The Tragedy Of The Brecht 's `` Slow Burning `` Essay

On April 29, 1910, the largest forest fire in American history occurred. Some would come to know it as the Big Burn, or the Big Blowup. Later others called it the (the one that says it saved American landscape.) This travesty took more than 100 men. The impact it had on Americans was monumental. Timothy Egan’s The Big Burn, he writes about the many people who perished during this disaster. Stories of people who were engulfed by the flames at Bitterroot Mountain who had little chance of escaping their devastating fate. Even though this is still seen as a travesty, some look at it in a different way. Due to how large the fire was and how far it stretched, it made people aware of the importance to protect Americas forests and natural resources. During the late eighteenth and early nineteenth century, reform was occurring. The United States population was on a rise which had an effect on economic growth. This caused expansion in the consumer market and made way for an enormous amount of advancement in technology. Due to all of this, the demand for natural resources vastly increased. Inventions such as cars and trains consumed massive amounts of fossil fuels. Wood was stripped away from forests to make comfort items such as chairs, tables and other items for the large number of families now setting in the United States from foreign countries. People did not seem to pay much attentions to the effects these changes were having on the land. However, President Theodor Roosevelt had

The death of a loved one can result in a trauma where the painful experience causes a psychological scar. Alice Sebold’s The Lovely Bones explores the different ways in which people process grief when they lose a loved one. When young Susie Salmon is killed on her way home from school, the remaining four members of her family all deal differently with their grief. After Susie’s death, her mother, Abigail Salmon, endures the adversity of losing her daughter, her family collapsing, and accepting the loss of the life she never had the opportunity to live. Abigail uses Freud’s defence mechanisms to repress wounds, fears, her guilty desires, and to resolve conflicts, which results in her alienation and

Losing a parent is presumably an unthinkable concept for those lucky to have them alive, but sometimes the title of “parent” dies long before a body is placed in the ground. Toi Derricotte author of “Beginning Dialogues” unfortunately had to experience both the death of her mother’s title of “parent”, as well as her literal death. Derricotte’s parents had divorced when she was eighteen, and her father did not seem to play much of a role in her life; she was left to be raised by her mentally abusive mother. Her mother also had a tough road to walk growing up, having to face and deal with brutal issues like racism and bulling. Persevering through those tough times may be the underlining reason behind Derricotte’s mother’s negativity and abuse towards her daughter. Perhaps she just grew a thick skin at a very young age and had never learned how to feel, accept, or administer love. Derricotte’s had said: “She told me all my life she loved me, as if she completely forgot the hundred slights, humiliations, threats, and insinuations. Of course she loved me;

Typically in novels there are many supporting themes to create the storyline in the novel; in “A Wrinkle in Time” by Madeline L’Engle a major theme in the novel is courage. It shows in almost every chapter, through Margaret (Meg) Murry and Charles Wallace Murry. The quest the kids go through in the novel corresponds to Joseph Campbell’s Hero’s journey also the type of courage found within the Christian framework. Courage is having the strength to resist and endure fear, danger, and difficulty; it is the main thing that can keep the children together on the journey.

“A Wall of Fire Rising”, short story written by Edwidge Danticat, presents one man’s desire for the freedom and also, the gap between reality and fantasy which is created by the desire. Two different perspectives of evaluating the life bring the conflict between the Guy and Lili who are parents to the little guy. Throughout the story, the Guy implies that he wants to do something that people will remind of him, but Lili who is opposing to the Guy, tries to settle the Guy down and keep up with the normal life that they are belong to. The Guy is aggressive, adventurous and reckless while Lili is realistic and responsible. The wall of fire is the metaphorical expression of the boundary where divides two different types of people. One

Whenever someone experiences a traumatic event, especially at a young age, they tend to experience severe mental challenges including PTSD, and many other symptoms. In most cases such as war and the holocaust “the trauma quite obviously, did not end at liberation” (Bettelheim). Through the use of frightful imagery, A Long Way Gone by Ishmael Beah, and Night by Elie Wiesel, express the demand to become impervious to human emotion in order to survive barbaric and savage events.

Laurie Halse Anderosn has written a book which is considered as a trauma novel “speak”. Usually anger is a phase that begins with madness and ends with regret, but in this book anger will be tackled in different way, Melinda’s anger starts with silence and ends with speaking. In other words it’s starts with fear and ends with triumph over self. Over the course of the novel silence struggling with anger is leading to speak. Anderson incorporated all themes in anger direction with different techniques such as flashback, allusion, symbolism, and fragmentation.

To begin with, the death of Aunt Bernie brings great grief to the narrator and affects his performance at work. His reaction to the event exemplifies the way the society has taught people to react to sorrow. After Bernie’s death, he comes to work not in high spirits as required for a stripper, and female guests are disappointed in him. As a result, Mr. Frendt advises him, “Grief is good, grief is fine, but too much grief, as we all know, is excessive” (Saunders 19). The statement makes it evident that the society does not expect one to grieve to the extent of affecting their daily life. Specifically, Frendt discourages the narrator from mourning too much “like one of those Comanche ladies who bite off their index fingers when a loved one dies” (Saunders 19). Through such words, the author alludes to the culture of this community that requires people

I also felt sorry for “the man”, one, because he has to tell his child where his mother is “For the love of God woman. What am I to tell him?” (McCarthy 58), and two, because his love and best friend was in such despair and there was nothing he could do to impel her to stay. As a mother, in some ways, I also felt sorry for the mother in this book, because most women dream of the day she will have a child of her own to love, care for, and teach, but this mother had to give birth to her son after the great catastrophe, and instead of bringing her tears of happiness, it brought tears of sorrow. She now knows that she has to raise her son in this dark and barley habitable world and that it will be a constant struggle to survive. “My heart was ripped out of me the night he was born…” (McCarthy 57). On the other hand though, I am also disgusted with the mother for the one reason that she gave up, and now her family, especially her child, has to suffer the consequences due to her actions, but again, given that I put myself in her situation, would I do the same thing? While reading I also felt deep sadness in many parts, for one instance, when “the man” dies, at this point in the book I had tears streaming down my face. “He slept close to his father that night and held him but when he woke in the morning his father was cold and stiff.” “He sat there a long time weeping...”(McCarthy 281). “He knelt beside his father held his cold hand and said his name over and over

(2) She generally concealed her emotion, even when she talked about her experience of abuse and rape. While, she sometimes behaved dramatically and occasionally produced short-lived angry outbursts.

"Emotions are like waves. You cannot stop them from coming but you can decide which ones to surf". As described in this quote, we cannot delete our emotions but if we learn to surf the waves of our emotions and manage our thoughts and feel our feelings, we will be able to deal better with the difficult situations in life. Grief is the conflicting and strong emotion caused by the end of or change in a familiar pattern of behaviour. Each individual deals with grief in very different ways. In Alice Sebold's "The Lovely Bones" and William Shakespeare's "Hamlet", the main theme and emotion portrayed throughout the two works is grief with the intent of revenge. In Alice Sebold's "The Lovely Bones", the Salmon family find it difficult to grieve

The theme of William Faulkner's Barn Burning is Colonel Sartoris Snope's desire to break away from the oppressive conditions of his family life. He is pulled between his family and his morality. In this essay, I will discuss Sarty's struggle between the two sides of his conflict and the point at which it becomes resolved.

In Susan Farrell, the author of “Just Listen”: Witnessing Trauma in Tim O’Brien’s The Things They Carried, mentioned “...all theorists agree that the process of recovery from trauma must involve a narrativization of traumatic event--putting a sensory images into words in order to integrate trauma into a person 's life story” (186). However, without reading Cathy Caruth’s Trauma, readers will not understand that not only integrating trauma into a narrative will help them recover but it also allows the witness apprehend their flashbacks into meaning. Flashbacks, although are taunting, has the most vivid images compared to narrated memories. For one to remember a highlight or a significant moment, one must preserve it as a flashback. In The Things They Carried, Tim O’Brien convert his flashbacks into narrative memories allowing himself and readers to comprehend his experiences, but O’Brien also added flashbacks into his memories create the most graphic images for the readers.

Brooks’ novel and Miller’s play both explore how strength is displayed within a crisis, and how it assists in coming to a resolution. Similar to both texts, the protagonists are depicted to be the strongest individuals in a time of crisis; a crisis is also shown to have the tendency to bring to light the resilience within these strong individuals. Brooks’ presents Anna as being one of the strongest characters in her novel through her ability to ignore her “grief” and stop taking “poppy” in order to succour her fellow townsfolk in a time of desperation and need. This strength is also displayed through Michael and Elinor Mompellion, as they use their resilience to display leadership, and to guide the townspeople. Diverging from this, Miller portrays the strength of the characters in his play to be rather selfish, and

Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.