Victor Frankenstein Transformation Essay

The scientific revolution, also known as “The Age of Enlightenment” was a certain period of a time which changed people's thoughts, beliefs, and perspectives on religion, technology, and various other human philosophies. Long before the scientific revolution took place, there were rules that society followed where all humanity had the same, or similar thoughts and beliefs, and they were often told all the things they had to do by priests, churches, and other of the kind. This went on until approximately the 1550 to 1700’s, when the “The Age of Enlightenment” took place and changed everyone’s mindset on the aspects of human philosophies. The scientific revolution is represented in several different ways and humans don’t realize that the scientific revolution occurs everyday globally and affects us all the time. I am going to be telling you how the scientific revolution is represented in the both Dracula and Frankenstein, which are captivating, gothic horror novels.

In Mary Shelley’s book Frankenstein she focuses on the pursuit of knowledge and how that relates to life. In chapter four specifically, there is a lot of discussion about life, death, the creation of life, and the creator all in relation to Victor Frankenstein’s pursuit of knowledge about it. Throughout this chapter he is discussing his struggle of how far to take his interest in science and life, but after becoming so obsessed with his findings and discoveries it is not hard for him to continually push on seeking more and more information about human anatomy and life. Shelley has presented Frankenstein’s endless need for knowledge as a form of instrumental reasoning and how it takes over his life in an extremely negative way because he is

Community in Frankenstein." Bloom 's Literary Reference Online [Facts On File News Services]. N.p., 2005. Web. 26 Apr. 2015.

Does a definition of a monster have to be an unhuman like form or can it be a person who has done numerous unjustified actions? An example would be if a person has committed many crimes or harm innocent people, then should the person be counted as a monster. An image of a monster is a form of some living thing that has ill qualities. Although the creature was thought as the monster, but truly the creator of the creature is the true monster. Frankenstein is the monster because of social isolation from his family, his act of selfishness, and his abandonment for what he created.

In “Insurmountable barriers to our union’: Homosocial male bonding, homosexual panic, and death on the ice in Frankenstein” James Holt McGavran makes a compelling argument about the nature of Frankenstein’s creature in Mary Shelley’s “Frankenstein.” He argues that the creature represents his creators repressed sexuality and that Victor’s rejection of the creature stems from “homosexual panic.” The revulsion Victor feels is due to being faced with a physical manifestation of his sexuality and being forced to confront it. McGavran claims that the mutual obsession with one another that the creature and Victor share is due to attraction, and that the creature represents an ideal lover for Victor. He goes on to offer proof of both Shelley’s

The human brain while complex, initiating every impulse that controls the body, can be simplified. Simple things such as memories, beliefs, or passions can define the decisions that a person makes. The impulses of humanity may cloud a person’s logic, while each person’s logic, in turn, may affect the impulses of humanity. Mary Shelley’s Frankenstein is overflowing with emotionally based decisions. Her text can be further observed when looking through a psychoanalytic lense with a hint of New Criticism, and searching for the root of emotion in outside texts such as the book of Genesis and “The Rime of the Ancient Mariner” (Brackett

One can say that humans should know better than to wonder in the unknown, especially when it comes to things like science. Trying to cheat death is definitely not the way to go. Clearly Victor Frankenstein did not know that until the creature he brought back to life became his worst nightmare. Death is an Important theme in this novel you see this by how Victor decides to make a man or a monster per se by using dead body parts, giving him a horrifying, monstrous and terrifying appearance.

Tragic hero’s can come in all shapes and sizes. They may appear as a villain in multiple works of literature. In the novel, Frankenstein, by Mary Shelley, the tragic hero is the creature. He is a main character whose faults led to his overall downfall. Often, the creature is misinterpreted by people to be named Frankenstein because he is such a prominent character. While the creature is able to identify the faults in mankind it is only after extreme suffering on his own part.

Frankenstein is a novel of a man who was born in Geneva to a very well-known family. At a young age, Frankenstein’s parents took in his close childhood friend, Elizabeth to live with them. This came about when Elizabeth’s mother passed away. Frankenstein’s mother had decided while on her death bed that Elizabeth and Frankenstein should marry. It would seem that his life was laid out for him.

Victor Frankenstein is a man of science, a man of God, and these convictions lead him to experience fear beyond measure. The world of Mary Shelley’s Frankenstein showcases this horror beautifully through the use of Victor and his creation in the exhibition of religiosity and scientific obsession to reveal that not only is life beautiful but it is indeed terrifying and one must tread the path of Godhood carefully, lest he or she succumb to his or her own ironic demise.

Frankenstein has also denied him the companionship that God gave to Adam in the garden. At the end of

I revolved these circumstances in my mind and determined thenceforth to apply myself more particularly to those branches of natural philosophy which relate to physiology”. (Shelley 94). Victor decided to create his monster for the purpose of finding out if one could bring life to the dead. Victor Frankenstein, however, changes and adds to Victor's motives for creating his monster. When the viewer first sees Victor working on bringing back life after death, Victor is working on animating an animal version of his monster.

Shelley influenced science, medical exploration and experimentation through her novel by pressing boundaries and rectifying the journey of modern science. Without Shelley’s innovative philosophies concerning science, medical science would not be where it currently is in medical evaluations. However, Frankenstein wasn’t only an inspiration to modern scientists at the time, it was also an inspiration to grotesque novelists and set a new level for gothic writers of the 18th century. Through a religious standpoint, we have received our bodies as a gift from God, and to create another individual would be morally wrong in God’s

Sure, we see Victor Frankenstein first attempting to learn the secrets of nature by consulting classic works of the occult in Mary Wollstonecraft Shelley's Frankenstein. The truth is, he is curious about a real-world science by observing his professors. Which annex the idea of how magic can be considered as a science since every element can affect a human by our 5 senses. To support the thesis, on pages 34 and 35 “If, instead of this remark, my father had taken the pains to explain to me that the principles of Agrippa had been entirely exploded and that a modern system of science had been introduced which possessed much greater powers than the ancient, because the powers of the latter were chimerical, while those of the former were real and practical, under such circumstances I should certainly have thrown Agrippa aside and have contented my imagination, warmed as it was, by returning with greater ardour to my former studies.This is the moment where science becomes more empirical”(Shelley 34,35). This is the main cause of what made Victor Frankenstein fulfill his curiosity of modern science because the modern science has taken some ideas from medieval science and feels creative of doing this action.

In Frankenstein, the monster is created by Victor Frankenstein in an attempt to do what has never been done before, create life from death. “Victor’s thirst for knowledge led him to serious questions about the nature of life and souls.” (Holland, Tiger. “Book Review: Frankenstein by Mary Shelly.” All-Consuming Media, 18 February 2012. Web.) By way of ancient scientific disciplines, the monster is reanimated from a hodgepodge of different body parts Victor assembles. But, upon seeing his creature’s grotesque form, he is so terrified by the magnitude of his accomplishment the doctor flees the laboratory and has subsequently fallen ill and is bedridden with nervous fever for months. This, however, is just the beginning of the creature’s ill-fated interaction with the population of Europe.