The Transience Of Human Life

Wilder uses the main character as the narrator, who describes to the viewers/audience members, events that had previously taken place. This uniquely used technique makes Wilder’s audience go “stir crazy,” and captivates and sparks the audience's self curiosity to find out what happened. It is also important to note that this technique creates a relation between the narrator and the audience members, which is important because the audience members will hear a complete story of the character’s self experience. Through the narration the male character, relieves the stress, guilt, and burdens onto the “audience” members. We (the audience) are guided by the narrator to understand and unravel the films

E.L. Doctorow’s novel Ragtime is a story involving certain characters, each trying to find his or her place in America. Doctorow focus’s on many themes throughout the novel, however, one theme that he gives to the reader from the very beginning of the novel is the American dream. Many characters throughout the novel individually take diverse journeys in order to fulfill what they might describe as “The American Dream.” Throughout Ragtime several characters venture upon momentous journeys whether they be sensible or unwise, in order to try and achieve their personal pursuit of the American dream.

Have you ever thought that even the littlest things in life can make the biggest difference? One of the themes of Thornton Wilder’s play Our Town is people never fully appreciate the wonders of daily life. People take everything for granted and don’t really realize how the little things in life actually make a huge impact on your life. Wilder shows examples of the little things in life many times in each of the acts throughout the play. Our Town is about a young couple who falls in love and ends up spending their life together. The young couple overlooks the small but important things in life. Throughout Our Town, Wilder informs us about how all people don’t appreciate the little things in life that actually make a huge difference.

Our Town is a play written by Thornton Wilder set in a small town known as Grover’s Corners. Wilder conjured the Stage Manager to be a representation to the theme of the play. The theme of universality placing Grover’s Corners in view with the rest of the world. Wilder makes a point to the audience that people have a big impact and influence over the next person, whether they were important or insignificant to that individual’s life. Therefore, the Stage Manager emphasizes on this very viewpoint that the lives of certain people are overlooked so are their influences. The Stage Manager himself is a physical embodiment of Wilders own views and opinions of humans and life itself. Throughout the play, the Stage Manager plays various of roles in order to force the realization to the audience into understanding the importance human life and the influence of others.

The idea of death can be, and is an enormously disturbing, unknown issue in which many people can have many different opinions. To some individuals, the process of life can progress painstakingly slow, while for others life moves too fast. In the excerpt We Were the Mulvaneys, by Joyce Carol Oates, a innocent farm boy named Judd Mulvaney has an eye-opening encounter by a brook near his driveway. During this encounter, Judd faces a chain of feelings and emotions that lead to his change of opinion of the issues of life and death, and change as a character. This emblematic imagery of life and death, as well as jumpy, and retrospective tones benefit the development of Judd as an innocent child as he begins to change into a more conscious and aware adult.

Moving on, social occurrences like rumors, excessive town gossip, to casual acquaintances display themselves throughout Wilder’s play, just as in Colby. All in all, differences show in basic numbers of population and statistical comparison, but, otherwise, remain similar in the interrelationships of town-life.

In a time and place where people had no worry of locking their doors, or leaving their possessions unattended, the citizens of Grover’s Corners always possessed a sense of safety and protection. This small town life is set in the play Our Town, by Thornton Wilder. The modest New Hampshire town rarely procured any disturbances or quarrels, resulting in a quiet and tidy place to live. In many ways, the town of Grover’s Corner may be comparable to the petite city of Colby, Kansas. However, the twin towns contain only a few contrasting traits. Considering daily living, love and marriage, and the fragility of life itself, these communities share an abundance of similar characteristics, while only containing a few differences.

The Stage Manager maintains a somber tone throughout the play that deeply contrasts with the joy perpetually exuded by the other characters. Wilder emphasizes this contrast particularly during the wedding, in which the Stage Manager offsets the “radiant” atmosphere and digresses: “The cottage, the go-cart, the Sunday-afternoon drives in the Ford, The first rheumatism, the grandchildren, the second rheumatism, the deathbed, the reading of the will.” In this passage the Stage Manager describes life as a list of events, thereby expressing his apathy for it. Wilder, therefore, conveys the consequences of recognizing life’s finality. The finality of existence consumes the Stage Manager and causes him to disengage from his surroundings which prevents him from seeing the meaning and importance in a particular moment. His aversion to life is evident when he states, “Once in a thousand times it's interesting.” The Stage Manager merely views life as transient, and despite having the capacity to appreciate it, he is unable to because he only sees value in things that have longevity. Hence, why he is so adamant about putting a copy of the play in the time capsule he mentions because it will be preserved and “the people a thousand years from now’ll know a few simple facts about

When we think about our existence in terms of how we are humans, we take into account what happens in a typical human life. The universal qualities of human existence is the most prominent theme in the book. This theme is noticeable, multiple times throughout Our Town, by Thornton Wilder. One time the theme is shown in the book in the beginning, where the Stage Manager talks about the layout of Grover’s Corners. The same theme is repeated, when George and Emily are hanging out and they get ice-cream sodas. In another moment the theme is shown in its infancy stage, in the Stage Manager’s discourse about the twins being born in a Polish Town. The theme gradually culminated in the book, towards the end, where Emily’s funeral takes place. We

By creating a background for the town, Capote captivates the readers- with careful examination a parallel can be drawn between the physical deterioration of the town and the moral deterioration of murders Dick and Perry.The rarity of such descript imagery in nonfiction begs the question of author purpose: Capote could have merely adorned his descriptions for the creation of the metaphor, a distinct attribute of a fiction novelist. Moreover, Capote intensifies and dramatizes the setting by “[a]ltering numerical counts, for example, changing the number of churches in Garden City from twenty-two to twenty-eight”, thus further cultivating the religious atmosphere of Holcomb, connecting the readers to the text and attesting to the Christian zeal of the townspeople (De Bellis 522). Capote’s descriptive elaboration appears copiously throughout the entire novel; in the final line, Capote chillingly describes Dewey’s departure from Nancy’s grave, “he walked toward the trees, and under them, leaving behind him the big sky, the whisper of wind voices in the wind-bent wheat”, creating a lasting memory with his use of melodramatic alliteration: a successful accomplishment for any piece of fiction literature (Capote 343).

At the very beginning of the play, the Chorus comes in and gives a nice little start to get the audience caught up to the present day. The Chorus says,

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

Occurring frequently throughout the play, but particularly predominant at the end of Act I is the use of stage directions to

All relationships go through both good and bad times. Some last through the ages, while others quickly fall into nothing. In Terrence McNally’s “Lips Together, Teeth Apart,” the heart of this haunting play is a dramatically incisive portrait of two married couples—the Truman’s and the Haddocks. Uncomfortable with themselves and each other, they are forced to spend a Fourth of July weekend at the Fire Island house that the brother of one of the women left his sister when he died of AIDS. Though the house is beautiful, it is as empty as their lives and marriages have become, a symbol of their failed hopes, their rage, their fears, and of the capricious nature of death. The theme of love and death in relationships is quickly developed, as

Theme – the reason behind why the playwright wrote the play. “Patterns of life”, a slice of reality.