The Tough City : The Large Scale Crime City

Using descriptive diction such as “eerie” and “swamp” readers can imagine an unpleasant city rustling with filth and crime. Larson exposes that Chicago had “auras of mosquitoes” in its midst. Readers automatically see Chicago as a filthy and troublesome town when they associate it with mosquitoes. This view of Chicago created by Larson further achieves his purpose to show the downside of Chicago during the time the World Fair was being constructed and attended. When the World Fair was finished, Larson described the nights, “the lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted” (254). Larson says the lamps “laced” the walkways in the white city which allows readers to picture the city in a whimsical way. The feeling of the word “laced” sits with readers in a positive way. Thus, Larson can achieve the purpose of forcing readers to see the white city in a luxurious fashion. Also, Larson mentions that the lighting was “elaborate.” Readers see the white city as a sophisticated and lavish place rather than how they see the black city. Larson again is able to persuade readers into believing the magic of the white city. Larson calls upon imagery to construct the two sides of Chicago.

In this book, City of Scoundrels, Gary Krist has a strong and prominent tone toward Mayor William Hale Thompson (Big Bill). During the book, Big Bill has just been re-elected for his second term in office in the year 1919. Big Bill was often regarded as a horrible mayor by many of the people of Chicago. Some people have even considered him the worst mayor Chicago has ever had. But, Gary Krist seemed to have a different attitude towards Big Bill. Gary Krist seemed to see Mayor Thompson as more of a charming man however still extremely corrupt. Despite how corrupt the Mayor was, Gary Krist was able to see past that and was able to see how dedicated Big Bill was to the city of Chicago and its transformation into a “new” Chicago.

Yet another literary device used by Walker is symbolism. There are three major symbols in this story, and each are contextual. The first major symbol is Chicago. “In Chicago, a word she hears when thinking of smoke…she sees hovering over the heads of the clean neighbors in her front yard black specks falling, clinging, from the sky. But in Chicago.” (1124, 2), and “Respect, a chance to build…a chance to be on top. What a relief, she thinks.” (1124, 2) are opposing views of Chicago. For Roselily, Chicago represents a new start to a new life; an opportunity. It also represents a change, from the beautiful country of Mississippi to the urbanized city of Chicago, where it rains black specks. Another symbol is her new spouses’ religion. Although it isn’t said what his religion is, the reader can assume it’s

It’s amazing how much Sandburg has managed to convey with such a short poem, especially when one considers the level of repetition which actually reduces the absolute number of lines to about 6 lines. There are other lessons to be learnt from this. By his choice of battles, Gettysberg, Ypres, Verdun etc Sandburg refers to battles that involved great carnage. Battles with a death toll or casualty rate so high that it is unthinkable that we should speak of them as dispassionately as he does. But the use of the names is far more effective in conveying this point than having to spell it out in detail. He can get away with the dispassionate tone and make it “fit” the poem without seeming forced by adopting the unusual view point of having the grass as the observer and the first person speaker. Not only does he cloak the grass with personality but he simultaneously creates a narrator who is present throughout time and who is accordingly in a position to observe the folly of man through history. Other than the merest hint of a rhyme across Waterloo / Verdun, this poem is devoid of rhyme. Why? Rhyme closes lines, links lines together, gives the work a sense of completion and wholeness which is

Larson’s, The Devil in the White City, recounts a defining time period for America. Larson sheds light on the ageless conflict: Good v.s. Evil, as he recounts the events that took place at the fair that changed America. With America falling behind in global dominances and its need to strive, Daniel Burnham tries to successfully construct the Chicago World's fair and hopes it will spark the turn of the century. As Burnham tries to builds up the White City, and while H. H. Holmes flourished in the dominant Black City, Larson takes the reader on a tour of both cities. As Holmes lives in the shadows of the Black City, he successfully murders many people without any suspicion. Holmes’s ability to manipulate, his charisma, and his bravado marks

When acknowledging the turnout of Chicago’s fair, Larson uses figurative language to demonstrate the contesting forces of good and evil and to examine the extent to which Chicago stretched the fair’s potential. Larson writes, “Chicago has disappointed her enemies and astonished the world” (30). Larson uses personification when he says that “Chicago has disappointed her enemies…” and is giving Chicago a human behavior. This strategy emits a positive connotation to the reader . The use of figurative language makes the reader look at Chicago as having achieved a great honor by hosting the fair. It also shows that Chicago can create something so miraculous in a time of such hardship and need for ingenuity and amidst the evil waiting within the shadows of the White City. When describing the tension in the top floor of the Rookery while the architects were revealing their drawings for the fair, Larson writes “As the light began to fade, the architects lit the library’s gas jets, which hissed like mildly perturbed cats” (115) and he uses figurative language to help the reader grasp the importance and anticipation of this moment. By comparing the library’s gas jets to “mildly perturbed cats,” the reader gains a sense of agitation, anticipation, and the anxiety that the architects were feeling in that moment. Larson creates a negative and rather comforting connotation by using this simile to describe the room’s tension. The way that Larson describes this moment leads the reader to imagine it to be

In Devil in the White City, by Erik Larson utilizes the idea of a “devil” during a time of when Chicago was prospering to showcase the evil lurking behind the mirage of wealth and beauty. The speaker is a third person omniscient narrator who has known about Burnham and Holmes life Chicago in the late-nineteenth century. The audience is intended for readers who enjoy non-fiction thriller novels or wants to know about the historical event from different viewpoints. The purpose is to entertain the audience but also teach them about the coexistence and balance of “good” and “evil” in one city. The subject is about Chicago during the Columbian Exposition, focusing on the juxtaposition of the lives of Burnham and Holmes. The tone shifts throughout the novel between every other chapter when there is a change in character since they have different thoughts and settings. Larson uses this to emphasize the universal themes of harmonization of polar opposites. He contrasts the two demeanors of Chicago, the white city was Burnham’s fair, also known a dream land. On the other hand, the black city is Holmes’ house of terror.

Demographics provide the specifics necessary to obtain knowledge pertaining to a city’s inhabitants. Attaining this type of detailed information is vital to the creation of a flourishing municipality. Demographic data can offer crucial material in relation to the particulars, such as the districts residents reside, the districts most preferred, the areas more highly safeguarded, high crime areas, the elementary schools most preferred and what type of developments residents want to see within the area. Verification is made by evaluating the demographic attributes of the populace, areas of

In the novel The Devil in the White City, Author Erik Larson uses imagery, irony, and juxtaposition to parallel the good and evil sides of the city of Chicago during the 1893 World’s Fair. Larson takes a more upbeat, joyous tone while following the story of Burnham and the architects designing the World Fair, but the tone turns much darker when perspectives change and we follow the plot of H.H. Holmes, America’s first known serial killer. Using rhetorical devices like imagery, diction, and syntax, Larson is able to paint a picture of Chicago from both the good and evil side, setting a more serious and ominous tone for the novel.

Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has

The first chapter introduces Chicago, in the 1800s as a place where flocks of single women are coming to Chicago looking for jobs. This city was described as very unsafe. Two people a day, on average, died at railroad crossings, disease was very common, and people died from

The Bond connects to a lot of information from our textbook and class discussions. To begin with, article 28 in our textbook titled Violence and the Inner-City Code relates to this book. For instance, the article talks about how by simply living in such an environment such as the inner city; young people are put at special risk of falling victim to aggressive behavior. This was shown in the section of The Bond written by Sampson. He tells a story that between the summer of his junior and senior years of high school him and his friends got the idea of robbing drug dealers to make some quick money. In order to do this, they preyed on young drug salesmen, pulling a gun on them, taking their money, and driving off. The plan worked for a little while, but then fell through. While they were robbing someone, two policemen walked up. Sampson pretended to by a bystander while his friends tried to outrun the police. They failed, and ended up being detained. Sampson ran home and told his older sister everything, which then made him call the cops the next day. Soon enough, Sampson ended up serving four weeks at the Essex County youth house (106-107). Just because Sampson lived where he did, he got drawn into aggressive behavior and ended up paying for it. The article in the textbook also states that there are often forces that can counteract the negative influences- by far the most powerful is a strong, loving, “decent” family committed to middle-class values. This was

For this assignment I decided to read the book Code of the Street: decency, violence, and the moral life of the inner city by Elijah Anderson. This book is about how inner city people live and try and survive by living with the code of the streets. The code of the streets is basically morals and values that these people have. Most of the time it is the way they need to act to survive. Continuing on within this book review I am going to discuss the main points and arguments that Anderson portrays within the book. The main points that the book has, goes along with the chapters. These points consist of Street and decent families, respect, drugs violence, street crime, decent daddy, the mating game, black inner city grandmother. Now within

In "Chicago," published in 1916, has accepted the world around him and acknowledges that although he is not a part of what he has witnessed, he is complacent with the alienating properties Chicago is able to provide and finds comfort in being lost within the large city. The narrator begins by describing Chicago as "Hog Butcher for the World,/Tool maker, Stacker of Wheat,/ Player with Railroads and the Nation's Freight Handler;/Stormy, husky, brawling,/City of the Big Shoulders" to explain how industrialization has come to define the city ("Chicago" 1-5). The narrator then proceeds to describe his observations of individuals who live on the fringe of society, "painted women under the gas lamps luring

In Crime City, you are a criminal wanna-be striving to get to the top of the foodchain with novices bowing down to your demands out of pure worry regard, while you show off the roads holding a baseball bat in one hand as well as a revolver in an additional (all right, possibly an M16 will certainly seem much more persuading), however you get to show off the roads.