Essay on The Tragic Hero of Antigone

“According to Aristotle, the function of tragedy is to arouse pity and fear in audience so that we may be purged or cleansed, of these unsettling emotions.” (“What is” 739) This “purging” is clearly effective in Sophocles’ Antigone which is about a young woman’s will to do what is right by the Gods. Also, according to Aristotle, “a tragedy can arouse twin emotions of pity and fear only if it presents a certain type of hero or heroine who is neither completely good nor completely bad” (“What is” 739). He or she must also be “highly renowned and prosperous,” have a tragic flaw, learn a lesson, and suffer greatly (“What is” 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.

Second, Creon’s faults brought an endless life of pain upon himself. He carried an easily describable tragic flaw. Of course, this defect is a vital trait of the tragic hero of any work. Creon’s flaw was that he was stubborn. I could not reason what Antigone’s tragic flaw could be. I believe that if Sophocles wanted Antigone to be the tragic heroine, he would have stated it more clearly in the story. I am convinced that she was simply a victim of Creon’s stubbornness, therefore leading her away from the role of the tragic heroine. I would simply consider her as a type of “puppet” character that Sophocles ingenuously used to emphasize Creon’s flaw. Creon’s defect brings misery to his life, for that his stubbornness indirectly kills Antigone, Haemon, and Eurydice. This, of course, fits the definition of a tragic hero. This can be easily reasoned by simply reading the work.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

Moreover, Antigone’s ability to follow her own beliefs results into the heroicness and tragic death of Antigone. Antigone is from a royal family and has the power to do what she believes in. She believes in following traditions and exercises that power when she says, “I will bury him, and if I must die, I say that the crime is holy: I shall lie down With him in death, and I shall be as dear To him as he to me” (694). Antigone follows her beliefs in following tradition and by doing what she feels is best. Antigone does this because she knows she is doing the right thing and knows that she will be repaid in some way. Furthermore, Antigone justifies her actions by telling the reasons that motivated her to do it to King Creon. She refuses to give in to the beliefs of King Creon and continues to think her own separate way. Antigone takes a stand to Creon when she says, “ Think Death less than a friend? This death of mine Is of no importance, but if I had left my brother Lying in death unburied, I should have suffered. Now I do not. You smile at me. Ah Creon , Think me a fool, if you like, but it may well be That a fool convicts me of folly” (709). Antigone believes what she is doing is correct and proves that to Creon , but he is still not convinced. It is important for Antigone to do what she believes is so that she will be pleased and satisfied with the outcome. Antigone’s ability to pursue her goals and to what she wants

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues, and possess a fatal flaw, or hamartia. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat.

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

The tragic hero of a story has to have his/her tragic flaw. Creon and Antigone both shared the beliefs of freedom and the protection of personal dignity; those must be their tragic flaws. Creon believed that if he made a direct command he would carry it out all the way and not bend the rules for anyone. That shows how stubborn he was and how heartless and vile he was. Those are the traits of his tragic flaw. Antigone believed that everyone has their equal rights no matter whom they are fighting for, especially if they are part of her family. She would be stubborn and would not bend her ideals for anyone like Creon. She would go as far as it would take for her to get her point across. A tragic hero must realize that he/she has a tragic flaw and must then try to change themselves.

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

            To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins