The Tragic Flaw Of ' Wise Blood ' By Flannery O ' Connor Essay

What is a tragedy? A tragedy is a drama in which the protagonist is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to cope with unfavorable circumstances. In the play Othello, William Shakespeare uses the literary device characterization in sequence to convey that Othello’s tragic flaw is the main reason that brings Othello to his downfall --- death. The causes of the tragedy of Othello are Othello’s gullibility to Iago, jealousy of Desdemona’s affair, and male pride.

Although many Shakespearean plays are very similar to one another, two stand out from the rest as sharing a great deal in common. Specific, solid parallels can be drawn between Shakespeare's plays "A Midsummer Night's Dream" and "Romeo and Juliet." The themes and characters are remarkably similar in many aspects. Firstly, both plays highlight the stereotypical young lovers - Hermia and Lysander in "A Midsummer Night's Dream" and Romeo and Juliet in "Romeo and Juliet." Secondly, both plays are very ambiguously categorized. By this I mean that each could have been a tragedy just as easily as a drama (with a few minor modifications). By definition, a tragic play is a play in which the main character has a fatal flaw that leads to

Many people today consider Wise Blood to be one of history’s greatest examples of Southern gothic literature. With its twisted plot, scenes of self-mutilation, and overall dark tone it is easy to understand why people from all find Wise Blood to be dark and depressing. However, Flannery O’Connor, the novel’s author, claims that she wrote the novel to be a comedy, rather than a tragedy (O’Connor). The elements of the novel that O’Connor and others have considered especially “comedic” are its examples of surprise, mistaken identities, and especially, irony. Readers can find irony throughout the entirety of Wise Blood, as well as its theme of fate over free will. Irony ties in with this theme often through the characters’ actions, thoughts, and emotions.

Today, tragedy is understood as a disastrous event, that involves an enormous loss of life (ex: terrorist attack, natural disaster, etc.), which gains widespread media attention for public perception and world understanding. As a literary term, tragedy in a fictional narrative, typically drama involves a sorrowful event, where a good individual, who through a character flaw and/or conflict with an overwhelming effect, experiences setbacks of fortune from success to adversity and becomes a tragic individual. Tragedy usually involves the death of one or more characters (including the tragic individual) caused by the actions of a tragic individual and/or the villain in the literary work of art. (Aristotle)

Tragedy is a common genre in many plays especially in Shakespeare works. A tragedy is a play that has a catastrophic event that ends with an unhappy ending or the main

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

When we think of the tragedy, we think of something bad happening to someone. This cannot be a tragedy. To know what tragedy is we have to take a look at what Arthur Miller thinks of as tragic.

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

When hearing the word Tragedy, it would not be surprising if several different individuals would immediately think of several unique examples of the word. Perhaps one is an opera enthusiast who immediately thinks of Puccini’s La Boheme. Another is a war enthusiast that thinks about History Channel’s new episode highlighting the harshest and bloodiest battles of World War One. Even a third one obsessed with Greek mythology could generate a handful of examples of tragedy. Tragedy, like love or comedy is a universal theme that can be used to entertain, enlighten and excite its audiences. William Shakespeare, a world renown writer, was a master of this genre writing works, including Romeo and Juliet, Othello, and Hamlet. Another lesser known

A tragedy is beginning with a problem that affects everyone, for example, the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.

People have always been fascinated with the tragedy and death of others. Tragedy is the realizing of the ultimate truth of life, and comedy is finding the joys of life. Mythology can stem from both tragedy and comedy.

    By definition, a tragedy is a story that details the downfall of a protagonist. Most often, the protagonist (tragic hero) is a member of high society who is faced with an oppositional force, be it internal or external. In his Poetics, Aristotle states that "tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends...." This quote illustrates an aspect of tragedy upon which many works are based, including

While tragedies and comedies have some similar characteristics, there are some key differences that set them apart: tragedies focus more on characters to make the audience emotionally invested in each one and eventually in their inevitable downfall. On the other hand, comedies tend to focus more on situations than on characters preventing the audience from empathizing with the plight of the characters, to keep their attention on the humor of each scene. The goal of each ending is therefore very different. In a tragedy, once the audience is sufficiently invested in the protagonist, the play

In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies

Aristotle defines a tragedy as a ‘representation of an action which is important, complete and limited in length. It is enacted not recited and by arousing pity and fear, it gives an outlet to emotions of this type.’