The Trial By Franz Kafka

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

While all people like to believe they are virtuous and honorable, it is often not the case. In fact, many would rather stand by and watch as unjust treatment occur, thinking it would not affect them. These people, known collectively as bystanders, are present at the event, but choose to not take part in it. They often feel remorse for the sufferer, yet would not lend a hand in fear of becoming one. In “The Hangman”, a narrative poem by Maurice Ogden, and Eve Bunting’s “Terrible Things”,figurative language is used to emphasize the significance of bystanders. These literary devices help develop several cruel yet irrefutable themes.

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

This article by Walter H. Sokel claims that the metamorphosis Gregor goes through gives him the chance to be rebellious. Sokel highlights that after Gregor is changed into a cockroach he also changes mentally, which affects his actions.

The novel The Trial identifies a citizen with no constitutional rights. The government of his country was weak and oppressive. Joseph K the protagonist in the novel struggled with depression, loneliness, frustration and anxiety after his arrest and trying to deal with the coming interrogations, court sessions and a lengthy trial. Citizens in the United States of America with a democratic government, constitutional rights are guaranteed under the United States Constitution, which is the Supreme Law of The Land. “US Constitution”.

A metamorphosis can be described as a change in structure, form, or appearance, or as a change in form from one stage to the next in an organism’s life. In Franz Kafka’s novella, “The Metamorphosis”, change is a major theme. The theme of change is significant as the main character, Gregor Samsa, a traveling salesman, undergoes a metamorphosis of his own as he experiences changes living as a giant insect. However, Gregor’s journey through his new life is not subjective, as his transformation provokes significant changes in his family’s dynamics. In fact, Gregor’s transformation into an insect is not the main focus of the novella. Kafka uses Gregor’s metamorphosis as a way to emphasize the more significant metamorphosis within the Samsa

Today’s society is run by and thrives off capitalism, ruled by our government. Many things are kept surreptitious from us. The government feeds us lies to silence us and to force us conform to society’s customs, this is evident in the novel ‘The Trial.’ It depicts the way in which society is ruled by an autocratic hierarchy, which is kept secret from the working class. This is a metaphor for the Marxist ideology of the bourgeoisie exploiting the proletariat in a capitalist society. ‘The Trial’ by Franz Kafka was published in 1945 and follows the injustice of the main character Josef, who is arrested by two wardens, and prosecuted on unnamed charges. "Without having done anything wrong he was arrested one fine morning." The nature of his crime is kept confined from him and the reader. Throughout the novel, Josef struggles ineffectively against an oppressive and autocratic court system, only to be abruptly executed, at the end of the novel. This essay will be exploring Josef’s character and the ways in which ‘The Trial’ is written in a Marxist perspective in depth, analysing how Josef struggles against the oppressive court system, adamant not to compromise his beliefs to conform to and suit society’s norms.

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life

The opening establishes and embodies the world of the justice system, “the man’s world”, accompanied by its seriousness, organisation and harshness in its outlook on reality, the depiction of a typical arrest, identification and trial of a convicted criminal. However, this “world”, according to Wood is threatened, stating that it is somewhat disrupted by the protagonist’s “frivolousness, selfishness, and triviality” (272).

Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.

In the essay "In search of Heimate: A Note on Franz Kafka's Concept of Law", the writer Reza Banakar reviews Kafka's intrepretation of the legal system within his writings. Banakar concocts a passionate arguement for the fact that in the story of The Trial, law is not only a concept but an experience that leaves a indiviual feeling trapped. He also gives a well thought out testimony to support the claim that The Trial bridges the concept of the human condition and the legal system together. Even though the piece is unorganized and uses legal jargon that college students are unfamiliar with, the essay should be included in the new critical edition of Kafka's work due to the fact that it gives insight of novel from a person with a higher understanding of the law.

Law is commonly understood as a set of rules made for common good and smooth functioning of the administration.Both the common people and those involved in governing and making laws must obey the same.The understanding of legal system as a co-operative effort to promote the common good implies a moral relation between those who govern and those who are governed.However, law in a colonized land is a different one. Since, in a colony the judicial system is mostly in the hands of the colonizers, therefore, there is full possibility of the same to be bias or unequal.Law in literature has now become an established discipline for its gives a picture of what is happening in a society. This paper makes an attempt to study law and its portrayal in the literature by bringing in Franz Kafka’s short story “In the Penal Colony” in the context. Kafka’s short story can be studied as a depiction of a colonial state and its people being deprived of a proper judicial system and thus are facing injustice and inequality.

The Trial has an immediate ability to engage the emotions of the reader because the protagonist, Josef K., is an everyman.  Not especially ambitious, Josef K. is an ordinary man, a successful bank clerk whose everyday

In Kafka’s The Trial, which he wrote after being introduced to theater, some of the humor was very subtle, dark, and often ironic. In terms of usage, Kafka usually applied this strange type of humor to his protagonists: “Something of this humor survives in the work of Kafka, whose attitude toward the tragedy of his heroes’ situation is heavily ironic” (28). In addition to being comical, Kafka was very well known for his dramatacism. Much of this can be attributed to Yiddish Theater: “In this story, the solitary narrator encounters ‘the small ghost of a child,’ who familiar in these stories, which echo the striking dramatic effects used in the Yiddish theatre or more widely in expressionist literature.” In Kafka’s individual writing, he started to mirror some of the same plot lines as in the Yiddish Theater (Murray 150). With religion first bringing him to the Yiddish Theater and the theater itself yielding certain usable aspects of writing, his culture and religion were a vital part of the style that made Kafka so well known.