Essay about The Top Three Competitiors of the American Repertory Theater

Compare and contrast the American musical theatre in the 1920s with that of the 1930s. How did each reflect and absorb its era? What forms & styles were dominant, what was the same, what was different and why? Do we see elements from these decades in shows today? Use examples from specific musicals.

“Life's but a walking shadow, a poor player, that struts and frets his hour upon the stage and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.” – William Shakespeare

Many fans want to go to baseball games; however, the prices of tickets have dramatically gone up over the past years.

Theatre is a collaboration of various forms of fine art which utilizes live performances presenting before the audience on a stage at a specific place within a scheduled time (Dugdale 10). The message is communicated through a combination of various channels like songs, speech gestures or dances. Stagecraft skills are combined with elements of art to make the performance more physical and near to real life experience. Theatre is categorized broadly into drama, musical theatre, comedy, tragedy and improvisation. Any form of these accepts integration of various production modes and collective reception to influence the artwork being presented. As a result of this cooperation of items in the theatre

Lorraine Hansberry was the first Black woman to pen a Broadway play. In her writings, she wrote male characters, many of whom were male protagonists. Being the feminist that she was, many people saw Hansberry’s depiction of Black men in one of two ways; either as an unhappy retreat from her feminist concerns or as a negative representation of Black manhood. Throughout her career, in works such as “The Village Voice” and “Les Blancs” Hansberry’s wrote other male characters that showed a progressive, revolutionary movement towards a positive and withstanding view of Black masculinity.

The fans that come to watch the athletes and who pay nearly $20 to get in the ballpark are padding the pockets of these owners. Statistics taken from online site http://cnnfn.cnn.com/2001 /03/30/news/baseball/ show that baseball ticket prices have gone up from $16.67 to $18.99 in just one year. A quote from the same online site http://cnnfn.cnn.com/2001/03/30/news /baseball/ wrote by Chris Isidore says, "Baseball fans going through the turnstiles on opening day across the nation Monday will be paying about 13 percent more than they did last year, according to a survey of prices…The increase makes baseball the sport with the fastest growing prices." Baseball in the United States is no longer America's Pastime. Baseball has changed to a high priced business, where average players make millions and above average players make tens of millions. To make the situation even worse, the dumbfounded owners and greedy sports agents who contaminate the game and the talented young athletes playing in it, control this business.

This week questions on MLB has really caught my attention I had know idea that MLB was so profitable. MLB network back in the 1900’s wasn't televised according to research, the first televised Major League baseball game was broadcast in 1939 on station W2XBS (History.com). During that time many American families didn’t own a television set. In addition it wasn’t until 1946 did regular network broadcasting catch on in the United States, and only in the mid-1950s did television sets become more common in the American household (History.com). As we fast forward to modern day MLB is a lucrative business that generates revenue from broadcasting, concessions stands, licensing revenue, and revenue sharing. MLB revenue sharing accounts for a large

Like you I also wrote about the Yankees and the constant increasing prices for professional sports. The new Yankee Stadium cost $1.3 billion dollars and the average ticket will be approximately $72 dollars. There are 50,287 seats in the new stadium that equals $3,620,664 dollars per game or $296,894,448 dollars per season just in ticket sales. It is crazy what we pay to follow the teams we pull for. Like you said with the Memphis Grizzlies ticket prices high in any professional sport. Thanks for your post!

Baseball is considered America's pastime as it is steeped in history and prestige. However, due in part to the emergence of alternative sporting events such as skateboarding, snowboarding and competitive biking, the profits previously garnered within the industry are not growing as fast as they once where. In fact, in many instances, individual player salaries are outpacing the growth of ticket and television revenue. Table 1 within the appendix was constructed by Michael J. Haupert, a professor at the University of Wisconsin. The table depicts TV revenue (excluding local markets), average ticket price, and average player salary from 1964 to 2002. For your convenience the pertinent information is highlighted in yellow. As depicted from the chart, total television revenue from 1964 to 2002 increased nearly 1000% on an inflation adjusted basis. During this same period however, player salaries have increase by over 2500%. Likewise, average ticket prices have not increased by this magnitude either (Haupert, 2010). Futhermore, according to the Forbes, every team in baseball with the exception of one (The Florida Marlins) spent at least 80% of their revenue on baseball operations last year. These operations include player salaries as well. The percentages vary and ranged from the Detroit Tigers who spent 116% of their revenue (operated at a loss), to the Marlins who spent 68%. Seventeen teams spent 90% or more on baseball operating expenses (Pasnanski, 2010). To many individuals,

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

Television revenue is now big business in sports today with television networks paying large amounts of money to secure the right to broadcast sporting events. The Super Bowl (which is the championship game in the NFL) is consistently the highest rated broadcast every year, which allows the lucky network to charge ungodly amounts of money in advertising. The NFL and MLB both enjoy large television contracts although their revenue sharing plans are quite different. The NFL currently receives 2.2 billion dollars a year in television revenue, which amounts to 73 million per year per team. MLB currently receives 340 million dollars per year in television revenue, which is divided up among the teams in a formula so complicated that you need understand quantum-physics and theoretical mathematics just to gain a rudimentary understanding of the distribution structure. These numbers are interesting in that there are less football teams to televise which means that the NFL must garner obscene ratings to demand that much money. Baseball games are on almost every night on a variety of different channels and ratings can be considered dismal when placed in comparison to the NFL. I believe the main reason for the ratings difference is season length. The NFL season is so short and every game means so much that the drama level is much higher when compared to the daily rhythm of 162 baseball games where losing one or two

Two great writers of American musical theatre, Richard Rodgers and Oscar Hammerstein II, had one idea in common. They wanted to present to the American public a new and revolutionary musical that would stand out above the rest. They wanted to make an impact on the societies of the era. They wanted to be creative and do something that was considered rebellious. When they finally combined their ideas together they created an American masterpiece in musical theatre: Oklahoma!. It was the first Rodgers and Hammerstein collaboration, starting the most successful creative partnership in the history of American musical theatre.

Feminism, in Canada, was present as early as the nineteenth century, with the first wave of the feminist movement, and his been continually explored through Canadian literature and performance art as a result, ever since. Audrey Thomas, a reputable and well recognized Canadian author, has been exploring feminism and the lives of women in her writing since the beginning of her career (Thompson, 2007). In her short story, Bear Country, Thomas explores the impact of violence towards women, on feminist performing artist, Wilma. As is frequently made the subject of feminist discussion, the survival and well-being of women in today’s male dominated society depends highly on remaining ignorant to the sexism and violence directed towards them. This will be further explored through examining the conflicts, motivations, and actions of Thomas’ protagonist Wilma, in her popular short story Bear Country.

The theater that Cuthbert Burbage built for the Chamberlain's Men had a total capacity of between 2,000 and 3,000 spectators. Because there was no lighting, all performances at the Globe were conducted, weather permitting, during the day (probably most often in the mid-afternoon span between 2 P.M. and 5 P.M.). Because most of the Globe and all of its stage was open air, acoustics were poor and the actors were compelled by circumstances to shout their lines, stress their enunciation, and engage in exaggerated theatrical gestures. What would seem most striking to a modern (Broadway) theatergoer about the productions staged at the Globe is that they were completely devoid of background scenery. Although costumes

With resounding consistency, every reference to The Theatrical Syndicate begins with the same anecdotal tale: “One day in 1896, six theatre businessmen met for lunch at the Holland House Hotel.” The gentlemen gathered that day where in a consensus about a few things, but the greatest of which being the state of the American theatre and its institutional need for centralization. (Mroczka) The aim of the following discussion is to contextualize this organization within American theatre history while illustrating the positive and negative impacts of The Theatrical Syndicate on the theatre community.