The Tragedy Of Othello By William Shakespeare

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

In Shakespeare’s Othello, the nominal character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he drives Othello’s insecurities by implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.

A society consists of diverse cultures, looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images and treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character Othello is a unique character in English literature, because unlike the other members of society, Othello is an outsider in Venice. He is a black man living in a white world, married to a white woman, and a leader of white men in battle. Othello is persuaded that his wife, Desdemona, is cheating on him, leading him to murder her. Some argue that because Othello was the typical black stereotype he killed Desdemona, but evidence suggests that Othello viewed his own racial identity as undesirable for Desdemona and killed her out of honor and self-hatred. Henceforth, the long-term psychological effects of racism affects an individual’s self-identity and his or her relationship with others.

The tragic plot of Othello hinges on the potential of the villain, Iago, to deceive other characters, above all Roderigo and Othello, through encouraging them to misinterpret what they see. Othello is prone to Iago 's ploys seeing that he himself is so sincere and

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

“Some men just want to watch the world burn,” (Alfred [Michael Caine,] Batman; The Dark Knight). William Shakespeare uses a variety of literary devices throughout his works, but his use of dramatic irony specifically puts his readers at the edge of their seats. Being full of jealousy and betrayal, the plot of Othello is guided by this playwright’s usage of dramatic irony. Through the use of dramatic irony and characterization Shakespeare creates Iago, the most sinister character in all of literature.

Both Desdemona and Daisy are repetitively referred to as objects by the male characters in the texts. From the offset Desdemona is continually objectified by the male characters. Both Rodrigo and Iago refer to her as belonging to Brabantio (her father) where she is aligned with his ‘bags’, Brabantio states that; ‘she is abused, stolen from me and corrupted’ (1.3.61). This highlights his patriarchal dominance, it seems that he is more concerned about his reputation, rather than his daughter. This would have been accurate and expected of a woman, as they were seen as the property of their fathers and husbands. Shakespeare structurally objectifies Desdemona through the symbolism of the handkerchief. The handkerchief in Othello and

Trust is often indicative of the intimate relationship between two people: husband and wife or two soldiers, for example. In Shakespeare’s drama, “Othello,” the main character and general of the Venetian army, Othello, is forced to choose between trusting his first wife, Desdemona, or his reputable honest ensign, Iago. Iago tells Othello that Desdemona is having an affair with Cassio, his lieutenant. Although he does not know of anyone more honest than Iago, Othello cannot easily believe that the women he so ardently loves would cheat on him and betray their marriage. Othello is forced to believe Iago’s accusations and punish Desdemona and Cassio or believe his innocent, fair wife. He decides to believe Iago’s false tale of Desdemona’s

It is not wise to attempt to judge another purely based on their outer shell; the showmanship of one’s character is demonstrated through the goodwill and integrity of their being. Women, while commonly shown to have a weaker sense of character, could also reveal to have some of the greatest shows of genuity. In one of Shakespeare’s famous tragedies, Othello, the story revolves around Othello, a Venetian general, who marries Desdemona, the daughter of a Venetian noble. Iago – whom Othello declares as his ancient – despises him, and thus tries to destroy his marriage along with him. Othello is easily ensnared within the traps Iago sets; this causes great paranoia and distrust among Desdemona, and a series of rash decisions. Othello is

Desdemona is a passive character in the Shakespeare play “Othello”. We can identify this as a fault in Desdemona, in various acts and scenes throughout the play. A critic had stated that “Desdemona is passive, acted upon rather than acting.” This is a valid statement which is noticeable in Desdemona’s character. When Desdemona argues Cassio’s position that Othello stripped from him. We see from this that she could have acted upon the situation rather than a mere plead with her husband Othello. As well as the handkerchief Othello gave to her when asked by Othello what happened to it, she passively told him “I have it not about me.” (3,4,55). As well as when Othello is about to kill Desdemona. She remains passive even as she is being murdered by her own husband. Desdemona lies in her bed and allows Othello to unjustly smother her to death.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

very highly of him and this is a type of racial slur. In spite of the animosity

In the life of every tragic hero, with a promising future, there is a damaging flaw that takes over and possesses their life. This is a flaw that is possessed, by all heroes. From the place of honor, the hero will fall and the character of Othello is no exception. He is a genuine character that is determined to prove his worth as husband and a soldier, by speaking of his exploits. He is easily misled by others and therefore his honor is affected by that awful demon, jealously, which will be his downfall.’ When there is conflicting emotions, suspicious natures and feelings of betrayal, this will lead to revenge; the hero is full of promise and falls victim to his own mistakes and downfalls. This will inevitably be his destruction (enotes.com).