The Tragic Tragedy Of Antigone By William Shakespeare

To begin, Antigone demonstrates her head-strong and determined behaviour throughout the play; through her actions and many dialogues, Antigone proves to be inflexible and unshakable at times. In addition, A World Enclosed outlines that the hero in the tragedy is not admirable or heroic at all, but rather, they have a destructive flaw to their character that sparks tragedy to unfold. By the same token, Antigone's determination and stubbornness, and arguably many more flaws, ignite tragedy in this story as well. This is demonstrated when Antigone is

Antigone does not accept the concept of listening to authority and being disciplined by others. Her beliefs are that God will guide her in the right direction and place her where he thinks is best. Creon, another prideful character, attempts to put Antigone in her place , but she immediately fights back and insults him. “It wasn’t Zeus who made this proclamation… Nor did I think your edict had such force that you, a mere mortal, could override

Antigone, however, decides she would rather please the gods than man and buries her brother against King Creon’s orders. She is fully aware of the consequences should she get caught, yet she openly disobeys, even against her sister’s warnings. She gives Creon no additional respect either as a male in a patriarchal society or as a king and ultimate authority figure. In fact, she calls him a fool! Antigone boldly states to Creon himself, “If my present actions strike you as foolish, let’s just say I’ve been accused of folly by a fool,” (Sophocles p.657). The strong will and defiance she exhibits are very characteristic of modern feminism.

Creon voices his opinions on Antigone and her actions with great detail and passion, yet he bases a majority of those opinions on her gender. He makes it a point that men are the rulers of the spineless, controlled women. Antigone also voices her own thoughts on the situation saying to Creon, “And if my present actions strike you as foolish, let 's just say I 've been accused of folly by a fool” (Sophocles 665). For a women to speak of a man, in particular the ruler of Thebes in this manner was unheard of. Antigone is

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

Tyranny and immorality are key notions presented in Antigone when referring to justice. In this play, Creon is presented to be a tyrannical and irrational ruler, while Antigone rejects this system and ultimate dies because of it. Creon views leadership in a selfish, immoral manner. When speaking to his son about his rule, he states, “The state is his who rules it, so ‘tis held”

After Antigone is brought forth and accepts the punishment of her burying her brother, Creon sends her away. At this time, Ismene steps up to defend Antigone and tries to get creon to realize that Antigone is his son’s future bride. Creon answers by saying, “There are other field just as fertile” (26). In this quote, he displays that he cares for neither Antigone, nor his son, Haemon. . He explains that there are other women around that could be just as a promising wife as Antigone. He exemplifies the theme of pride here, by putting that everyone gets replaced and that he does not put his son’s life first. Power, a theme that is primarily exemplified by Creon, appears multiple times throughout his dialogue. While discussing Antigone’s punishment with Haemon, Creon says, “This city will tell me how I ought to rule it?” (40). In this quote, Creon represents the theme of power. He is trying to show Haemon that HE is the king of Thebes and that no one will tell him how to rule, especially the citizens. In relation to present time, there are countless politicians that share the same characteristics as Creon, someone who takes their power for granted and will use it to take advantage of everyone.

I killed them, I, god help me, I admit it all!”(1301) Antigone is an honorable character in this story of love and rebellion. The only thing that she does is disobey an order that is unjust and bury the remains of her

Antigone's representation of feminism broke all the Greece and her strong characteristics defy the inappropriateness of her nature. Antigone has given strong characteristics in her story and because of this she does not stand around while Creon's unjust law insults Polynices. Her boldness, bravery and, unyielding morals are all extremely important to her role in the play. Towards the story by the end, Antigone was punished for her actions; therefore, she was either going to be stoned to death or be locked in a tomb. Between those two choices she got put in a tomb and trapped there with no supplies. The person to do this to her was Creon and his response to this was, “...Take her go, go! You know your orders: take her to the vault and leave her alone there. And if she lives or dies, that’s her affair, not ours: our hands are clean.” (ii, iv, 710) She was buried for doing what was right and what she was obligated to do. She not only prefers this but her bravery, obstinacy and other traits destroy the image of the weak girl who is powerless to everything. Therefore, this is the reason why Antigone represents the epic

“Zeus did not announce those laws to me. And Justice living with the gods sent no such laws for men,” (508-510) said Antigone with frustration towards Creon about the act of her burying her brother, even though it was against the law. Antigone’s words, actions, and ideas contrast with Creon’s

Antigone is one of the two central characters of the play, along with Creon. Like Creon, she too has a claim to being the tragic hero of Antigone. Her first qualifying aspect is being introduced as a good, upstanding person. She is kind-hearted and caring, especially for her family as she was willing to defy her uncle’s royal edict forbidding the burial of her fallen brother Polyneices. She is also a person of high-esteem and stature. As the daughter of the late King Oedipus and Queen Jocasta, as well as the current King Creon’s niece, Antigone is well known throughout Thebes. She is also slated to marry Haemon, Creon’s son. Thus, she is essentially seen as a princess and is adored by the Theban people. The next qualifying aspect is her relatability

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Antigone Essay In literature, a character's personality and flaws dictate the decisions they make. Specifically, in Antigone, the main character, Antigone, cannot seem to overcome her pride, which causes her to make rash decisions. This influences both the plot of the story and the results of her actions because she held her beliefs in a higher regard than the societal norm and those of others. Antigone’s over-obstinate spirit and stubborn loyalty led to her rebellion against Creon's law and challenging her treatment as a woman, but it also led to her demise; her death.

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

She rebels against Creon’s rules and against the Greek patriarchy by continuing on with her plan. Creon’s indignation on antigone causes a disapproving son, who is Antigone’s fiance and ultimately the rest of society, eventually leading to Creon’s ultimate failure to lead as a king. Antigone overturns a fundamental rule, that women are not superior and should not speak out against man created laws. Since Creon has a misogynistic mindset, this leads to the Gods of Thebes to penalize him. “Nor did I think your edict had such force that you, a mere mortal, could override the gods” (II.4.503-504). Antigone spoke up against Creon for what was right to her, which was a rule followed by her people all the time and a law created by the Gods. However, Sophocles show the reader where fault lies and how women were viewed in Greek society, Antigone, however is a breakout character who goes against the human law and a threat to the status quo.