Voyeurism And The Truman Show

Today, Film and Television are among the most internationally supported commodities. Financially, their contributions are enormous: both industries are responsible for the circulation of billions of dollars each year. Since their respective explosions into the new media markets during the mid-twentieth century, film and television have produced consistently growing numbers of viewers and critics alike. Sparking debate over the nature of their viewing, film and television are now being questioned in social, political, and moral arenas for their potential impact on an audience. Critics claim that watching films or television is a passive activity in which the viewer becomes subconsciously

In “A Century of Cinema”, Susan Sontag explains how cinema was cherished by those who enjoyed what cinema offered. Cinema was unlike anything else, it was entertainment that had the audience feeling apart of the film. However, as the years went by, the special feeling regarding cinema went away as those who admired cinema wanted to help expand the experience.

The reality of the world and the truth of it is questioned everyday, especially when something goes wrong. This is shown in the Truman show, when Truman finally starts to question the reality of the world and the truth of the people that surrounds him. So we need to ask to following questions to understand what the film is essentially about. Firstly, do we agree with the statement- We accept the reality of the world which we are presented? Secondly, what messages is the director trying to give us about modern society? Last of all, explain the part which the media plays in this and power and control it has over individuals? In this essay, I will discuss human nature, our controlling society and how they hide the truth, and the influence of

Voyeurism is originally defined as ‘the practice of gaining sexual pleasure from watching others when they are naked or engaged in sexual activity’. However, the term is also used to describe a general spying on, or having interest in, other people’s lives. This kind of voyeurism is the central theme for Alfred Hitchcock’s mystery thriller, Rear Window (1954). The film follows the boredom-induced curiosity of photographer L.B. ‘Jeff’ Jefferies. Bound to his wheelchair with a broken leg, he has little to do with his time, and finds himself looking into and involving himself in, the lives of his

Utopia - A perfect world. Truman's world was an utopia. Everything, including the weather, was controlled in a huge Hollywood dome. Truman grew up having no idea he was being watched every hour of the day, and that every step he took was being viewed by millions all over the globe. As the show progressed, it became clear how much media influenced Truman's life, and also how Christof played a huge role in Truman's well-being.

Both Laura Mulvey and bell hooks describe the idea of the “gaze” in film. In both of the theories presented by Mulvey and hooks, the “gaze” is the way in which viewers are subjected to a particular perspective because of their social standing. In Mulvey’s case, she argues that the “gaze” in which the audience is forced into is that of the “male gaze” while hooks argues a more nuanced “gaze” including the “oppositional gaze”. While some of Mulvey’s argument is accurate, hooks argues that it leaves out important other factors, in particular, race. Both arguments have many similarities and differences, and can be seen exemplified in many films, such as Spike Lee’s She’s Gotta Have It.

Peter Weir’s The Truman Show features the ideas of a utopia, commercialism and the power of media through various film techniques. Mise en scen is used by Weir to show the idea of a utopia. The cinematography is utilised by weir to demonstrate commercialism. Weir also uses editing to convey the power of the media.

In this essay, I shall try to illustrate whether analysing the movie Rear Window as a classical example of the Freudian concept of voyeurism, is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as:

Several film theorists have used a variety of tactics and view points to analyze feature films since their inception. One of the most prominent theorists of those that analyze films from a feminist perspective is Laura Mulvey. Mulvey is famous for her essay “Visual Pleasure and Narrative Cinema,” which presents an array of theories involving the treatment of women in films. Arguably the most notable idea presented in Mulvey’s work is the existence of the “male gaze” in films. This essay will examine Mulvey’s theory of the male gaze in relation to Alfred Hitchcock’s film, Vertigo. Vertigo does not fit the criteria of a film that

Today’s filmmakers have three areas to focus on: the event or theme of the film, the audience who will be watching the film, and lastly, the individual characters and the roles they play and how they are portrayed and interpreted. Many of these films bottom line objectives are to focus on the “erotic needs of the male ego.” The focus on fetishistic scopophilia tend to slant the view such that we see the world as being dominated by men and that woman are

The Truman Show is a film which has been developed through a range of images. Peter Weir has creatively directed a film portraying the media and its impact on society. Within this film we see the effectiveness of techniques, which include camera angles, framing, shot types, camera movement, style of music, costuming and sequencing. By using a range of different techniques Weir is able to create emotive images and portray three different worlds to the audience.

'The Truman Show' is the story of a baby who is bought by a television

The Allegory of the Cave has many parallels with The Truman Show. Initially, Truman is trapped in his own “cave”; a film set or fictional island known as Seahaven. Truman’s journey or ascension into the real world and into knowledge is similar to that of Plato’s cave dweller. In this paper, I will discuss these similarities along with the very intent of both of these works whose purpose is for us to question our own reality.

The media has become so powerful in today’s society that it has come to the point of controlling our daily lives. “We accept the reality of the world with which we’re represented. It’s as simple as that”. This was said by a character in the movie, The Truman Show that was released in 1998, distributed by Paramount Pictures, directed by Peter Weir, and includes stars such as Jim Carrey, Laura Linney, Natasha McElhone and many more. There is a crucial need to criticize the media in order to explore the way something is presented and to be sure that we are thinking for ourselves because the media is not always accurate in its portrayal of facts.

Even though male gaze is still the fundamental construct in modern films, I do not think lesbians and majority of women these days enjoy objectification. Women are trying to break through gender differences and evolve as equal being to men. In trying to explain how women are positioned in films, Kaplan says “Psychoanalysis a crucial tool for explaining the needs, desires and male-female positioning that are reflected in film” p. (). Kaplan uses psychoanalysis to argue how women take