The Things They Carried Theme Analysis

I was ashamed of my conscience, ashamed to be doing the right thing.” (O’Brien pg 49)

One of the techniques O’Brien uses to convey the theme of guilt is that he addresses himself as “the boy” in third person. The third person point of view gives insight of the guilt of not just O’Brien, but also some of the other men there, such as Azar, Lieutenant Jimmy Cross, and Norman Bowker. In the chapters prior, Bowker deals with the guilt of Kiowa’s death even after the war was over and deals with loneliness and isolation in “Speaking of Courage.” The first indications of Bowker’s feelings of guilt is shown in “In the Field,” when Azar says he feels “sort of guilty almost” over Kiowa’s death because he believes if he would have “kept my mouth shut none of it would’ve ever happened. Like it was my fault.” But then Bowker answers

When truth became distorted by the ambiguous or absent motive for war, the soldiers needed to make up their own truths in order to keep sane enough to live through the senselessness and fear. Along with the fact that O’Brien’s boyhood died after killing the man in the path, his conception of truth died as well. He examines this fact when his daughter Kathleen asks him, “Daddy tell the truth, did you ever kill anybody?” and O’Brien ponders this stating, “And I can say, honestly, ‘Of course not.’ Or I can

Shame is a constant theme in The Things They Carried. Soldiers felt like they had to go to war, but fear of embarrassing themselves, their families, and their towns if they ran. This embarrassment was helped by the guilt of not being "masculine" enough or not being brave, heroic, and patriotic enough. the author reflects how he thought he had a secret reserve of bravery and heroism stored away, waiting for the moment when he would be called into war—if that day ever came—in chapter 4, and how in reality no such reserve existed.

In Tim O’Brien’s The Things They Carried, he emphasizes a chapter on “The Man I Killed”, which describes the characteristics of a young Vietnamese man in which O’Brien may or may not have killed with a grenade. The novel is not chronologically sequenced, which leaves more room for the reader to engage in a critical thought process that fully bridges the author’s mind to their own. In O’Brien’s chapter, “The Man I Killed”, he attempts to humanize the enemy in a way that draws little separation between the enemy and himself by relating the enemy’s life prior to the war to his, and illustrates the war through the eyes of the soldiers who fought it.

The Things They Carried by Tim O'Brien expresses the importance of a story-truth, as opposed to a happening-truth by use of literary elements in his writing. The novel is about war and the guilt it leaves on everyone involved in the war. Story-truth is not exactly what happened, but uses part of the truth and part made up in order to express the truth of what emotion was felt, which an important thematic element in the novel is. The three literary devices he uses to express this are diction, imagery, juxtaposition, and hyperbole. All of these elements allow the reader to identify emotion that is expressed in each story, as though that were the complete truth.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

The emotional pain of reliving the story arouses sympathy in the reader, which as a result allows the audience to identify with Tim’s struggle. He also mentions having to “live with it, feeling the shame, trying to push it away,” which evokes empathy in the reader. It is certain that throughout one’s lifetime, they will experience an event that leaves them guilt-stricken or feeling shameful. By describing his feelings towards the story, O’Brien arouses sympathy in the reader in a way similar to the “ordinary world” phase of the hero’s journey archetype.

In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to

O'Brien gives his characters lives outside the story and dedicates his fiction to their memory. In On the Rainy River, for example, O'Brien writes that he never really thanked the old man

            Tim O’Brien brings the characters and stories to life in The Things They Carried. He uses a writing style that brings stories to life by posing questions between the relationship of reality and fiction (Calloway 249). This is called metafiction and it exposes the truth through the literary experience. Tim O’Brien uses metafiction to make the characters and stories in The Things They Carried realistically evocative of the Vietnam War.

     In Tim O’Brien’s novel, The Things They Carried, numerous themes are illustrated by the author. Through the portrayal of a number of characters, Tim O’Brien suggests that to adapt to Vietnam is not always more difficult than to revert back to the lives they once knew. Correspondingly the theme of change is omnipresent throughout the novel, specifically in the depiction of numerous characters.

There are many ways to decide what makes a man guilty. In an ethical sense, there is more to guilt than just committing the crime. In Charles Brockden Browns’ Wieland, the reader is presented with a moral dilemma: is Theodore Wieland guilty of murdering his wife and children, even though he claims that the command came from God, or is Carwin guilty because of his history of using persuasive voices, even though his role in the Wieland family’s murder is questionable? To answer these questions, one must consider what determines guilt, such as responsibility, motives, consequences, and the act itself. No matter which view is taken on what determines a man’s guilt, it can be concluded that

In this passage O’brien demonstrates his own character traits. As a writer, he has a strong ability to understand what others are feeling and sympathize. When he kills the young soldier, he creates a story around him, imaging the soldier as having similar struggles to his own. He deeply regrets the soldier's death because he feels that neither of them really wanted to be fighting in this war and relates his own life story to the fictional one he creates for the soldier.

When the BMW man asked why he had lied to the police, he ignored him, trying to seem uninterested and unknowing about the incident. When the narrator realizes the man is no longer shaking and has a cold look in his eyes, he began to acknowledge the man out of fear. Once the BMW man said “I saw your car. It was all smashed up. Why…” the storytellers act started to collapse; he began to second guess himself. He had to reassure himself by saying it couldn’t have been me, and that he could never kill someone. Guilt is an important social factor, therefore our ideas about guilt come from social situations. The narrator had a drinking problem and needed help, his wife had left him leaving no one that could step up and try to lead him to the right path. The author didn’t have a healthy sense of right, wrong, and guilty and was always hiding from all the horrendous actions he’d done, he’d always find way to abandon a situation without any