The Time Series By Patricia March

The distinctively visual techniques employed by Tykwer in Run Lola Run, function to raise the importance of time, its inevitability, and

The resemblance in Brown's work to de Kooning and other Abstract Expressionists (such as the long strokes of Pollock) is what often creates her association with the movement. In his essay, “In Defense of Abstract Expressionism,” renowned art historian TJ Clark describes the movement as:

The next art element that is demonstrated in this painting is time and motion. The think strokes of the leaves on the tree make it looks as though a wind is blowing through the streets of France. The pedestrians in the street demonstrate an element of time and motion because they appear to have been caught mid-stride on the way to their destinations. The server in the café, as well as his customers, show motion because they are moving and having conversations amongst themselves.

The bizarre economy that we live in has affected us in many ways than our simple mind can fathom. After World War II there was massive push in innovation. Human were gifted with inventions like the Airplane, color T.V., polyvinyl cups, and precooked dinners. Nevertheless, these “gifts” came at an enormous cost. That cost was pushed onto the environment and people living in that environment. “The Market Economy” by Marge Piercy illustrates the movement in American aimed at bring attention to a global problem as well as an effort to save the planet along with the people living on it.

The choreographic intention of “Emergence” was the exploration of merging diverse elements together to see what comes from it, like the emergence in relation to arrangements and structures made in nature. The choreographic intention expanded from the idea of concealment. This was clearly identified in the beginning trio where the female dancer is shown trying to escape from her hiding place. In appraisal, the choreographic intention of “Image” was a more simplistic interpretation, one that explored identity and how it is made up of personal experiences we endure and that along the way we are influenced and sometimes inveigled, which can make revealing who we really are at the core oppressive. In comparison to “Emergence”, the movement in “Image” was more vague and indefinite in relation to linking movement to the choreographic intention. Through manipulation of structural devices such as groupings, stillness, tempo and dynamics, the

Students through the process of art appreciation will build connections through the exploration of textures, lines, colour and shape when describing, analysing, interpreting and judging the artworks before them (3 chosen images). They are asked to describe what they see, the artist’s use of colour, lines, shapes and texture. They then move onto analysing; what catches their eye, is the composition balanced and do the paintings look flat or do they have depth. The discussion then progresses onto interpretation where students are able to express what type of emotion they feel when looking at the pictures, perhaps the kind of sounds they might hear if they could step into it, and why they think the artist chose this particular subject to paint and what may have inspired the artist.

The objective of this study is to post the names of three visual artists such as painters and sculptors that were the most influential during the 1960. After identifying the visual artists, a URL will be posted so that the reader can link up to review their work. Finally, a brief commentary will be offered on each of the artists in regards to why they are so influential.

The primary focus of this section is to explain the “act of painting.” Flack begins her book with notes on the creative process and what it means to be an artist. Everything from the perception of color to confronting a blank canvas is addressed in this section. Audrey Flack briefly touches on the spiritual

Abstract Expressionism began in the 1940s and the 1950s in New York after World War II from the ideas of Surrealism about art that looks to examining the unconscious mind, and the feelings people hold that makes us all humans. Through the discussion of Autumn Rhythm (Number 30) by Jackson Pollock, I will define Abstract Expression and why this work is part of this movement. Then, through the discussion of Canyon by Robert Rauschenberg, Target with Plaster Casts by Jasper Johns, and Marilyn Diptych by Andy Warhol, I will explain Assemblage and Pop Art and why each of these works belong to those movements.

The essay will make use of the works of photographic artists who engage in one of the two schools of photography, Pictorialism and Modernism. The artists that will be used for this essay are Paul Strand who has been selected for the Modernist development together with a Russian artistic photographer Alexander Rodchenko and As White remained rooted to Pictorialism, his stance on his methodology and set up in the 1920s and 1930s led to occurrence of the stirring up of quite a number of understudies to handle his visualization style which was fresh and innovative (White, Clarence H., Jr. and Peter C. Bunnell 1965). In the process of talking about the two schools of photography, Pictorialism and Modernism rather than focus on the clash and disagreements that occurred from Pictorialism and Modernism it is more suitable to examine the merits in both the method and styles used in the two schools of

In the novel March book one written by John Lewis, the writer discusses his experiences on the civil rights movement. Later, the Jim Crow era began to arise and he addresses the difficulty that he experienced during his childhood. The Jim Crow era was designed to segregate whites from blacks and limit blacks from becoming equal with them. “For many years, racial inequality and mass incarceration has restricted the rights of several African Americans. It is the reincarnation of caste system, that results in millions of African Americans behind bars. It limits the rights and opportunities of African Americans. This book discusses the dehumanization of African Americans and the limitations on how successful they can become. The book says that

She was able to create perplexing pieces of work; by adding color shadow and lighting. Her flower paintings had lots of details; some thought that they were erotic.

Visual opulence, creativity, inimitable vision, and a style that is highly influential are the many characteristics of an admired movement in art history, that being of the Post-Impressionism movement (1875-1892). This movement, which was a by-product of the Impressionism movement, is the bridging gap between the two movements known as Realism and Expressionism. Post-Impressionism takes on some of the stylistic characteristics of these movements; however, it does not contain the all too glossy visuals of Realism or the heavily fantastic visuals of Expressionism, rather it is the intermediary of these two poles. My paper will discuss why this link was absolutely essential to the history of art movements, and I will be specifically using the

The illustrations in March- Book one help understand the text for the following reasons. It gives us a visual representation of what happened. Another reason how in the illustration there is an absence of color throughout the whole book. Lastly, the illustrations focus on the facial expressions of the characters. In the following paragraphs, I will explain my beliefs that the illustrations enhance your comprehension of the story.

Paul Klee's artwork remains a constant controversy in subject matter and validity of uniqueness. In order for one to analyze and critique his work, one would have to understand the metamorphosis of his life experiences, which influenced his creative philosophy and images he chose to express. His diverse body of work cannot be confined to any particular artistic movement. In seeking to develop his personal style, he produced a body of work embodying Impressionism, Cubism, Constructivism, and abstraction which influenced the works of 20th-century contemporary artists. Evident throughout his oeuvre, the inspiration of contemporary artists and his ideologies of rhythmic structures and the spiritual nature of artistic expression determined the art