The Truth Lies Can Tell : How Stories Shape Our Perspectives

After seven years of exile, his return to his homeland does not hold nearly the amount of eminence he had expected. Instead, Okonkwo “ [mourns] for the clan,... who had so unaccountably become soft like women” (183). Therefore, he wants the strength he wishes for himself to be reflected in his clan. However, when the Christians take the land and eradicate any opportunity for reversion, Okonkwo’s instability is stretched to its climax. Later, the other men find “Okonkwo’s body...dangling” (207); his suffering is finally put to an end by the only escape he can think of.

Okonkwo wrestles with his fear that any sign of weakness will cause him to lose control of his family, position in the village, and even himself. Like many heroes of classical tragedy, Okonkwo’s tragic flaw, fear, also makes him excessively proud. Okonkwo’s downfall is a result of the changes created by the coming of the British Colonisers to Igbo. The introduction of the Colonisers into the novel causes Okonkwo’s tragic flaw to be exacerbated. Okonkwo construes change as weakness, and as a result of his interpretation, Okonkwo only knows how to react to change through anger and strength. He derives great satisfaction, “hubris” or proud arrogance, from the fact that he is a traditional, self made man and thinks that to change would mean submitting to an outside force (Christianity).

Okonkwo's fear of being perceived as weak tragically leads to him to be unnecessarily violent and excessively prideful. These two fatal flaws lead to Okonkwo’s own emotional isolation, and his inevitable downfall. Driven by the fear of being seen as weak and emasculated, Okonkwo exhibits hyper masculinity and rage. Although this behavior initially leads to success in the patriarchal society of Umofia, rage is his greatest bane: it masks his compassion and pusillanimity. Onkonkwo’s obsession to never appear feminine is driven to the extreme. He denies affection even to his own family, “never show[ing] any emotion openly, unless it be the emotion of anger. To [Okonkwo] show[ing] affection was a sign of weakness; the only thing worth demonstrating was strength.” (pg. 28). Okonkwo whose “whole life [is] dominated by fear, the fear of failure and of weakness.” (pg. 13) suppress his compassion in order to appear important and manly. Ironically this creates a stark juxtaposition between his own fear and his position as an alpha male. Rather than being masculine and courageous, Okonkwo just creates tension within his family and within himself. The pinnacle of this extreme hypermasculinity is when Okonkwo ignores the wisdom of the elder Ezeudu, and violently kills his “son” Ikamafuna: “As the man who had cleared his throat drew up and raised his machete, Okonkwo looked away. He had heard Ikamafuna cry “My father, they have killed me!”

One day at a kindred tribal meet a man contradicted Okonkwo’s view. Okonkwo was quick to call him a woman, and just as quickly Okonkwo was reprimanded by the other tribesmen. These outbursts made Okonkwo look ignorant and brash, but he could not stand weakness of any sort. This is one of many situations that convey the severity of Okonkwo’s tragic flaw.

Going back to the novel, we see Okonwo, who is extremely shocked by the twists which take place in his tribe as a cultural revolution. He sees their ancient religion giving its place to Christianity, and their father’s culture and traditions, which his life was based on, fall apart. To make things even worse, his own son turns his back to him. Okonkwo can not stand this as a result he tries to fight against the people who were the creators of this disaster. But as he fails, he commits suicide, preferring to kill himself, rather than let those strangers kill him.

Okonkwo’s adherence to a tradition of cruelty that harms large groups of minorities leads to a pronounced division once Western missionaries establish their church: a church which allows for aspects of life that tribal law did not. His adherence to traditional law and inability to compromise — rigidity in a culture of flexibility — alienates family members, members of his community, and furthers an internal pressure which ultimately helps the pressures of colonialism. Okonkwo’s inflexible interpretation of tribal law, borne of a need to escape his father’s seemingly feminine weakness, leads to morally bankrupt decisions. Unable to settle on a compromise between law and morality, he murders Ikemefuna: although correct in the eyes of law, the action lacks morals, is purely driven by a need for social power and fear of seeming weak. Such personal conflict culminates in intense inner pressure on both Okonkwo’s part and on the part of the community as a whole, leading to a collapse of long standing unity when faced with the external pressure of missionaries, providing a “way out”. This culminates in a scene in which tribal leaders call for an attack on colonialist forces, including other tribal members which have joined the

These messages make the book more relatable to today’s life. All together, these principles of a story were combined to create a thrilling story while maintaining the truth. The rhetorical effectiveness of the text was incredibly strong, and what makes it such a great book. It is not just a book for history lovers, but for any mature reader. This is definitely a

For all of his desire to be strong, Okonkwo is caught up by the constant fear of being perceived as weak. He is afraid of failure and afraid of being considered weak. This fear drives him to do whatever he can to not become a failure like his father which ironically contributes to his death. While Okonkwo was a strong and important figure in his tribe, he had to keep his reputation that way by making some hard decisions. One of them was when he had to kill Ikemefuna, a young boy from the neighboring tribe. Okonkwo started accepting the decision to kill Ikemefuna because he started to call Okonkwo father. He had to keep his own valor intact and kill the boy to prevent himself from showing any weakness, but deep down, Okonkwo was really upset because of what he did which was ironic, “’When did you become a shivering old woman,' Okonkwo asked himself, 'you, who are known in all the nine villages for your valor in war? How can a man who has killed five men in battle fall to pieces because he has added a boy to their number? Okonkwo, you have become a woman indeed.'" (Achebe 65). He continued to roll downhill when the white man comes to try and convert Okonkwo’s tribe. Okonkwo responds by killing one of the messengers that were sent. This cause Okonkwo's own tribe to question his actions. “"Okonkwo stood looking at the dead man. He knew that Umuofia would not go to war. He knew because they had let the other messengers escape.

Okonkwo is initially introduced as a proud, hardworking, successful warrior. He is described as "clearly cut out for great things" (6). But he is the son of a ne'er-do-well father; though genial and inoffensive, Unoka must certainly have been considered a failure. He is lazy and does not provide for his family. Not only is this disgraceful, but life-threatening as well. He is dependent on other members of the clan and must have been considered unsuccessful. Okonkwo chafes under such disgrace and his success is a consequence of his desire to be everything his father is not; society's vision of an exemplar citizen. The fact that Okonkwo is able to rise above his poverty and disgraceful paternity illustrates the Igbo's acceptance of individual free will. But Okonkwo's fate and his disharmony with his chi, family and clan are shown to cause his ultimate disgrace and death.

Fearing that these changes might result his downfall in his social status and destruction of his family, he abhors Christianity. Through this misfortunes, Okonkwo starts to realizes that destiny is more powerful than himself as he mentions, “A man could not rise beyond the destiny of his chi. The saying of the elders was not true – that if a man said yeah his chi also affirmed. Here was a man whose chi said nay despite his own affirmation.” (131) Even though Okonkwo does some violent and cruel things, such as beating his wife and killing Ikemefuna, these are what he has to do to pursue what he believes for and obey the gods. These deeds are not that immoral and sinful to bring great calamities to his life. This demonstrates that fate is more powerful than humans’ acts and beliefs. As a result, Okonkwo, is a man who thinks that he can overcome the destiny, however, he begins to laments for his misfortunes and slowly accept the existent power of fate that dominates his life.

The breakdown of Okonkwo’s relationship with his son is evident throughout this novel. The reason for this tumultuous relationship is, Okonkwo is too engrossed in maintaining his status quo, and his relationship was governed by his own beliefs, principles and his own “right way to do right things”. He treated his family very strictly as he believed that showing affection revealed a sign of social weakness; thus the disheartening lack of respect and love was a mal nourishing factor with in the family.

Okonkwo thinks he is the owner of his household and he shows no mercy to anyone who angers him. “He ruled his household with a heavy hand. His wives…lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness.” (Achebe, Chapter 2, p.8). Okonkwo beats his children and wives because of his temper which is influenced by the Igbo society; he puts on a hard exterior because he is afraid of being weak and unsuccessful. At one point, he attempts to kill his second wife with a gun because he thinks she is the cause of a tree’s death. In order to prove his power and strength, without thinking of the consequences, Okonkwo beats his youngest wife during the week of peace - a week when the village celebrates peace and who ever disrupts the peace will be punished by Ala, the earth goddess (Lycos, online). “His first two wives ran out in great alarm pleading with him that it was the sacred week. But Okonkwo was not the man to stop beating somebody half-way through, not even for the fear of a goddess.” (Achebe, Chapter 4, p.21). Okonkwo lives in a male dominant society where men are pressured to be strong and successful; because of these influences, Okonkwo develops an inner

     When Okonkwo returns to the village, he finds that the white man has moved in, bringing Christianity with him. This is a struggle that shows Okonkwo’s inflexibility and objection to change from tradition. Eventually, Okonkwo slay’s a man working for the British and ends up hanging himself as a result of his actions. Suicide is forbidden by the clan,

Okonkwo has a tragic flaw, dark downfall, but does not recognize his flaw as the cause of his downfall. This conveys the theme that one’s insecurity will lead to their demise, regardless of their intent. First, Okonkwo’s flaw is his insecurity rooted in his need for masculinity. Okonkwo fears the idea that “he should be found to resemble his father” and was a “man of action, a man of war. Unlike his father he could stand the look of blood” (13, 10). Given how Okonkwo’s father was a man of no wealth or status, he was seen as feminine. Refusing to resemble his father, Okonkwo becomes a strong, masculine man. Additionally, Okonkwo’s downfall was the result of multiple events that threaten his masculinity. Okonkwo’s first major offense was killing Ikemefuna out of fear of weakness despite being told to “not bear a hand in his death” (57). Additionally, the crime that forced Okonkwo into exile is when his “gun had exploded and a piece of iron had pierced the boy’s heart” (124). Furthermore, Okonkwo’s need for power causes him to kill a messenger as his “machete descended twice and the man’s head lay beside his uniformed body” (204). As a result of his need to appear masculine, Okonkwo makes one foolish decision after another that culminate to his downfall. His refusal to not kill Ikemefuna was done out of fear of seeming weak, his crime that sent him to exile was deemed

The Role of Fear in Achebe’s Things Fall Apart Everyone in life experiences fear. This universal feeling possesses the power to cause people to flee, or, as Achebe often depicts, to influence people to make rash decisions. Achebe illustrates fear’s ability to alter a person’s thinking and actions through direct characterization, dialogue, climax, and understatement. Achebe exhibits the theme through direct characterization of the main character.