The Trinity Wall Street

Jordan Belfort is the notorious 1990’s stockbroker who saw himself earning fifty million dollars a year operating a penny stock boiler room from his Stratton Oakmont, Inc. brokerage firm. Corrupted by drugs, money, and sex he went from being an innocent twenty – two year old on the fringe of a new life to manipulating the system in his infamous “pump and dump” scheme. As a stock swindler, he would motivate his young brokers through insane presentations to rile them up as they defrauded investors with duplicitous stock sales. Toward the end of this debauchery tale he was convicted for securities fraud and money laundering for which he was sentenced to twenty – two months in prison as well as recompensing two – hundred million in

Based on the information presented in the PBS documentary and the TIME article, describe how the behaviors of corporations, such as Ford, Firestone, and the financial institutions on Wall Street, could or should be understood as crime whether or not they have been prosecuted? How do these activities differ from those involved in “typical” street crimes?

The trinity is commonly symbolized by groups of three in many works of art. In this piece there are three archways shown inside the house, three vases next to Mary’s bed, and three lilies in a vase between the archangel and Mary that holds three white lilies that also represents the virgin’s purity. 1

The outside of the church is very humble in appearance. It doesn’t look like a place of worship at all from the outside, but the statue of Shinran Shonin in the front makes the building seem particularly important as you pass by. As we ascended the stairs, there was a small garden of flowers surrounding the Shinran Statue, which survived the atomic bombing of Hiroshima. There was a hand painted sign that said “Autumn Festival” hanging from the front fence. The foundation of the church is slightly elevated as well.

The first thing that one’s eyes lay on is the amazing trade mark of marble stone from the architect Rafael Guastavino. The façade out of this building shows Spanish Renaissance architecture at its very best. The brick work could not be copied and is no longer done in this day and age. This herringbone pattern is also the trademark that Guastavino uses in all the buildings that he created (Carrasco, Mercè Piqueras). On the top of the church stands the churches Saint; Saint Lawrence. He holds a gridiron; which is the method by which he was martyred (saintlawrencebasilica.org). Saint Lawrence is flanked by Saint Steven, the very first martyr, who holds a stone; which was the method of his martyrdom. On the opposite side, Guastavino’s favorite saint, stands Aloysius Gonzaga. He was a young seminarian at the time of the plague that died assisting other people (Swain, Elisabeth). The inside of this building contains no structure, but yet in the last one hundred years there was never one tile that was lost. Inside the church one can’t help but notice the many banners hanging around the perimeter. The banners on the eastside of the building are the coated coats of arms of all the popes who have reined since

shall be fined under this title, or imprisoned not more than 25 years, or both.

In this drawing (Figure 1), the exterior of the building is depicted and once can see what looks to be the portico and steeple. The steeple served as a cupola, or light source, and was an inherently Protestant Church element. This mimicry helped to eliminate any distinction between the Jewish synagogue and the surrounding Christian churches. In fact the steeple is nearly the same neoclassical spire that can be found atop the Saint Michael Episcopal Church built in the 1760’s on Broad Street, Charleston. This was important for the reform Jews who sought to fit in and mark their place with the rest of Charleston’s society, who were majority Christian. Other elements of the synagogue mirrored Charleston’s Protestant churches. Features such as a “Palladian window, a bull's eye window, and quoins” (Waddell 11) in addition to a total of 24 compass-headed windows in double rows which lined all four façades of the synagogue. The building itself was constructed from brick, covered in stucco and then painted over. Situated off of Hasell Street between King St. and Meeting St., the synagogue measured 70 feet long and 40 feet tall at its ridgeline (Ackermann

The edifice in itself was rather imposing. It was a large construction similar to European cathedrals. From the point of view of the religious feeling, I considered it to be more appropriate than catholic churches that resemble more to museums and are extraordinary in their art. Usually in catholic churches the edifice is impressive in its shape and construction and the first thought is to associate it to a pierce of art rather than a place of prayer. By comparison, this Orthodox Church was not that lavishing in details or artistic nature and the outside paintings set a religious feeling as I entered. A cemetery or a place for holy burials such as the former priests that served at the Church surrounded this church. This is not mandatory to happen but most of the times, Orthodox churches have in the vicinity the cemetery.

The medieval cathedral was physically integrated into the town. Houses crowded up to its very walls and "lean-to's" were built right against them. In the city, the tower cathedral, was the medieval forerunner of the skyscraper, but unlike its modern counterpart, it subsumed a number of functions. At one moment or another, therefore the medieval church could serve civic, communal, and commercial purposes (Branner, Robert, ed., Chartres Cathedral, W.W. Norton, New York, 1969, p. 69). However it was first and foremost a religious building. Although in modern times it served primary as a place of worship.

The problem to be investigated is the application of business ethics. In the business world, ethics are extremely important. Ethics are prime elements that help a business to grow and to become more productive. It is by applying proper business ethics that a business can operate in a moral or ethical business environment and managed to conduct all activities in a manner that maximizes profits while not compromising all other non-economic concerns(Schwab, 1996). Businesses have over the years failed to nurture business ethics in order to fulfill shareholders' interests and to have a culture that is oriented towards profit maximization and high performance(Jennings, 2012; Sims & Felton, 2006). This has led business to have gray areas in their activities. Gray areas are those situations or problems that do not fit exactly into any ethical analysis. These are the activities which may be represented to be immoral as a result of lying and false representations on the part of the business.

The Meltdown is a PBS special on the events of the financial crisis of 2008, in a timeline format, revealing the thinking behind decisions made during the fateful months before the stock market crash in August of that year. Some financial gurus on Wall Street devised a plan to bundle several mortgages together into a group, and then selling that bundle to another group of investors looking to invest in securities. The lender did not need to earn money from the loans he was giving out, he merely gained enough of a profit from the bundling operation that billions were being made on Wall Street from 2005-2008. The problem is that these bundles were risky, and as credit unworthy individuals defaulted on their mortgages, the entire system crumbled into what is now known as the Stock Market Crash of 2008, and have subsequently lived during the Great Recession.

The buildings had barrel vaults columns and windows and doors with rounded arches. The buildings were solid and heavy with small windows which made the insides very dimly lit. This lack of light is apparent in the film as a way to describe the general mindset and lifestyle of monastic life in the Middle Ages. Romanesque architecture is known for its large internal spaces. Annaud uses these Middle Age details in his construction of the set. As Professor Russell describes in the Medieval Culture lecture the different rooms of the monastery contained the cloister which connected the dormitory, refectory, scriptorium, kitchen, cellar, and herbal garden. The small windows, arched doorways and the non-human void of expressivity capitals and sculptures were all true to the times. Annaud constructed this Romanesque church set built specifically to shoot majority of the film. The attention and detail that he put into making sure that the backdrop provided a true and accurate account for how religious architecture was in the Middle Ages furthered the success of the film.

The billionaire CEO of Monaco's creative forces, and later art director of Pulse in Wall Street, is an international con artist with a huge line of internationally known assassins in his circle. He secretly sells King Vandyke and Venus de Asia paintings to increase his popularity In Rome's art market, and challenges SYBIL's fellowship with MoMa gallery by firing her. Later when Sybil finds out that ABIGAIL the new girl is Bogart's long time mistress, she threatens to spill the beans if Bogart takes the new girl over her. Bogart freaks out and rehires Sybil and promotes her the House Executive of Pulse. When Bogart's wife Aura hears about All-That-jazz in Pulse, she questions Bogart's leadership and warns him, but Sybil, in order to keep her

In his book, Capital Ideas: The Improbable Origins of Modern Wall Street, Peter L. Bernstein examines the innovative financial work of various academics that helped shape modern Wall Street. Bernstein sets out to show that Wall Street is in fact a fundamental and useful model to follow, rather than something to be feared. He points out that, “By combining the linkage between risk and reward with the combative nature of the free market, these academics brought new insights into what Wall Street is all about and devised new methods for investors to manage their capital.” (2) These impressive scholars have incorporated scientific measurement to the art of finance, forever

This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an