The Transitional Period Between The Two Traditions

In this essay I will discuss and analyze the social forces that influenced American women writers of the period of 1865 to 1912. I will describe the specific roles female authors played in this period and explain how the perspectives of female authors differed from their male contemporaries.

The feminist movement lays claim to a history of both victorious struggle and violent controversy. As women fought for equality with men in the early twentieth century, literature was inspired by this movement. Modernist writers used their artform to provide social commentary in similar ways to realistic writers of the nineteenth century. However, modernist thought allows a much more obvious agenda to be presented through literature. Mina Loy, in “Feminist Manifesto,” and Susan Glaspell, in “Trifles,” both used their respective writings to convey personal opinions on the women’s movement and the relationship between men and women. Though this similarity places them in the same category of modernism, the two differ in their writings

    I chose to compare and contrast two women authors from different literary time periods.  Elizabeth Barrett Browning (1806-1861) as a representative of the Victorian age (1832-1901) and Virginia Woolf (1882-1941) as the spokeswoman for the Modernist (1914-1939) mindset.  Being women in historical time periods that did not embrace the talents and gifts of women; they share many of the same issues and themes throughout their works - however, it is the age in which they wrote that shaped their expressions of these themes.  Although they lived only decades apart their worlds were remarkably different - their voices were muted or amplified according to the beat of society's drum.

The idea of loss is explored diversely in the poems ‘Conscript’ by FA Horn and ‘The Photograph’ by Peter Kocan. Where ‘Conscript’ conveys the loss of a soldier on the battlefields of World War II and his physical demise, ‘The Photograph’ conveys the loss of a World War I Australian soldier and the grief his family endures with the passing of time. Although the two poems are set in different wars, the poets similarly reinforce the devastation, as well as the emotional and physical impact associated with war.

Ever since the days of World War I, women have been seen as second rate to men. They had to live up to many social standards that men didn’t have to and had strict guidelines on how to live their lives. This all changed when modernism deliberately tried to break away from Victorian Era standards in which women were subjugated to a lot more scrutiny. Ezra Pound, who was a large figure in the modernist movement, captured the spirit of the era in his famous line “Make it new!” Consequently, many writers started to experiment with many different and wild writing styles, which led to the short stories and poems we have today. The stories The Wife of His Youth and Mrs. Spring Fragrance were all written in this era of modernism. While they are written in a more traditional style of writing, both these stories have strong implications on feminism from the viewpoints of both male and female writers.

Scholars prefer to focus on religious traditions rather than just “religion” because religious traditions are “a tradition is an historical context or network of linguistic, personal, and cultural relationships” (Portier 19). Traditions can be limiting like the legal tradition in America where we carry it around because it shapes our ideas of what is right and what is wrong. Traditions can also be freeing like the civil rights movement which ended slavery and ended a limiting tradition. Traditions are used as a resource to answer the deeper questions about life. Also, scholars prefer to focus on religious traditions due to a problem associated with “religion”. The problem with “religion” is what does the term “religion” actually refer to?

When on the topic of feminist writing, understanding the time period in which the author’s writing takes place persists as vastly important. Historically speaking, western culture follows a model thoroughly dominated by men. That commonality remains

• U can say the modernist female writers challenge the idea that woman can achieve acceptance and success through writing and working ..etc

War poetry displays an accurate representation of the sensations felt during the horrid times of battle. In the novel The Catcher in the Rye, by J.D. Salinger, D.B. asks Allie, “who was the best war poet, Rupert Brooke or Emily Dickinson” (140). The question proposed can be answered with many different opinions, as the individual's knowledge and understanding of each poet will impact their decision. In contrast to Rupert Brooke, Emily Dickinson is clearly the superior war poet as she portrays soldiers and the idea of death in an insightful manner, which causes the reader to go beyond their comprehension of the words to recognize the full potential of the poem.

Since the emergence of written history, many fables regarding war have encompassed a significant portion of prosodic literature. Two of the foremost war poets of the 19th and 20th century—Emily Dickinson and Rupert Brooke—have both written about profound implications of war on society and also upon the human spirit albeit in two very different styles. The book, Catcher in the Rye by J.D Salinger, theorizes through Allie, that Emily Dickinson was indubitably the superior war poet. Furthermore, when we analyze their works as well, we realize the invariable fact that Dickinson’s work delves into war with a much more holistic approach as well. She not only honours the soldiers for their valiant efforts, but also deftly weaves notions of liberty and civilian duty in regards to war as well as compared to Rupert Brooke who carried a romanticized imagery of martyrs within his poetry. In summation, Emily Dickinson is a superior war poet for her incisive analysis of death, and human nature in correspondence to war as compared to the patriotic salvos of Rupert Brooke’s poetry.

In her article “Isabella Whitney and the Female Legacy” (1991), Wendy Wall examines the effect that early female writers had on breaking gender barriers in 16th century England. Wall specifically focuses on the impact of Isabella Whitney’s writings during a period during which women still struggled to achieve independence and power in a dominating patriarchal system. In this article, Wall credits Whitney for overcoming the many obstacles women faced in their attempts to become published writers, and truly creating a legacy for women throughout history with her efforts.

Throughout history, female artists have not been strangers to harsh criticism regarding their artistic works. Some female artists are fortunate to even receive such criticism; many have not achieved success in sharing their works with the world. In Virgina Woolf’s third chapter of her essay “A Room of One’s Own,” Woolf addresses the plight of the woman writer, specifically during the Elizabethan time period of England. Woolf helps the reader appreciate her view on how stifling and difficult this time period was for women and how what little creativity emerged would have been distorted in some way. Through a number of claims, examples and other literary techniques, Woolf is able to

In the early nineteen century, women were not explicitly part of literature. they were used male pseudonym to publish their works. However, later in the century, there was a shift in women’s implication in literature. women began to be publicly recognized as writers, and they were using their writings to advocate for women’s rights and to reject stereotypes that were commonly associated with them. For example, in the early nineteen century, books and novels were mostly describing “piety, purity, submissiveness, and domesticity” as attributes of a good woman (Fortin). Writings by women were describing women that where rejecting values of the patriarchal society; women that wanted freedom and independence. The writings of Kate Chopin and Charlotte Perkins Gilman exemplify the features of the Feminist phase of female literary tradition. Published respectively in 1892 and 1895, “The Yellow Wall-Paper” by Charlotte Perkins Gilman and “The Story of an Hour” by Kate Chopin are the quintessence of feminist literature. They both used characterization, setting, ad irony to protest a misogynistic society and to request women’s rights and autonomy.

During Victorian era novelist had to develop ways to avoid posing as threats to the order of the society . Something which even make the look anti-feminist, but still many of female writers of that period are known today for their early feminist agendas embedded in their works. Elizabeth Gaskell was one of Britain’s best known female writers, She was a conservative women. Although she was not the part of “the women question” a movement started in mid nineteenth century and gave rise to what we today called feminism, But still

Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and