The Truth Behind Urban Legends

In “The Truth about Stories”, Thomas King, demonstrate connection between the Native storytelling and the authentic world. He examines various themes in the stories such as; oppression, racism, identity and discrimination. He uses the creational stories and implies in to the world today and points out the racism and identity issues the Native people went through and are going through. The surroundings shape individuals’ life and a story plays vital roles. How one tells a story has huge impact on the listeners and readers. King uses sarcastic tone as he tells the current stories of Native people and his experiences. He points out to the events and incidents such as the government apologizing for the colonialism, however, words remains as

In the city of New Orleans, from parades to clubs and from weddings to funerals, one element usually remained constant throughout all these events: the music that permeated the air. At most of these occasions, a band often performed as entertainment, providing many opportunities for musicians in the area to work. By the early 20th century, due to various factors such as mix of ethnicities and cultures with syncopated musical styles influenced by African-American traditions, the increase in non-reading musicians improvising melodies, and simply the existence of numerous brass bands, New Orleans had become an entertainment powerhouse that largely gave rise to the type of music called jazz. However, while there were many cultural and environmental influences on the emergence of the new genre, two main musical antecedents are associated with forming the basis of jazz: ragtime and blues.

Jazz to me is one of the inherent expressions of Negro Life in America: the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia clubwoman… turns up her nose at jazz and all its manifestations—likewise almost anything else distinctly racial…She wants the artist to flatter her, to make the white world believe that all Negroes are as smug as near white in smug as she wants to be. But, to my mind, it is the duty of the younger Negro artist …to change through the hidden force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am Negro—and beautiful.”

“JAZZ” is a documentary by Ken Burns released 2001 that focuses on the creation and development of jazz, America’s “greatest cultural achievement.” The first episodes entitled, “Gumbo, Beginnings to 1917” and “The Gift (1917-1924), explain the early growth of jazz as it originates in New Orleans and its expands to Chicago and New York during the Jazz Age. In assessing the first two episodes of Ken Burns' 2001 documentary, "JAZZ," this essay will explore the history of jazz, the music's racial implications, and it's impact on society. In doing so, attention will also be given to the structure of the documentary, and the effectiveness of documentary film in retelling the past.

Specifically, jazz music is the soul of New Orleans and was actually born there. Congo square was the very spot where Jazz music was born (Lee). This was the only place African slaves could play their drums in New Orleans. In fact, it was the only place in America where the slaves had that type of freedom. The slave holders would allow the African slaves to be off work every Sunday. The other states in North America would never allow this “freedom.” Music was everywhere in New Orleans: churches, funerals, celebrations, parades, the French opera. Jazz music plays a significant role in funerals because it provides comfort. Slow, traditional tunes would be played to mourn over the death of a loved one. Once some words are exchanged over the dead, the jazz becomes more up-beat and turns into a celebration. This change in beat signifies that, although the people are sad they had to let the person go, they are happy they actually got to know them (Lee). This tradition was used over the victims of Hurricane Katrina, which allowed the people to mourn. Without their jazz, New Orleans probably wouldn't have gotten through all of the deaths they had to face. Music will always speak to people, especially in New

In the city of New Orleans emerged one of the most influential music genres in the history of the United States of America. At the time, New Orleans was known for being a "blending pot" of people or rather, a location where people from all over the world came together in one place. This city served as a key seaport in the U.S. allowing for goods to be imported and exported. The purpose of this city was not only strategic to the growth of the country, but also allowed for the incredible mixing of cultures, customs, and traditions that led to the creation of one of our nations most cherished genres of music: jazz.

Throughout the city’s illustrious history, folklore has been a prominent cultural artifact as a direct result of the city’s love and talent for telling stories. Folklore and legends are a necessity when examining the living culture of storytelling, particularly in New Orleans. The magic and mystery surrounding the city creates the perfect atmosphere for legends such as Marie Laveau. Marie Laveau is one of the most widely known legends concerning New Orleans. This is because

It goes without saying that Jazz as a music genre was influenced very much by the New Orleans musicians. Almost every jazzman accepts the fact that he was somehow influenced by the classic jazz tunes, melodies and improvisations of the old New Orleans. Thus, this period of time, when New Orleans was one of the greatest centers of jazz music should be described and analyzed accordingly. First, it should be noted that the early jazz musicians used to perform in venues throughout New Orleans, especially across the bars and/or brothels (Cooke, 1999). The mixture of the bands playing there was of the highest diversity, as numerous dance bands were playing along with the marching bands. Nevertheless, all these bands were mostly arranged and organized

Jazz and the culture surrounding its history has evolved into one of the worlds most widely known art forms and eras of American music. It is distinguished by its variety of musical characteristics; as well as its evolution in New Orleans, its early performers, the instruments that make it, where it was performed, and the infusion of African and European musical elements. This paper will examine the origins of this unique musical identity along with its characteristics and the cultural history surrounding it.

Developed in the early 19th and 20th centuries, Jazz is a genre of music that originated in New Orleans among the African American culture. The 1920’s became known as the as the Jazz age, making jazz acknowledged as a form of musical expression. New Orleans played a great role in the evolution of jazz music in the 20th century. At this time, the people of New Orleans hailed from many different cultures. As new settlers arrived in New Orleans, musical traditions from all over the world began to unite. African American musicians merged European musical tradition with such music as blues, ragtime, and marching band to create a new style of music—jazz. (Haber, 2016).

John Wood (2017), refers to jazz as a national craze attributed to the widespread popularity of the phonograph. The growing interest of the genre stemmed from two cities: Chicago and New York. In Chicago, musicians originating from Chicago found fame, while New York boasted two jazz hotbeds: Harlem and Times Square. Wood’s video discusses the lives and contributions of jazz legends Louis Armstrong and James Europe.

Music listeners everywhere have heard at least a smidgen of the music from “the prince of darkness”. Although Miles Davis, dubbed the “most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century” by Rolling Stone Magazine and known as the birth of cool, attitudes and behaviors we never truly kind and the man was notoriously known as a jerk, his music was of great importance to the jazz culture as a whole. Without bashing Miles’ credibility or defacing the legend, this paper is being used to chroniclize the music produced synonymously with his behavior as “a badass”. Miles was the kind of person who didn’t care what anyone

Researching ancient myths, fairy tales, and other fictional characters is a rabbit hole that gets all the more complicated the farther you go. There are constantly new discoveries, different viewpoints, and biases. The man known as Vlad the Impaler, more commonly referred to as Dracula, is a perfect example of this. The goal of this paper is to bring to light the many misconceptions about the man behind the myth as well as give some insight into where the whole story originated.

Nowadays, the development of technology affects the way we search for the information. For instance, stories that have been told only within families or small groups of people can now be exposed to the internet, where these stories are shared amongst hundreds of people. Urban legend, by definition, is a humorous or horrific story that people usually believe, even when there is no proof of where it started from, or of the trustworthiness of that story. Urban legends have appealed to many ranges of audiences since this genre tends to attract many individuals. For instance, college students have taken an interest towards these legends, whether they like the strange stories or the actual messages behind it. Urban legends have taught college students the themes, which are based on the reflection of their conflicts or problems that they have dealt with. The two common themes of urban legends that represent the problem that college students are dealing with are the conflicts between college students and their professors and the paranormal and horror events that occur in their life.

The cash register in "Money" is heard just as the color of Oz is seen.