The Tragedy Of Oedipus Rex

According to the ancient Greeks and Aristotle the hero is a person who possesses superior qualities of mind and body, and who proves his superiority by doing great deeds of valor, strength, or intellect. In Sophocles' Oedipus Rex the main character Oedipus possesses these characteristics of a true hero, which in turn lead to his self-destruction.

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

In Sophocles play Oedipus the King, Sophocles depicts the horrible fate of Oedipus, a pompous, arrogant young ruler. The story begins in the Greek town of Thebes. A plague has descended upon the Thebians causing death and famine throughout the land. Oedipus, being the heroic king, takes full responsibility to find out the cause of their aliments. While working to discover the source of the plague, Oedipus stumbles upon the tragic truth of his heritage and the horrifying implications of his appointment to the throne. Unfortunately for Oedipus, everything ends in tragedy. With the suicide of his mother/wife and the self-inflicted blindness followed by exile from Thebes, Oedipus paved the path to his own

It is a common human flaw to only see things that are pleasing and choose to ignore distasteful situations. Falling into this trap, Oedipus, the King of Thebes in Sophocles’ Oedipus Rex, finds his doom by choosing to turn a blind eye to reality. The king falls from his throne by choosing to live in an illusion and failing to recognize the power of fate.

Ancient Greeks cared deeply about the pursuit of knowledge. Although the truth was often a terrifying concept, they still saw it as a critical virtue. The theater was one way in which the ideas of knowledge and truth were examined.

To describe the world of Oedipus Rex I have selected the phrasing; “false sense of security”. Although it was not the concluding word on my tree, I realized that it was important to describe the play and its world as such. Having a “false sense of security” could be a feeling that the characters have but it could also be an underlying contribution to the play itself. Think of it as that feeling when the characters on stage assume they are overly secure but we, as audience members, start to realize that they are actually not. This describes the world in which the character, Oedipus, lives in. One filled with fate, denial, spirituality, dependence, fear, smugness, and blindness. All of these words which create a false atmosphere.

Oedipus the king’s main conflict is based around Greek mythology in that from the time Oedipus is born it is prophesied by the Gods that he is going to kill his father and marry his mother. Sophocles uses a lot of dramatic irony in order to develop the conflict for the spectators, such as when Oedipus says to Tiresias “You’ve lost your power, stone-blind,stone-deaf-senses,eyes blind as stone”(Sophocles 423-424). Oedipus says this because he refuses to believe that the prophecy that Tiresias is telling is true meanwhile the audience is already aware that Tiresias is telling the truth. The main conflict and theme of this story is between Oedipus and himself because he cannot trust anyone except for himself and in the end, it leads to his own demise. Oedipus can be seen as a dynamic character because at the beginning he is very prideful and at the end, he can be considered fearful of what fate has brought to him.

Oedipus The Rex was a Greek tragedy written by Sophocles first performed in 429 Bc. Oedipus was the king of Thebes and his first goal of the story was to find out who murdered Lauis. Oedipus summons an oracle who he demands to tell him who the killer is. The oracle replies that he does not wish to tell the king anything, outraged the king demands an answer. The oracle tells Oedipus that he will kill his father and marry his mother. Oedipus is outraged naturally at his apparent future and mocks the oracle for being blind, then the oracle says he is blind. Throughout the play we see that Oedipus is a great guy well loved by the people of Thebes. He is very intelligent, a natural leader but unfortunately is fatally flawed. His hamartia is that he can not simply let things go in life which ultimately leads to his own ruin and others he loves. His ruin in life comes when he has the sudden realization of what he has done. He does fulfill his prophesy of killing his father and having sexual relations with his mother without even being aware of the situation. No great person would ever want to ruin their

During the Ancient Greek period, Aristotle, a great philosopher, wrote a book called the Poetics to describe what makes a great tragic play. Using the Oedipus Rex by Sophocles as the basis for his book, Aristotle goes into great detail about plot, character, and much more, breaking up the components of a tragedy. Since Oedipus Rex had a huge part in the creation of Aristotle’s book, it fulfills many of the Greek philosopher’s requirements for a tragic play.

Evidence: “ How i weep for you -- I cannot see you now… just thinking of all your days to come, the bitterness, the life that rough mankind will thrust upon you… such disgrace and you must bear it all! Who will marry you then? Not a man on earth. Your doom is clear: you’ll wither away to nothing, single, without a child. (Line 1625-1645)

Oedipus Rex, the iconic greek drama written by the famous poet Sophocles, tells the tragic story of a man whose hubris and short-temper causes his inevitable downfall prophesied by the gods. He was never able to see that everything terrible that has happened to him is his fault. Oedipus, the King of Thebes, has been told by the blind prophet of Apollo that his city is cursed because of his own horrible actions. Being the excessively prideful man, he reacts rudely to the blind man. That prophet, Teiresias, reveals that the killer of the former King Laius is the same man who killed his father and slept with his mother.

Particular bold features define this ageless funerary mask, creating an immortalized face. A broad nose sits in the heart with a mustache directly beneath, a feature quite common of those regal. Proportion plays a chief role in the deceased man’s face, for close examination reveals how evenly spaced each feature is. Perhaps the proportion is there to provide the man, who is thought to be a monarch, a godly presence. Given the Olympian gods are supposedly perfect, it only makes sense as to why a man gifted a beaten gold mask has flawlessly proportioned features. Individuals seemingly must have worshipped and blindly obeyed his every whim like the Chorus in Sophocles’, Oedipus Rex, followed their false god, Oedipus. That theory can even furthermore be confirmed, considering this artwork comes after the life of this man occurred, his death not sufficient in ceasing the infatuation many held.

In his Theory of Tragedy in the Poetics, Aristotle explains the characteristics necessary to create a good tragedy. He defines tragedy as “an imitation of an action that is serious, complete, and of a certain magnitude.” In other words, a tragedy must be focused and realistic. It must also evoke a “sense of fear and pity within the audience”, through its six parts, and end with a katharsis or cleansing of these emotions. The six parts of, a tragedy determines the quality and the most important parts include: plot and character. Aristotle also outlined the characteristics necessary in order to create an ideal tragic hero. Oedipus the King written by Sophocles, is an example of a perfect tragedy and Oedipus is a perfect example of a tragic hero.

Throughout the ages many scholars have agreed with Aristotle 's assessment of Oedipus Rex (the Athenian tragedy written by Sophocles) as the truest form of tragedy; however, modern viewers might remark that it is unworthy of such praise and instead should be exemplified as the proof that an addition to Aristotle 's ideal of tragedy itself is required: the element of timelessness. Throughout history, many have believed that man 's ability to produce a poetic reflection of the world around him is what sets him apart from lesser lifeforms. Italian Jurist Giambattista Vico famously wrote in his book The New Science that, "This poetic wisdom, the knowledge of the theological poets, was unquestionably the first wisdom of the world..." This belief spurred philosophers to extensive study on the nature of the poetic. Aristotle is one such scholar. The result of this study is the tenet of katharsis (catharsis), which he introduces through his interpretation of the form and function of the tragic poem. Tragedy as a work of art, Aristotle claimed, can be defined as the, "imitation of an action," specifically of the joys and sorrows of mankind. While seemingly simplistic, this principal concept of tragedy as mimicry is pivotal to the development of axiomatic catharsis, or the reaction to the mimicked pity and fear presented by the performed tragedy which culminates in the purging of the same emotions from within the viewer,

Originating from the philosopher, Aristotle, the characterization of “pity and fear” developed into an idea present in classic Greek tragedies (Oedipus Packet). As the outcome of these emotions, the audience experiences catharsis in response to the inevitable downfall of the protagonist. It was not uncommon to see playwrights stray away from this classical approach in tragic literature as writing conventions became less restricted over time. Sophocles’ Oedipus Rex (430 B.C.) and Jean Cocteau’s The Infernal Machine (1934) highlight the conceptual differences of heroism, destiny, and a man’s consciousness to the influence of the period it was written in. Handling the same myth, Cocteau conveys how a legend’s adaptability is present thousands of years later and he questions the illusory heroic qualities of Oedipus in Sophocles’ original play. Whereas both authors argue that Oedipus was blinded by his own arrogance, in the original Oedipus Rex, Sophocles depicts Oedipus as a noble tragic hero who owns up to his sins while in The Infernal Machine, Cocteau mocks the concept of the tragic hero, depicting Oedipus as ignoble with a helpless demise.