The Truth About Stories: A Native Narrative By Thomas King

Theodore Fontaine is one of the thousands of young aboriginal peoples who were subjected through the early Canadian system of the Indian residential schools, was physically tortured. Originally speaking Ojibwe, Theodore relates the encounters of a young man deprived of his culture and parents, who were taken away from him at the age of seven, during which he would no longer be free to choose what to say, how to say it, with whom to live and even what culture to embrace. Theodore would then spend the next twelve years undoing what had been done to him since birth, and the rest of his life attempting a reversal of his elementary education culture shock, traumatization, and indoctrination of ethnicity and Canadian supremacy. Out of these experiences, he wrote the “Broken Circle: The Dark Legacy of Indian Residential Schools-A Memoir” and in this review, I considered the Heritage House Publishing Company Ltd publication.

The poem is directed those, perhaps politicians, who perpetrate the erasure of First Nations voices and stories. Residential schools, unequal treatment and educational funding are only some examples of how the Canadian government actively subjugated First Nations and their culture. Some aboriginals are victims of sexual assault, murder, and theft, as specifically noted in Simpson’s poem. The purpose of this poem is to inspire others to fight for equal rights; it also serves as a reminders of solidarity to other First Nations who have experiences oppression. Simpson calls on her generation, “the singing remnants,” to remember the mistakes of the past and speak out about past and present inequalities. Leanne Simpson’s work as an activist is evident in this

Overall, James Bartleman successfully addresses the issues of marginalization and assimilation of First Nations people in Canada. Through Bartleman’s stylistic choices, As Long as the Rivers Flow narrates the fictional story of a Native raised in

The Native Canadian culture revolves around the art of storytelling, and this natural gift is heredity. In Story of Starvation, by Marion Tuu’luq, she tells a tale of her childhood where she and her people go on a journey to find food. They are driven to the brink of starvation due to their lack of technology, and their practice of hunting for their own meals. Tuu’luq’s intense story shows the significance of the Native Canadian way of life, and the tough childhoods that many of them had to endure. Tuu’luq says in her story, “I am going to recount a story that I am sure I have told over and over again in the past” (Pg. 86). This repetition of the story shows the cultural impact of storytelling in the Aborigine community. This story truly does control Tuu’luq’s life, because she retells it in order to remember all that she had to face within her childhood in order to survive. The story is both a source of entertainment, and a source of historical prevalence in Tuu’luq’s life. Although, it was a horrid experience, she learns to cope with it and tell it in a way where the listener takes away the importance of remembering Native Canadian

The play the dreamers is about the impact on modern Aboriginals since the settlement of the “white” community it focuses on the

Aboriginal persons in Canada have been facing oppression ever since colonization began. Even when Canada gained independence from the British Empire, the oppression continued and still goes on today. One major contributing factor to the oppression of Aboriginal people in Canada is the actions taken by the Government. The Government of Canada has in fact mistreated and found to be partaking in wrongdoing when dealing with the Aboriginal population in this country. With this ugly truth being revealed, the Truth and Reconciliation Commission had to be tasked with discovering and revealing past wrongdoing by a government in the hope of resolving conflict left over from the past. (cite)

Gilbert’s poem portrays many Aboriginals plight’s within Australia and conveys notions of despair, anguish and anger for his fellow Aboriginal comrades. Again, Gilbert uses strong visual imagery in “the anguished death you spread” which helps convey the persona’s feeling of horror and anger at the Europeans. This is further emphasised through the poet’s vehement and repetitive use of second person pronouns in “you” which conveys a sense of blame and accumulates into an accusatory tone and generates a strong sense of detachment between the author and the European settlers. Furthermore enjambment enhances the accusatory tone in “you pollute all the rivers and litter every road” because the lack of punctuation and pauses makes the lines sharp and quick, creating a sense of anger in the author. In addition the author’s use of metaphors in “humanity locked in chains” creates a sense of struggle and inability to escape the oppression the Aboriginals are in, whereby the word “chain” is symbolic for trapped and lack of freedom. Kevin Gilbert’s emotional poem brings light to the pain and suffering Aboriginals are going through, which is a stark contrast to the image of Australia, being a free and accepting

Literature can be a powerful tool for social change. Red Rooms by Cherie Dimaline is about the weaving of indigenous stories through the common element that they were patrons of an urban hotel. The narrator, Naomi, works as a housekeeper at the hotel and imagines the past, present and future existence of the patrons by what they left behind. Dimaline shows how indigenous histories and knowledge operate, in that they are not linear, and they do not have a definite beginning or an end. The novel subtly shows the need for an Indigenous resurgence, but the book itself is an act of resurgence because it shows the importance of indigenous literature. This paper will argue that Red Rooms itself acts as an act of indigenous resurgence

Our country of Canada has a dark past. First Nations and Indigenous people in Canada were oppressed to the point where people now refer to what happened to them over 150 years as a cultural genocide. In this essay, I will attempt to explain the media’s coverage on the oppression that Indigenous people have faced, and why media coverage was so rare prior to this year. I will do this by looking in detail at three scholarly articles, five newspaper articles, and a YouTube video.

History was often written by an elite and privileged few. These people tended to marginalize the many voices of minority groups. As critical thinkers, it is important to analyze the histories of these groups for a better understanding of why “official stories” of Aboriginal people exist in such a way. By critically examining the history of First Nations and White relations in nineteenth century Canada, “Joe the Painter” and “We Must Farm to Enable us to Live” are able to challenge the common misconceptions of Aboriginals.

These oral stories, or histories, provides historical actors with an opportunity to depict their own stories in their own words, where usual written records often discount the great unwashed. For Indigenous peoples, individuality is critical to shared histories. Politicians, activists, and business leaders may materialize frequently in official documents and the media, usually manipulating it for their purposes, but the rest of us very seldom do. In The Back of The Turtle, Kings portrays a identical similar setting; a world full of media coverage that is manipulated by large companies, such as Dominion; “‘A spill?’ ‘No’ said Winter. “But evidently there has been some seepage. Possibly from one of our ponds.’ ‘Didn’t we fund an environmental

“However, Aboriginal people still struggle for more than words on paper. They require the enactment of visible justice, where aboriginal people have a pride of place and heritage that can be shared as well as respected.” (king, 2010, p.216).

To many people, Canada exemplifies a country that fulfills human rights and equality being the country of ‘freedom’. However, the Canadian government has distorted certain information including poverty that impacts many Aboriginal individuals daily. In theory, it is impossible to effectively analysis the impact that the past has imposed on Aboriginal people in Canada today. With this being said addressed below are several important historical government actions and legislations such as the Indian Act, Royal Proclamation, force segregation on reserves, and residential schooling impacting Aboriginal Canadians social conditions today. Fundamentally my goal is to address the idea that historical events are a crucial factor impacting Aboriginal

Discrimination of Aboriginal culture and way of life has also been a pressing issue during the years between 1945 and 2010. Canada, as nation that promotes equality, has done a terrible job demonstrating it. False stereotypes and perceptions of Native American people are very common in society today and back then. It is most common in the media because it is seen by almost everyone and has a considerable influence on peoples perspective on an idea, whether their aboriginal or not. Media reaches everywhere, from movies to the new and from advertisement to literature, it gets coverage. In the media aboriginals only ever get minor roles with a lack of identity in their characters, but when they are recognized, they are seen as

Charlie Angus was elected as a Member of Parliament in 2004, a role which took him to the Forgotten Children of Attawapiskat. It was his experiences prompted him to write his book, Children of the Broken Treaty: Canada’s Lost Promise and one Girl’s Dream, which tells the story of Indigenous persons of Canada’s struggles, including treaty rights, residential schools, as well as the fight for education and safe housing. The book provides a challenge to many common assumptions, and it also explores many themes which are used to explain the events which have shaped Canadian culture and policies. Angus begins his book by touching on some of the original treaties signed between the first Canadian government and the members of the bands that are indigenous to the land. One of these was Treaty 9, which promised education for Indigenous children. The book then developed into the foundation of residential schools, and the horrors that are endured there. In addition to the horrendous amounts of verbal, physical and sexual abuse which took place in these schools, the students who attended these institutions faced the mass genocide of their culture, as the unspoken purpose of these schools was “to kill the Indian in the child” (Angus, 2015, p. 14). The beginning of the book, while very dark, provides an honest introduction to some of the themes that can be spotted throughout the book, and history itself. The three themes that primarily stood out to me as a reader were: cultural