The Timeless Power of Les Miserables

Valjean is an ex-convict who is trying to escape from the police. When Valjean adopts Cosette, he brings her along to avoid the police and she is now guilty for helping a convict. This causes Valjean and Cosette to remain quiet and stay inside from the world. They always have to move city to city if there is any suspension of them. This prevents Cosette from discovering

"It is precisely of him that I wished to speak. Dispose of me as you please; but help me first to carry him home. I only ask that of you." Upon examination of Les Miserables, it is clearly evident that the elements of Forgiveness, Self – Sacrifice, and Courage are only a few of the main themes Hugo wanted to develop.

From the moment on he dedicated his life solely to her, to protecting her from the sorrows of poverty. From that moment he could no longer be Jean Valjean, or Monsieur Madeleine, he had to start his life over once again and Cosette was all he had in it. He sacrificed in order to gain self-approval and the ability to forgive himself.

In the middle of the book, Jean Valjean has saved a young girl named Cosette and raised her as his daughter after her mother died. These actions also have a redeeming effect on Jean Valjean, as he put his promise to the girl’s mother before his own safety and escaped from another bout in prison to find the young girl. Jean Valjean does not think this redeems him, however. He is very suspicious and changes their names to hide from the law enforcement. He also became very suspicious and cagey when a young man, Marius, became interested in Cosette. In Marius’s words, he “ began to be less punctual, and did not bring ‘his daughter’ every day” (168). After some time, he and Cosette move away so Marius cannot find them. Jean Valjean thinks he is

Everyone needs someone to love and care for as well as someone who can return that love and care. When Cosette comes into Valjean’s life, it makes him feel something he didn’t feel in a long time, “When he saw Cosette, when he had taken her, carried her away, and rescued her, he felt his heart move” (123). At this point, she becomes more than just a girl but another symbol in Valjean’s

His devotion to the law goes past mere morals, rivalling the revolutionary leader Enjolras’ devotion to the Revolution - like Enjolras, he does not take a wife or have children. By giving Valjean a child but not Javert, Hugo enforces the idea that love is higher than law. He spends a decent amount of time tracking down Valjean to bring him back into custody; in this time, a second offense would result in death. Javert’s turning point comes during and immediately after the insurrection of June 5-6, 1832. Javert is captured by the student revolutionaries, who wish to spare him until the moment that one of their friends, Jehan Prouvaire, is shot by the National Guard. Enjolras turns to Javert and says, “Your friends have just shot you,” sealing his fate. Javert fully expects to be killed at the barricades, and even more so when Valjean himself arrives to save Marius Pontmercy, the young man who is courting his daughter. As payment for saving the barricade, Enjolras allows Valjean to shoot Javert himself. Valjean not only lets Javert go, but tells Javert his address and says, “I do not think I shall escape from this place. But if by chance, I do, I live under the name of Fauchelevent, in the Rue de l’Homme arm, No. 7.” Valjean knows to be an honest man he must not kill, and he must be truthful, and he does exactly this. When Javert finds him as Valjean emerges from the sewers with Marius after the fall of the barricades, Valjean still acts courteous to Javert, requesting to help save Marius’ life before turning himself in. Javert accompanies Valjean to Marius’ house, and then to Valjean’s home, before disappearing. After these events, Hugo describes Javert as his whole demeanor changing; “his whole person, slow and sombre, was stamped with anxiety.” The guilt of being shown compassion by a man who should have every reason to oppose Javert is too

Jean Valjean is a bad person according to the law but he is doing it for the right reason, to help his sister’s son. Valjean goes through a lot of turmoil to maintain the façade that he must stay a free man. He is always on the run therefore making it hard for Javert to find him. Valjean always finds a way to escape the deathly grasp of Javert; he never goes back prison. He dedicates his life to the safety and protection of his dearly beloved daughter, Cossette.

Similarly, another critic believes that the morals and peer pressure of a dauntless society are what causes Man to become evil. This evil slowly forces them to progress into “hardened ruffians” that are forced to resort to a pis aller in order to regain some hope for themselves. Thus, society cannot evolve (Lewes 245). Contrary to what Reeves believes, Critic Moss believes that misfortune is the sole cause of one’s faults and that the main theme of the novel is the barrier between “those who choose degradation and those who are driven to it” (228). Furthermore, the critic Napierkowski believes that the meaning of life is love and that through the love that all people receive, any number of traits can be changed. She explicates that change is extremely relevant in the case of Jean Valjean who is a convict turned upstanding citizen. She also recalls that in the novel Valjean is only transformed due to the love he receives from the Bishop of Digne, who gave Valjean everything that he had (Novels for Students). Reeves, again, also explores the concept that Hugo is trying to prove that humans need to love each other for the world to be a happier place (Masterplots). Thus, through evidence in Les Misérables, the aforementioned themes can easily be proven.

Cosette is deprived of the love that she desires and deserves. She longs for love and instead receives the opposite. The Thenardiers do not care for Cosette and do not view her as their child, to them she is a servant girl. When Jean Valjean offers to take Cosette away from the Thenardiers, they reply, “Ah monsieur! My good monsieur! Take her, keep her, take her away, carry her off, sugar her, stuff her, drink her, eat her, and be blessed by the holy Virgin and all the saints in paradise!” (154). The Thenardiers want Cosette out of their house, and no longer want the responsibility of taking care of the “imbecile child” (147). It is a blessing to them that this traveler has come to take Cosette away forever. Because of Jean Valjean's good deed, Cosette's life can improve and she can finally experience the emotion of love she longs for. Although Jean Valjean offers Cosette all the love he is capable of giving, it is not enough to satisfy Cosette. She craves for a different, romantic love after she is introduced to Marius. Hugo,

Les Miserables is a prime example of two individuals conflicted by the “letter of the law” and the “spirit of the law”. The two main characters, Jean Valjean and and Javert, have two different views on morality. There is a difference between the “letter of the law” and the “spirit of the law”. Obeying the what the laws specifically says defines the “letter of the law” and obeying the overall message of the law defines the “spirit of the law”.

Jean Valjean sacrificed much as he sought redemption. One of the first sacrifices that Jean Valjean makes is that of his identity, during the Champmathieu affair. As Monsieur Madeleine, Jean Valjean was a trusted official in a high position. He struggled with himself when he heard that the ‘real’ Jean Valjean had been caught: should he stay in M—sur m—where he was comfortable and popular, or do the right thing, remove a man from an undeserved galley life, and become a convict once more. When Madeleine revealed himself as Jean Valjean, he forever gave up that comfortable position of authority. He became a convict again – a wanted convict. He would now live out the rest of his life hiding, of not running, from the police. Jean sacrificed his safety. Saving Marius’ life by carrying him through the sewers also proved to be a sacrifice. Jean’s entire existence revolved around Cosette. She was what kept him on the track the bishop set him on. He adored her. He was devastated to learn that she was in love with Marius, yet he saved

Generally, authors compose books that go along with the morals of the audience. So many stories are written today with the typical love story, girl falls in love with guy or vice versa. Others are action packed with a climax and a predictable ending. Victor Hugo took a different stance while writing his book Les Miserables. Hugo's idea of action is presented through Jean Valjean who is held in prison for four years because he stole a loaf of bread. He includes unique love stories unlike the typical ones that we read about. Hugo's main purpose is to challenge people to consider their morals on forgiveness and love.

"True redemption is when guilt leads to good" (Khaled Hosseini). Not one person on earth is completely free from wrongs. Humans have lapses in judgement that can hurt them and others. Some people believe you can be redeemed and can put your wrongs behind you, these people are kind and generous. Others believe you have one chance to get it right, these people are often angry and judgmental. There are also those who believe that someone can't be redeemed, but begin to realize that people can change. By looking at the Bishop, Javert, and Jean Valjean and their actions it becomes clear that Les Miserables is a book about redemption coming to those who did wrongs in their past and the behaviors of those who believe and don't believe.

In his novel, Les Miserables, Victor Hugo identifies the principle social evils of French society through the actions and qualities of his characters. By depicting each of his characters’ struggles through destitute and oppressed measures, Hugo is able to identify the social errors of 19th century France. The fact that characters such as Valjean, Javert, Fantine, and Cosette, attempt to rise above poverty and redeem themselves indicate that such inequalities did, and still do, exist to this day. Through the use of feminist ideals and the criminal injustice system, Hugo attacks the principle social evils that each of his characters face in Les Miserables.

Les Miserables is a characteristic romantic work in both theme and form. In theme the novel assaults the traditional social structure, glorifies freedom of thought and spirit, and makes a hero of the average individual. In this novel the several characters were portrayed as heros. It follows the lives and interactions of several French