The Third & Final Continent Themes

“They wept together, for the things they now knew.”(104) The last sentence of the first story in Interpreter of Maladies, reveals the cruelty of the elapsed romance in a marriage. In the two collections, A Temporary Matter and The Third and Final Continent, Jhumpa Lahiri demonstrates that a marriage can be either uplifting or discouraging depends on the mindset held by the couple and the strength of human bonding. Lahiri emphasizes the significance of mindset and human bondings through the ending of the two stories. The endings of the two stories are polar opposite : In A Temporary Matter, Shukumar and Shobha weeps for the termination of their relationship; The Third and Final Continent, by contrast, the protagonist(MIT) enjoys a fairytale-like

The book has a section entitled, “Marriage is traditional” and in that particular section it mentioned about how “marriage has changed over time.” When examined current day marriage trends show that people are looking for partnership or soul mates, not for the most traditional reasons of the past. The idea that one person is supposed to be with one person for the rest of their life is no longer relevant. It is possible to have many happy years with one person, but that does not mean that these people will die together. People can have a falling out. Situations change—people do grow. If people stayed stagnant their whole lives, where would society be? With the way

When first introduced to the narrator, readers quickly pick up on how observant she is to the world around her. However as the novel draws to a close, many quick events take place with little to no explanation or commentary from the

This book depicts the national and cultural status of the immigrant mother, who is able to preserve the traditions of her Indian heritage that connect her to her homeland. Ensuring a successful future for her American-born children is coordinated with the privilege of being an American citizen. Ashima yearns for her homeland and her family that she left behind when

One thing that helps the reader empathize with the narrator is the narrator observing Sheila Mant. As the narrator observes

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

The narrator quickly changes his behavior when he discovers a young woman, Marla, watching him at Remaining Men Together. After two years of being able to

Marriage has been a heated controversy for the past few years because people often marry for the wrong reasons. Anyone who thinks of an ideal marriage would think of two people loving each other and sharing a personal bond or goals together. Marriage is regularly defined as the legally or formally recognized union of two lovers as partners in a personal relationship. This definition remarks there is an actual connection between two people in marriage, but do people actually consider this when committing to “love” and “support” their partners forever? As research and studies have shown, people ultimately get married for many reasons, except love. This philosophy can be easily applied to the short poem, “Marriage” by Gregory Corso. In this emotional poem, the author argues marriage is more effectively understood or known for culture and convenience rather than through the abstract considerations of love. Here, we can identify people generally decide to marry for the incorrect reasons, for instance the story of the author himself. Corso finds himself confused multiple times, wondering if he should marry to not be lonely, for tradition and for his physical and mental health. He disregards love, a relationship or a connection with his future wife. General ways of convenience like loneliness, health and economic status between cultural stereotypes and religion are usually the true reasons of why people chose to have the commitment of marriage with another person.

    In the time frame that this story is set, many major life decisions things are made taking into account one’s duty to family - including the selection of a husband or wife.  It is possible that each of these couples may not have been in love,  when their vows were stated.  They have a duty to society; they must not marry outside of their social class.  They have a duty to their family;

The author carefully crafts the story so that every detail contributes to a certain unique or single effect, whether it is as complex as irony or as simple as depiction of feelings. The Husband describes his absolute love for Ann as he reminisces about the years he spent with her and how deeply he "knows"

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Finally, finally, the sirens stop. It’s so sudden, flooding the air with a moment of silence. My ears start to pick up the city noise again, faint and comforting in its normality. I hear footsteps behind my, and I turn to meet them. Two police officers are approaching me carefully, their guns drawn. What’s happening? Why do they look like they’re coming for me? I didn’t do anything. Questions flicker through my mind, none of them staying long enough for me to answer them.

Has anyone lived a life without misfortune? Doubtable; even the person with what could be described as the ideal life deals with some form of adversity. The novel, Speak, and the short story, The Third and Final Continent, both use plot as a way to convey themes of hardship. Moreover, these texts both use symbolism in order to develop their themes as well. The Art of Resilience and Speak utilize characterization as a method of developing their respective themes. Speak, The Third and Final Continent, and The Art of Resilience each deal with the theme that all people must learn to cope with adverse situations.

    In the opening sequence of the film, the viewer is immediately presented with an image of marriage as entirely contractual: "Today he married me to a man I've not yet met." The protagonist, although she has already been established as strong-willed and non-conforming, is accepting but not altogether optimistic about the arrangement. The viewer also learns that she

Thanks to the characters described by Adichie, there are important questions to be raised concerning love and marriage: If today’s man or woman wants to get married, for what reason will he or she walk down that aisle? Is it just a means to an end? Is it the mere fulfilment of societal demands?