophomore in college, he signs up for the Reserve Officers Training Camp because his friends are doing the course. Jimmy Cross doesn’t want anything to do with the war or anything to do with being a leader. The item that Jimmy Cross carries with him are pictures of his classmate named Martha.

They carry many things, they carry a massive amount of weight on their shoulders. However, the heaviest thing that they carry cannot be touched. The intangible weight of fear, loss, anger, and guilt far outweigh any tangible item that they could possibly possess. The Thing They Carried is not only an eye-opening collection of war stories, but it is also a love story, a memoir, and a tribute to the unimaginable things that happen to our soldiers in war zones. War changes men, makes them different, and when they come home they are not the same person and they often have trouble readjusting to the life of a civilian.

Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing

The chapter “On the Rainy River” in the book The Things They Carried, is a short story about the author Tim O’Brien, and how he felt and reacted to getting his draft notice for the Vietnam war at a mere twenty-one years old. In “On the Rainy River”, O’Brien communicates the true nature of courage by introducing themes of shame and guilt, this is connected to the author’s idea of the nature of courage because he shows what happens mentally when he feels that he’s not reacting as he should to his draft notice. O’Brien wants readers to understand that courage can be very loosely defined, and most people aren’t the stereotypical “superheroes” you see in movies when faced with a life or death situation. O’Brien develops this theme by using examples of his reaction to getting his draft notice. This is most likely to show readers how many people in that time probably felt a lot of guilt for not wanting to go to