What Is The Relationship Between Mother Courage And Her Children

Mrs Lyons was played exceptionally well; she helped me to understand several themes of the play-primarily class. Mrs Lyons was of a higher class, than Miss Johnston and this came through, through her movement-the manner in which, she manoeuvred around the stage. Mrs Lyons-unlike Miss Johnston would always walk with her head held high in the air and her shoulders back; her posture was always sustained and sharp, apart from when she began to derail mentally. Very often Mrs Lyons, would be alongside Miss Johnston-who was of a working class background, and through the actress’ characterization, I was able to see a contrast between the two women. This helped me to understand the theme of class.

At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play.

Brecht’s political theatre stems from his political views towards communism and the upper class society. Theatre that comments on political issues within society. Brecht began to have a dislike for the capitalist society he was brought up in and wanted more of an equal approach to the world and the people around him. With epic theatre, Brecht wanted it to be both didactic (able to teach others) and dialectic (able to create discussions and ideas). The audience at no time during an epic play can be seen to be in a trance or take what they see on stage for granted. Our performance is reflective of Brecht and his Epic and Political theatre as we address many political topics such as Marxism and the divides between classes and the corruption of the government. We have props such as protest signs and banners to communicate Brecht’s political theatre to the audience. In the first episode, Brown’s Boys, there is a scene where MPs choke and die after ignoring the recession and protesters emerge into the audience chanting that ‘politics is dead’ and ‘they don’t really care about us’ while holding banners saying, ‘politics is dead’ and ‘Gordon Clown’. This was done as it represented politics and the fact the seriousness of the situation was ignored; showing how quickly the issues with the recession spiralled out of control and became something that even the higher up in society were unable

How Brecht achieves producing this state of consciousness is more subtle and elegant than the previous technique of having actors walk out with blatant placards to remind the audience that they are watching a play. One of the marks of Brecht’s epic theater is his alienation effect, or “a representation which allows [the audience] to recognize its subject, but at the same time makes it seem unfamiliar” (Brecht 1948, 8).

When you have courage, you will have to make harder decisions. But you have to know that it will end up ok. It is important to gain courage to protect others, forgive oneself, and protect oneself.

Though Madame Pernelle is a grouchy old lady who makes extremely uncouth remarks, her comments indicate that she has a strong sense of seniority and has the freedom to speak as she pleases. The maid, Dorine, demonstrates the power of defiance when she questions the motives of her boss as well as his daughter. She illustrates a strong fervent character who defies authority to obtain it. Lastly, Elmire reveals the influence of sharp thinking and women’s control in a marriage. Moliere’ has given us a feminist play where women ,that men and women can relate to, deal with modern problems in an 18th century time frame such as adjusting to change with the Madame Pernelle, dealing with inferiority with Dorine, and fighting for influence and trust in one’s spouse with Elmire. Though men have their parts in this play, the women most definitely step up to stimulate the action and prove that their influence is equal to men’s

Brechts work is based on the concept that theatre is a means of political persuasion for the masses. He sees the theatre as a tool to manipulate the audience, and to influence their day-to-day living once that have thought about issues raised during the performance.

The roles of the women in the drama are significant because of the way they shape the story and help the reader understand the nature of one of the strangest events in human history. Throughout the novel, women are portrayed in many different ways. Some are shown as being good and moral people while others the complete opposite. Arthur Miller's treatment of women in this play show women as weak beings who give into their husbands. Each women in the drama plays a significant role in showing the different archetypes there were among women especially Mary Warren, Elizabeth Proctor, and Abigail Williams. In addition, Kohlberg’s Moral Stages are six developmental stages of human moral reasoning which can tie into the view in which we have of the women in the play.

Apple acts courageously as it releases the new iPhone 7 that lacks the traditional headphone jack. Executives at Apple say that they designed the phone knowing it would be a failure, but did so because it was time. Apple was motivated not by hope for success, but by desire to propel the technological community into the next phase of progress, and the renowned company did so at their own financial expense. Similarly, Harper Lee uses the characters in her novel To Kill a Mockingbird to demonstrate her definition of courage. Lee uses varying situations and an onslaught of characters to reiterate her perspective and define courage as the execution of an ill-fated action.

America’s First Lady of Courage and Picturing History both presented individuals who faced many challenges. Helen Keller, the main focus of the first article, struggled with deafness as well as blindness, while Mathew Brady struggled financially. In the case of Helen Keller, the article stated that, “Helen’s parents knew they had to do something about her wild behavior. They hired Annie Sullivan to tutor her.” This was a critical moment in Helen’s life, as Annie helped Helen to learn how to more appropriately communicate with others as well as be able to spread the word that those who struggle with various disabilities could still manage to do great things.

‘How I Learned to Drive’ is a play by Paula Vogel that concern the protagonist Li'l Bit and her affair relationship with uncle Peck.Uncle Peck sexually assaulted his niece Li'l Bit and the facts of this case label the play as a drama, more generally a tragedy. This relationship with uncle Peck has affected Li'l Bit from age eleven to eighteen before she puts a conclusion to it. In this essay, I will analyse the three speeches of Uncle Peck in the play ‘How I Learned to Dive’ when he uses language and power to empower the others because he is a man and has all the power against others. I will analyse the first speech of how uncle Peck has the same power on Bobby using them on him the same way he used on Li'l Bit. The second speech that will be analysing that how he teaches Li'l Bit how to drive and have control of her life the same way that he has on her. The last speech of uncle Peck showed that he is interested in all women and he teaches her how to stand like a woman

The play examines the relationships between husbands and wives and reflects stereotypes of gender, particularly a marriage that ended in murder. The setting, a messy kitchen, reflects to me that the women stand together, emphasizing both the way they have been pushed together by their male-dominated society but also, possibly, their loyalty to each other over their husbands, a topic explored in the play. The men repeatedly dismiss things as beneath their notice if they are things such as the canning jars of fruit that are, in their opinions, women’s concerns. The men never recognize that they have forced the women to be concerned about these things, by not allowing them to be concerned about anything else. The men’s dismissal reflects a larger mindset of devaluing women and their opinions and interests in general.

The ideas of Bertolt Brecht (1898-1965) changed the theatre in many ways. Brecht along with Erwin Piscator developed the style of Epic theatre style contrasting to previous accepted styles. Presentational in form, Epic theatre is a vehicle for social comment through techniques such as: alienation, historification, eclectic influences (highly Asian), constructivism in scenery, disjointed and illogical scene placement, ordinary clothing and lighting, the use of music to detach the audience from emotion, placards and signs and projected images. Didactic in nature Brecht’s works aim to challenge the

The characters in The Plough of the Stars can be divided into two groups; apolitical and political. However, the extent to which the apolitical characters are ‘warm and human’ and the political characters are ‘cold and fanatical’ can be debated. In relation to the apolitical character of Nora, it can be argued that she is ‘warm and human’ when able to refuse the entry of the political into her marriage. Mrs Gogan, as an apolitical character, attempts to present herself as ‘warm and human’, but this is undercut by her juxtaposing actions. While the political characters can be categorised as ‘cold’, Bessie’s human empathy challenges the characteristic capabilities of political characters. Finally, it can be claimed that the political characters cannot be confined to a group, due to the vast amount of political ideologies presented in the play.

Brecht tells the reader that capitulation is not just an idea but a feeling and the reader's objection to the world is not as strong as it once was. He tells the reader this through Mother Courage's refusal to capitulate through out the entire work. In today's world, people like Mother Courage cannot relate to capitulation as a feeling because of the regulations that today's world has that Mother Courage's world did not.